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Cymon and iphigenia Stock Photos and Images
RF2HTXJWA–Art inspired by Cymon and Iphigenia, May 2, 1796, Hand-colored etching, sheet: 9 3/4 x 10 9/16 in. (24.8 x 26.8 cm), Prints, James Gillray (British, Chelsea 1756–1815 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMKCA63K–Cymon and Iphigenia, May 2, 1796, Hand-colored etching, sheet: 9 3/4 x 10 9/16 in. (24.8 x 26.8 cm), Prints, James Gillray
RF2HTXED6–Art inspired by Cymon and Iphigenia, 1796, Watercolor, pen and black ink over graphite, sheet: 8 7/16 x 9 5/8 in. (21.5 x 24.5 cm), Drawings, James Gillray (British, Chelsea 1756–1815 London), Gillray here parodies a tale found in Boccaccio's Decameron and Dryden's Fables. While, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMKC8G1R–Cymon and Iphigenia, 1796, Watercolor, pen and black ink over graphite, sheet: 8 7/16 x 9 5/8 in. (21.5 x 24.5 cm), Drawings
RM2A2JJFC–Cymon and Iphigenia, published May 2, 1796, James Gillray (English, 1756-1815), published by Hannah Humphrey (English, c. 1745-1818), England, Etching in dark brown, with handcoloring and stipling, on cream wove paper, 241 × 275 mm (image), 253 × 318 mm (plate), 281 × 318 mm (sheet
RM2DHWR8N–Cymon and Iphigenia, Print made by Francis Haward, 1759–1797, British, after Sir Joshua Reynolds RA, 1723–1792, British, Published by Francis Haward, 1759–1797, British, Text by John Dryden, British, 1797, Etching and stipple engraving (second state) on thick, slightly textured, cream laid paper, Sheet: 19 1/4 × 20 1/4 inches (48.9 × 51.4 cm) and Image: 16 7/8 × 19 3/8 inches (42.9 × 49.2 cm
RM2GBK9Y3–Cymon and Iphigenia by Sir Frederic Leighton (Lord Leighton: 1830-1896), oil on canvas, 1884
RFD35A52–Iphigenia is sleeping in a grove by the sea on the island of Cyrus and a commoner named Cymon sees her and falls in love.
RMD983GY–Benjamin West, Cymon and Iphigenia. Circa 1766. Oil on canvas. Yale Center for British Art, New Haven, Connecticut, USA.
RM2C2KGXP–Mrs. Joseph Vernon as Cymon singing Thomas Arne’s cantata Cymon and Iphigenia. He holds a rose and wears a cape, ruff, doublet and breeches. Vernon (1731-1782), actor and singer who appeared in Queen Mab and The Beggar's Opera. Copperplate engraving from the 'Vocal Magazine' published by J. Bew, 1778.
RF2B8X8A1–Cymon and Iphigenia, published May 2, 1796, James Gillray (English, 1756-1815), published by Hannah Humphrey (English, c. 1745-1818), England, Etching in dark brown, with handcoloring and stipling, on cream wove paper, 241 × 275 mm (image), 253 × 318 mm (plate), 281 × 318 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2AHWBF6–James Gillray. Cymon and Iphigenia. 1796. England. Etching in dark brown, with handcoloring and stipling, on cream wove paper
![Scene from "Cymon and Iphigenia", at the Lyceum Theatre, [London], 1850. '...the scene in which Iphigenia is discovered in a bower asleep by Cymon, who falls in love with her, April standing by, and watching the youthful pair...Iphigenia, or Sylvia, was represented by a debutante, Miss Manners, whose appearance is suggestive of promise which we hope to see fulfilled. Mr. Frank Matthews, as her old guardian, Dorcas, was full of his usual drollery, and illustrated deafness to admiration. The scenery and all the appointments of the stage were exquisitely elegant and effective. The dialo Stock Photo](https://c8.alamy.com/comp/2HT6A24/scene-from-quotcymon-and-iphigeniaquot-at-the-lyceum-theatre-london-1850-the-scene-in-which-iphigenia-is-discovered-in-a-bower-asleep-by-cymon-who-falls-in-love-with-her-april-standing-by-and-watching-the-youthful-pairiphigenia-or-sylvia-was-represented-by-a-debutante-miss-manners-whose-appearance-is-suggestive-of-promise-which-we-hope-to-see-fulfilled-mr-frank-matthews-as-her-old-guardian-dorcas-was-full-of-his-usual-drollery-and-illustrated-deafness-to-admiration-the-scenery-and-all-the-appointments-of-the-stage-were-exquisitely-elegant-and-effective-the-dialo-2HT6A24.jpg "Scene from "Cymon and Iphigenia", at the Lyceum Theatre, [London], 1850. '...the scene in which Iphigenia is discovered in a bower asleep by Cymon, who falls in love with her, April standing by, and watching the youthful pair...Iphigenia, or Sylvia, was represented by a debutante, Miss Manners, whose appearance is suggestive of promise which we hope to see fulfilled. Mr. Frank Matthews, as her old guardian, Dorcas, was full of his usual drollery, and illustrated deafness to admiration. The scenery and all the appointments of the stage were exquisitely elegant and effective. The dialo Stock Photo")
RM2HT6A24–Scene from "Cymon and Iphigenia", at the Lyceum Theatre, [London], 1850. '...the scene in which Iphigenia is discovered in a bower asleep by Cymon, who falls in love with her, April standing by, and watching the youthful pair...Iphigenia, or Sylvia, was represented by a debutante, Miss Manners, whose appearance is suggestive of promise which we hope to see fulfilled. Mr. Frank Matthews, as her old guardian, Dorcas, was full of his usual drollery, and illustrated deafness to admiration. The scenery and all the appointments of the stage were exquisitely elegant and effective. The dialo
![Cymon and Iphigenia, John Everett Millais (1848). Millais's early works were strongly influenced by Etty.[242] John Everett Millais Stock Photo](https://c8.alamy.com/comp/2WXNXW3/cymon-and-iphigenia-john-everett-millais-1848-millaiss-early-works-were-strongly-influenced-by-etty-242-john-everett-millais-2WXNXW3.jpg "Cymon and Iphigenia, John Everett Millais (1848). Millais's early works were strongly influenced by Etty.[242] John Everett Millais Stock Photo")
RF2WXNXW3–Cymon and Iphigenia, John Everett Millais (1848). Millais's early works were strongly influenced by Etty.[242] John Everett Millais
RMMYT0K1–. Cymon and Iphigenia . circa 1780 358 Angelica Kauffman - Cymon and Iphigenia - Google Art Project
RM2J015X4–Cymon and Iphigenia. Benjamin West (United States, Pennsylvania, Springfield, active England, 1738-1820). United States, 1773. Paintings. Oil on canvas
RM2X4CR7N–Cymon and Iphigenia, oil on canvas painting, 1884, Art Gallery of New South Wales Lord Frederic Leighton (1830 - 1896) – creator Details on Google Art Project
RM2E46N34–Print made by Francis Haward, 1759–1797, British, Cymon and Iphigenia, 1797. Etching and stipple engraving (second state) on thick, slightly textured, cream laid paper.
RM2HJ2P79–Cymon and Iphigenia May 2, 1796 James Gillray British. Cymon and Iphigenia 383688 Artist: James Gillray, British, Chelsea 1756?1815 London, Publisher: Hannah Humphrey, London, Cymon and Iphigenia, May 2, 1796, Hand-colored etching, sheet: 9 3/4 x 10 9/16 in. (24.8 x 26.8 cm). The Metropolitan Museum of Art, New York. Purchase, Bequest of W. Gedney Beatty, by exchange, 2008 (2008.254)
RM2AWF2RW–George Morland, his life and works . se 16 » 20^ 131 5 0 Wreckers on the Coast 39 » 54 609 0 0 The Stable Door 27 „ 36 378 0 0 Cymon and Iphigenia 9h » 14 199 10 0 The Slate Quarry (1793) . 19I » 25^ 105 0 0 Selling the Pet Lamb 22 „ 18 157 10 0 A Country Inn, with horseman . III » Hi 73 10 0 Interior of a Stable, with peasant, horse, and dog . • i8| » 23I 199 10 0 Peasants and donkeys by a shed ; Winter (panel) . Ii » Hi 84 0 0 Interior of an Alehouse, wit h sports- men (panel) . 9i » 14 141 15 0 A Boar Hunt . ? a 8 „ 10 63 0 0 Woody Landscape, with huntsmen . 19 » 25I 56 H 0 Woody Landscape,
RMMNYA5C–Cymon and Iphigenia circa 1766. 1256 Benjamin West - Cymon and Iphigenia - Google Art Project
RM2HHFJET–Cymon and Iphigenia 1796 James Gillray British Gillray here parodies a tale found in Boccaccio's Decameron and Dryden's Fables. While walking in the countryside, Cymon, a 'fool of nature,' encounters the sleeping Iphigenia, whose beauty provokes his exaggerated delight. Unlike the maiden of those stories, Gillray's sleeper is no elegant beauty. Nor is there any indication that love will reform her admirer's brutish character. Indeed, Cymon's lecherous expression suggests the opposite. The artist likely intended a political message, using Iphigenia's dark skin and African features to refer to c
RM2CD9CA0–. The literature of all nations and all ages; history, character, and incident . LIST OF ILLUSTRATIONS. VOLUME VI. ARTIST. FAGB TblKmachus and Ulysses L. Tniffault . Frontispiece Periclks Addressing the Athenians . . Philipp Foltz ?. . i6 Venus and Adonis Emmanuel Benner . 43 Medea Preparing for Plight A. Feuerbach .... 60 Donna Zilia and Her Dumb IvOVER • • • .J.L.G. Ferris. ... 112 Louis XIV. and Moli^RE J- L. Gerbme .... 187 TarTuefe and BivMire • • • • ^- Boncka 207 Luthers Evening at Home ........ Stephen J. Ferris . 246 Cymon and Iphigenia Sir Frederick Leighton 353 Sir Roger de Coverley
RMRCWDTT–Landscape with Cymon and Iphigenia. Museum: State Hermitage, St. Petersburg. Author: Rubens, Pieter Paul.
RMMNT5MD–Landscape with Cymon and Iphigenia 1630s. 978 Peter Paul Rubens, Frans Wouters - Landscape with Cymon and Iphigenia
RM2CD9EFM–. The literature of all nations and all ages; history, character, and incident . Butler 314 The Accomplishments and Religion of Hudibras 315 Hudibras Put in the Stocks 318 The Dramatists oe the Restoration 321 William Wycherley 325 Widow Blackacre a^id Her Suitors 327 William Congreve . 331 Scandal and Literature in High Life 332 Thomas Otway 334 Jaffier and Belvidera 336 John Dryden 341 Absalom * 3^ 6 TABI,:^ OF CONTENTS. PAGE ENGLISH LITERATURE—PERIOD V. Part L (Continued). Achitophel .? 344 Zimri 346 Milton 347 Alexanders Feast 347 Cymon and Iphigenia 351 Lord Clarendon 355 The Character of
RMRCGHE6–Cymon and Iphigenia. Museum: Art Gallery of New South Wales. Author: Leighton, Frederic, 1st Baron Leighton.
RMP03J60–. English: Fleuron from book: A collection of new songs. Containing. 1. Cymon and Iphigenia. 2. On pleasure's smooth wings, &c. 3. The cuckow's nest. 4. The jest. Num. VIII. 44 A collection of new songs Fleuron N028496-3
RMMP7D6E–English: Venus and the Three Graces Surprised by a Mortal. Or Cymon and Iphigenia ? Français : Venus et les Graces surprises par un mortel. Ou Cymon et Iphigenia ? between 1631 and 1633. 1229 Venus et les Graces surprises par un mortel (Louvre, RF 2317)
![. Playbill of Theatre Royal, Thursday evening, February 16, 1775, announcing The distres'd mother &c.; Distres'd mother; Cymon and Iphigenia; Citizen; [Playbill of Theatre Royal, Thursday evening, February 16, 1775, announcing The distres'd mother &c.] [Playbill of Theatre Royal, Thursday evening, February 16, 1775, announcing The distres'd mother &c.]. 16 February 1775. Theatre Royal ([York?], England) [author] Bodleian Libraries, Playbill of Theatre Royal, Thursday evening, February 16, 1775, announcing The distres'd mother &c. Stock Photo](https://c8.alamy.com/comp/MMTCG6/playbill-of-theatre-royal-thursday-evening-february-16-1775-announcing-the-distresd-mother-c-distresd-mother-cymon-and-iphigenia-citizen-playbill-of-theatre-royal-thursday-evening-february-16-1775-announcing-the-distresd-mother-c-playbill-of-theatre-royal-thursday-evening-february-16-1775-announcing-the-distresd-mother-c-16-february-1775-theatre-royal-york-england-author-bodleian-libraries-playbill-of-theatre-royal-thursday-evening-february-16-1775-announcing-the-distresd-mother-ampc-MMTCG6.jpg ". Playbill of Theatre Royal, Thursday evening, February 16, 1775, announcing The distres'd mother &c.; Distres'd mother; Cymon and Iphigenia; Citizen; [Playbill of Theatre Royal, Thursday evening, February 16, 1775, announcing The distres'd mother &c.] [Playbill of Theatre Royal, Thursday evening, February 16, 1775, announcing The distres'd mother &c.]. 16 February 1775. Theatre Royal ([York?], England) [author] Bodleian Libraries, Playbill of Theatre Royal, Thursday evening, February 16, 1775, announcing The distres'd mother &c. Stock Photo")
RMMMTCG6–. Playbill of Theatre Royal, Thursday evening, February 16, 1775, announcing The distres'd mother &c.; Distres'd mother; Cymon and Iphigenia; Citizen; [Playbill of Theatre Royal, Thursday evening, February 16, 1775, announcing The distres'd mother &c.] [Playbill of Theatre Royal, Thursday evening, February 16, 1775, announcing The distres'd mother &c.]. 16 February 1775. Theatre Royal ([York?], England) [author] Bodleian Libraries, Playbill of Theatre Royal, Thursday evening, February 16, 1775, announcing The distres'd mother &c.
RMPMDRBR–Cymon and Iphigenia. Date/Period: Ca. 1780. Painting. Oil on canvas. Diameter: 24.5 in (62.2 cm). Author: Angelica Kauffman. KAUFFMANN, ANGELICA.
RMT0BWG4–'Landscape with Cymon and Iphigenia'. Flanders, Late 1630s. Dimensions: 49x73 cm. Museum: State Hermitage, St. Petersburg. Author: Frans Wouters . Peter Paul Rubens (Pietro Pauolo). PETER PAUL RUBENS . Pieter Paul Rubens.
RM2T6A0R1–Mrs. Joseph Vernon as Cymon singing Thomas Arnes cantata Cymon and Iphigenia. He holds a rose and wears a cape, ruff, doublet and breeches. Vernon (1731-1782), actor and singer who appeared in Queen Mab and The Beggar's Opera. Copperplate engraving from the 'Vocal Magazine' published by J. Bew, 1778.
Search Results for Cymon and iphigenia Stock Photos and Images (114)
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