Olympus E-300 Advanced Manual

DIGITAL CAMERA 

ADVANCED MANUAL 

Basic operations 

Things to know before shooting 

Selecting the right mode for 

shooting conditions 

Various shooting functions 

Focusing functions 

Exposure, image and color 

Playback 

Customizing the settings/ 

functions of your camera 

Printing 

Transferring images to a 

computer 

Appendix 

Information 

● Thank you for purchasing an Olympus digital camera. Before you start to use your new 

camera, please read these instructions carefully to enjoy optimum performance and a 

longer service life. 

● This manual explains advanced techniques such as shooting and playback functions, 

customizing functions or settings and transferring recorded images to a computer, etc. 

● We recommend that you take test shots to get accustomed to your camera before 

taking important photographs. 

● The screen and camera illustrations shown in this manual were produced during the 

development stages and may differ from the actual product.

How to use this manual 

This manual includes a table of contents, index and menu list to help you 

easily locate the information you need. 

Searching the table of contents ~ P. 4 

All section titles and chapter headings are listed in the table of contents so that 

you can quickly find the information you need. There is a chapter containing 

information you need to know before using your camera for the first time, a 

chapter that describes basic shooting procedures, etc. 

For example 7 Playback 107 

Viewing still images . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108 

When you want to play back the images you have just 

Single-frame playback . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108 

Close-up playback . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109 

taken. 

V 

Index display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111 

Information display INFO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 112 

Slideshow . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 114 

Rotating images . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 115 

Playback on TV . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 116 

Editing still images . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 117 

Protecting images — Preventing accidental erasure . . . . . . . . . . . . . . . . 119 

Go to Chapter 7 Playback and look for the page titled 

Erasing images . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120 

Single-frame erase . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120 

All-frame erase . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121 

“Viewing still images........108”. 

8 Customizing the settings/functions of your camera 123 

2 

AEL METERING. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124 

EV STEP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124 

Searching the index ~ P. 207 

Terms used in this manual (such as the names of functions) are listed in 

alphabetical order. When you come across a term that you are not familiar with or 

about which you want to learn more, you can search the index to find the relevant 

page. Camera part names and monitor indications are listed at the end of the 

manual. 

For example 

g 

Auto flash..................................................54 Fill-in flash ..........................................56 

FIREWORKS ......................................40 

B 

Flash intensity control ........................60 

BEACH & SNOW ................................42 

Flash mode ..........................................54 

If you want to know more about the term “HQ” 

Beep sound ......................................131 

Bulb shooting ............................................51 

FOCUS RING ........................................126 

Focus lock ................................................30 

V 

FORMAT ................................................135 

G 

GRADATION ....................................104 

Go to the index at the end of this manual and look under H 

H 

1 

HIGH KEY ..........................................40 

for “HQ.......36”. 

HQ ............................................................36 

C 

C-AF..........................................................82 

CANDLE ............................................42 

CARD SETUP ........................................135 

Card adapter ..........................................157 

Center weighted averaging 

metering ..........................................86 

CLEANING MODE..................................182 

Close-up playback ............................109 

COLOR SPACE ......................................106 

Compact Flash........................................172 

Compression ............................................34 

CONTRAST ......................................102 

I 

Image rotation ..................................115 

Index display ....................................111 

ISO BOOST ..............................................92 

J 

JPEG ........................................................35 

Searching the list of menus ~ P. 192 

The camera’s menus are listed in a tree structure. When you come across a menu 

whose name is unfamiliar on the menu screen, you can find the relevant pages for 

this menu function in the menu list. 

For example Menu directory 

When you want to know how to make settings for WB in 

the menu screen 

V 

Go through the menus until you find WB and look for the 

reference page number. 

�Shooting Menu 

Menu Function Setting Ref. Page 

–5.0 - 0.0 - +5.0 P. 88 

RAW, TIFF, SHQ, HQ , SQ, P. 36 

RAW+SHQ, RAW+HQ, 

RAW+SQ 

AUTO , , SLOW, P. 58 

SLOW, SLOW2, , 

AF S-AF , C-AF, MF, S-AF+MF P. 79 

WB AUTO , 3000K, 3600K, 4000K, P. 95 

4500K, 6600K, 5300K, 

6000K, 7500K, CWB1, 

CWB2, CWB3, CWB4, 

ISO AUTO , 100, 200, 400, P. 91 

800, 1600 

ESP , , P. 86 

AUTO P 78 

* For information on how to read the instructions in this manual, refer to “How to read the 

instruction pages” (P. 3) 

Information

How to read the instruction pages 

CARD SETUP — Formatting the card 

Lets you format a card. Formatting prepares cards to receive data. 

Non-Olympus cards or cards formatted on a computer must be formatted with the 

camera before they can be used. 

All data stored on the card, including protected images, is erased when the 

card is formatted. When formatting a used card, confirm there are no images 

that you still want to keep on the card. 

Available modes 

1 Menu T T CARD SETUP 

~ “How to use the menus” (P. 25) 

2 Press . 

● The CARD SETUP screen is displayed. 

3 Press to select FORMAT. Press 

. 

● The FORMAT screen is displayed. 

4 Press to select YES. Press OK. 

● FORMAT is performed. 

This sample page is only for your reference. It may differ from the actual page in 

this manual. 

Indications used in this manual 

TIPS 

~ 

P A S M SCENE 

CARD SETUP 

MENU 

ALL ERASE 

FORMAT 

OK button 

CANCEL MENU SELECT GO 

135 

Sets the camera to any of 

the modes shown. 

This represents the arrow 

pad. Only arrows 

applicable to the 

operation are shown. 

Important information on factors which may lead to a malfunction 

or operational problems. Also warns of operations that should be 

absolutely avoided. 

Useful information and hints that will help you get the most out of 

your camera. 

Reference pages describing details or related information. 

8 

Customizing the settings/functions of your camera 

Step through the menus 

in the order of the arrows 

(P. 25) 

3

Contents 

How to use this manual . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 

How to read the instruction pages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 

For your safety . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10 

1 Basic operations 17 

How to use the mode dial . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18 

How to use the buttons and control dial. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19 

Types of buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20 

How to use the menus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25 

Types of the menus. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28 

2 Things to know before shooting 29 

If correct focus cannot be obtained . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30 

How to focus on a difficult subject — Focus lock . . . . . . . . . . . . . . . . . . . . . 30 

Subjects that are difficult to focus on . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32 

Selecting the record mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33 

Types of record modes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33 

How to select the record mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36 

Setting HQ/SQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36 

3 Selecting the right mode for shooting conditions 37 

Selecting the right mode for shooting situation . . . . . . . . . . . . . . . . . . . . . . . . . 38 

LANDSCAPE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39 

LANDSCAPE+PORTRAIT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39 

NIGHT SCENE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39 

NIGHT+PORTRAIT. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39 

FIREWORKS. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40 

SUNSET . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40 

PORTRAIT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40 

HIGH KEY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40 

MACRO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41 

DOCUMENTS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41 

MUSEUM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41 

SPORT — Capturing a fast-moving subject . . . . . . . . . . . . . . . . . . . . . . 41 

BEACH & SNOW — Shooting seascapes 

or snow-capped mountain landscapes . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42 

CANDLE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42 

4

Contents 

Selecting the right mode for shooting technique — P, A, S and M . . . . . . . . . . 43 

P: Program shooting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43 

A: Aperture priority shooting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45 

S: Shutter priority shooting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47 

M: Manual shooting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49 

PREVIEW function . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52 

4 Various shooting functions 53 

Flash shooting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54 

Flash modes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54 

Setting the flash mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58 

Using the built-in flash. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59 

Flash intensity control . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60 

Optional electronic flashes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61 

Using the electronic flash . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62 

Super FP flash . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63 

Using commercially available flashes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64 

Non-specified commercial flashes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65 

Drive mode DRIVE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66 

Sequential shooting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66 

Auto bracketing BKT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68 

Self-timer shooting /Remote control shooting (with optional 

remote control) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72 

MONOTONE shooting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75 

5 Focusing functions 77 

AF frame selection . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78 

Focus mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79 

AF ILLUMINATOR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84 

6 Exposure, image and color 85 

Metering mode — Changing the metering area . . . . . . . . . . . . . . . . 86 

Exposure compensation — Varying the image brightness . . . . . . . . . . . . . . 88 

AE lock — Locking the exposure AEL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90 

5

Contents 

ISO sensitivity — Setting the desired sensitivity to light. . . . . . . . . . . . . . . . . . . 91 

Setting the ISO sensitivity . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91 

ISO BOOST . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92 

White balance — Adjusting the color tone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93 

Setting the white balance WB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95 

Setting the one-touch white balance . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97 

WB compensation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98 

CUSTOM WB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100 

SHARPNESS S 

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101 

CONTRAST C . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102 

RGB 

SATURATION . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 103 

GRADATION . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104 

NOISE REDUCTION NR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105 

COLOR SPACE sRGB, Adobe RGB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106 

7 Playback 107 


Single-frame playback . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108 

Close-up playback . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109 

Index display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111 

Information display INFO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 112 

Slideshow . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 114 

Rotating images . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 115 

Playback on TV . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 116 

Editing still images . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 117 

Protecting images — Preventing accidental erasure . . . . . . . . . . . . . . . . 119 

Erasing images . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120 

Single-frame erase . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120 

All-frame erase . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121 

8 Customizing the settings/functions of your camera 123 

AEL METERING. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124 

EV STEP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124 

MANUAL FLASH . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124 

CUSTOM OK . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125 

RESET LENS. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126 

FOCUS RING. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126 

6

Contents 

Date/time setting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 127 

RESET — Restoring the factory default setting . . . . . . . . . . . . . . . . . . . . . . . . 128 

ERASE SETTING . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 128 

FILE NAME . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129 

REC VIEW — Checking the picture immediately after shooting . . . . . . . . . . . 130 

Setting the warning tone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131 

Monitor brightness adjustment . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131 

SLEEP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 132 

PC MODE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 132 

Changing the display language . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133 

VIDEO OUT — Selecting the video signal type before TV connection . . . . . . 134 

CARD SETUP — Formatting the card . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 135 

9 Printing 137 

Print reservation (DPOF) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 138 

Flowchart for printing reservation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 140 

Selecting the print reservation mode . . . . . . . . . . . . . . . . . . . . . . . . . . . 142 

Selecting pictures you want to print . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 142 

Setting printing data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 143 

Confirming your print setting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 143 

Resetting print reservation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 144 

Direct printing (PictBridge) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 146 

Connecting the camera to a printer. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 147 

Flowchart for printing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 148 

Selecting the print mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 150 

Setting the print paper items . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 151 

Selecting pictures you want to print . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 151 

Setting printing data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 152 

Printing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 152 

If an error code is displayed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 153 

10 Transferring images to a computer 155 

Flowchart . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 156 

Using the provided OLYMPUS Master software . . . . . . . . . . . . . . . . . . . . . . . 158 

What is OLYMPUS Master? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 158 

Installing OLYMPUS Master . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 159 

7

Contents 

Connecting the camera to a computer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 163 

Starting OLYMPUS Master . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165 

Displaying the camera’s images on your computer . . . . . . . . . . . . . . . . . . . . . 166 

Downloading images to save on your computer . . . . . . . . . . . . . . . . . . . . . 166 

Disconnecting the camera from your computer . . . . . . . . . . . . . . . . . . . . . 167 


Printing images . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 169 

Transferring images to your computer without using OLYMPUS Master . . . . 170 

11 Appendix 171 

Card basics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 172 

Lens basics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 173 

If you encounter problems . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 174 

Error codes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 174 

Troubleshooting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 176 

Camera maintenance. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 181 

Cleaning and storing the camera . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 181 

CLEANING MODE — Removing dust on the CCD . . . . . . . . . . . . . . . . . . 182 

PIXEL MAPPING — Checking the image processing functions . . . . . . . . . 183 

Safety precautions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 184 

Glossary . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 186 

12 Information 191 

Menu directory . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 192 

Available functions by shooting mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 196 

Names of parts. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 198 

Camera . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 198 

Viewfinder indications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 200 

Monitor indications (only for playback) . . . . . . . . . . . . . . . . . . . . . . . . . . . . 201 

Control panel screen. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 202 

Memory gauge . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 203 

Battery check . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 203 

Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 204 

Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 207 

8

For customers in North and South America 

For customers in USA 

Declaration of Conformity 

Model Number : E-300 

Trade Name : OLYMPUS 

Responsible Party : 

Address : 2 Corporate Center Drive, PO Box 9058, Melville, 

New York 11747-9058 U.S.A. 

Telephone Number : 1-631-844-5000 

Tested To Comply With FCC Standards 

FOR HOME OR OFFICE USE 

This device complies with Part 15 of the FCC rules. Operation is subject to the 

following two conditions: 

(1) This device may not cause harmful interference. 

(2) This device must accept any interference received, including interference 

that may cause undesired operation. 

For customers in Canada 

This Class B digital apparatus meets all requirements of the Canadian 

Interference-Causing Equipment Regulations. 

For customers in Europe 

“CE” mark indicates that this product complies with the European requirements 

for safety, health, environment and customer protection. 

“CE” mark cameras are intended for sales in Europe. 

Trademarks 

• IBM is a registered trademark of International Business Machines Corporation. 

• Microsoft and Windows are registered trademarks of Microsoft Corporation. 

• Macintosh is a trademark of Apple Computer Inc. 

• All other company and product names are registered trademarks and/or trademarks of their respective 

owners. 

• The standards for camera file systems referred to in this manual are the “Design Rule for Camera File 

System/DCF” standards stipulated by the Japan Electronics and Information Technology Industries 

Association (JEITA). 

9

For your safety 

10 

CAUTION 

RISK OF ELECTRIC SHOCK 

DO NOT OPEN 

CAUTION: TO REDUCE THE RISK OF ELECTRICAL SHOCK, DO NOT 

REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. 

REFER SERVICING TO QUALIFIED OLYMPUS SERVICE PERSONNEL. 

Lightning flash with an arrowhead, 

enclosed in a triangle, alerts you to the 

presence of uninsulated voltage points 

inside the product which could cause a 

serious electrical shock. 

An exclamation mark enclosed in a triangle 

alerts you to important operating and 

maintenance instructions in the 

documentation provided with the product. 

WARNING! 

TO AVOID THE RISK OF FIRE OR ELECTRICAL SHOCK, NEVER EXPOSE THIS PRODUCT TO 

WATER OR OPERATE IN A HIGH HUMIDITY ENVIRONMENT. 

General precautions 

Read All Instructions — Before you use the product, read all operating instructions. For 

more information on accessories such as the lithium ion battery, refer to the manuals 

provided with those products. 

Save These Instructions — Save all safety and operating instructions for future reference. 

Heed Warnings — Read carefully and follow all warning labels on the product and those 

described in the instructions. 

Follow Instructions — Follow all instructions provided with this product. 

Cleaning — Always unplug this product from the wall outlet before cleaning. Use only a damp 

cloth for cleaning. Never use any type of liquid or aerosol cleaner, or any type of organic 

solvent to clean this product. 

Attachments — For your safety, and to avoid damaging the product, use only accessories 

recommended by Olympus. 

Water and Moisture — Never use this product around water (near a bathtub, kitchen sink, 

laundry tub, wet basement, swimming pool or in the rain). 

Location — To avoid damage to the product and prevent personal injury, never place this 

product on an unstable stand, tripod, bracket, table or cart. Mount only on a stable tripod, 

stand, or bracket. Follow the instructions that describe how to safely mount the product, 

and use only the mounting devices recommended by the manufacturer. 

Power Sources — Connect this product only to the power source described on the product 

label. If you are not sure about the type of power supply in your home, consult your local 

power company. 

Refer to instruction pages for information on using the product with a battery. 

Grounding, Polarization — If this product is used with a specified AC adapter, the adapter 

may be equipped with a polarized alternating current line plug (a plug with one blade wider 

than the other). This safety feature allows the plug to fit into the power outlet only one way. 

If you cannot insert the plug into the wall outlet, pull it out, reverse it, and then reinsert it. If 

the plug still fails to fit, contact an electrician and have the receptacle replaced. 

Protecting the Power Cord — The power supply cord should be placed so it will not be 

walked on. Never put a heavy object on the power cord or wrap it around the leg of a table 

or chair. Keep the area around the power cord connection points, at the power outlet, and 

at the product connection, free of all AC adapter or accessory power cords.


Lightning — If a lightning storm occurs while using a specified AC adapter, remove it from the 

wall outlet immediately. To avoid damage from unexpected power surges, always unplug 

the AC adapter from the power outlet and disconnect it from the camera when the camera 

is not in use. 

Overloading — Never overload wall outlets, extension cords, power strips, or other power 

connection points with too many plugs. 

Foreign Objects, Liquid Spillage — To avoid personal injury caused by fire or electrical 

shock from contact with internal high voltage points, never insert a metal object into the 

product. Avoid using the product where there is a danger of spillage. 

Heat — Never use or store this product near any heat source such as a radiator, heat register, 

stove, or any type of equipment or appliance that generates heat, including stereo 

amplifiers. 

Servicing — Refer all servicing to qualified personnel. Attempting to remove the covers or 

disassemble the product, could expose you to dangerous high voltage points. 

Damage Requiring Service — If you notice any of the conditions described below while 

using a specified AC adapter, unplug it from the wall outlet and refer servicing to qualified 

service personnel: 

a) Liquid has been spilled onto the product or some other object has fallen into the product. 

b) The product has been exposed to water. 

c) The product does not operate normally despite following operating instructions. Adjust 

only the controls described in the operating instructions as improper adjustment of other 

controls could damage the product and require extensive repair work by a qualified 

technician. 

d) The product has been dropped or damaged in any way. 

e) The product exhibits a distinct change in performance. 

Replacement Parts — When replacement parts are required, make sure that the authorized 

service center uses only parts with the same characteristics as the originals, as 

recommended by the manufacturer. Unauthorized substitution of parts could result in fire, 

electrical shock, or create other hazards. 

Safety Check — Upon completion of servicing or repairs, ask the service technician to 

perform safety checks to determine that the product is in good working order. 

DANGER 

WARNING 

CAUTION 

If the product is used without observing the information given 

under this symbol, serious injury or death may result. 


under this symbol, injury or death may result. 


under this symbol, minor personal injury, damage to the 

equipment, or the loss of valuable data may result. 

11


Handling the camera 

12 

WARNING 

� Do not use the camera in areas exposed to flammable or explosive gases. 

● A fire or explosion may result. 

� Do not use the flash on people (infants, small children, etc.) at close range. 

● When you fire the flash, you must be at least 1 m (3 ft) away from the faces of your 

subjects. Firing the flash too close to the subject’s eyes could cause a momentary loss of 

vision. 

� Keep young children and infants away from the camera. 

● If not, the following dangerous situations may occur: 

– Becoming entangled in the camera strap or power cords, causing strangulation. If this 

happens, follow the doctor’s instructions. 

– Accidentally swallowing the battery or other small parts. 

– Accidentally firing the flash into their own eyes or those of another child. 

– Accidentally being injured by the moving parts of the camera. 

� Do not use or store the camera in dusty or humid places. 

● Using or storing the camera in dusty or humid places may result in a fire or electric 

shock. 

� Do not cover the flash with a hand while firing. 

● Do not cover the flash or touch it after it has just been fired sequentially. It may be hot 

and cause minor burns. 

� Do not take apart or modify the camera. 

● Never attempt to disassemble the camera. The internal circuits contain high voltage 

points which could cause serious burns or electrical shock. 

� Do not let water or foreign objects inside the camera. 

● A fire or electric shock may result. If the camera is accidentally dropped in water, or if 

liquid is spilled into the camera, stop using it, allow it to dry, and then remove the battery. 

Contact the nearest authorized Olympus service center. 

� Do not touch the battery or the battery charger while battery charging is in progress. 

Wait until charging is complete and the battery has cooled. 

● The battery and battery charger become hot while charging. The specified AC adapter 

also becomes hot when used for a long time. At these times, they may cause minor 

burns. 

� Do not use a non-specified lithium-ion battery and/or charger. 

● Use of a non-designated lithium-ion battery and/or re-charger may lead to camera or 

battery failure as well as other unexpected accidents. Any accidents resulting from use of 

non-designated equipment will not be compensated. 

CAUTION 

� Stop using the camera immediately if you notice any unusual odors, noise, or smoke 

around it. 

● If you notice any unusual odors, noise, or smoke around the camera during operation, 

switch it off immediately — and disconnect the specified AC adapter (if attached). Allow 

the camera to sit idle for a few minutes to cool. Take the camera outdoors, away from 

flammable objects, and carefully remove the battery. Never remove the battery with bare 

hands. Contact the nearest Olympus service center immediately. 

� Do not use the camera with wet hands. 

● Damage or electric shock may result. Also, do not connect or disconnect the power plug 

with wet hands.


� Be careful with the strap when you carry the camera 

● It could easily catch on stray objects —and cause serious damage. 

� Do not leave the camera in areas subject to extremely high temperature. 

● Doing so may cause parts to deteriorate and, in some circumstances, cause the camera 

to catch fire. 

� Use only the AC adapter specified by Olympus. 

● Using a different AC adapter may damage the camera or power source, or result in 

accidents or fire. Ensure the adapter used is designed for your region or country. For 

more information, contact the nearest Olympus service center or the store of purchase. 

Olympus makes no representations or warranties regarding any damages caused by AC 

adapters not recommended by Olympus. 

� Handle the camera with care to avoid getting a low-temperature burn. 

● When the camera contains metal parts, overheating can result in a low-temperature 

burn. Pay attention to the following: 

– When used for a long period, the camera will get hot. If you hold on to the camera in 

this state, a low-temperature burn may be caused. 

– In places subject to extremely cold temperatures, the temperature of the camera’s 

body may be lower than the environmental temperature. If possible, wear gloves when 

handling the camera in cold temperatures. 

� Do not damage the AC adapter’s cable. 

● Do not pull on the AC adapter’s cable or add another cable to it. Be sure to connect or 

disconnect the AC adapter’s cable while holding the power plug. If the following cases 

occur, stop using and contact an Olympus dealer or customer support center. 

– The power plug or cable produces heat, burning smell, or smoke. 

– The power plug or cable is cracked or broken. The contact is bad on the power plug. 

Battery handling precautions 

Follow these important guidelines to prevent the battery from leaking, overheating, 

burning, exploding, or causing electrical shocks or burns. 

DANGER 

� Never heat or incinerate the battery. 

� Do not connect the (+) and (-) terminals to each other using metal objects. 

� Do not carry or store the battery where it may come into contact with metal objects 

such as jewelry, pins, fasteners, etc. 

� Never store the battery where it will be exposed to direct sunlight, or subjected to 

high temperatures in a hot vehicle, near a heat source, etc. 

� Never attempt to disassemble the battery or modify it in any way, such as by 

soldering. 

● Doing so may break the terminals or cause battery fluid to splash, resulting in potential 

fire, explosion, battery leakage, overheating or other damage. 

� If battery fluid gets in your eyes, loss of eyesight may result. 

● If battery fluid gets in your eyes, do not rub them. Flush them immediately with clear, cold 

running water and seek medical attention straight away. 

13


� Keep the battery dry at all times. Never allow it to come into contact with fresh or 

salt water. 

� Do not touch or hold the battery with wet hands. 

� If the rechargeable battery does not recharge within the specified time, stop 

charging it and do not use it. 

● If you do not, fire, explosion, ignition or overheating may result. 

� Do not use the battery if it is cracked or broken. 

● Doing so may cause explosion or overheating. 

� Never subject the battery to strong shocks or continuous vibration. 

● Doing so may cause explosion or overheating. 

� Never attempt to modify the battery compartment on the camera, never insert 

anything (other than the specified battery) into the compartment. 

� If the battery leaks, becomes discolored or deformed, or appears abnormal in any 

way during operation, stop using the camera immediately. 

● Contact your dealer or an authorized Olympus service center. Continued use may result 

in fire or electric shock. 

� If the battery leaks fluid onto your clothing or skin, remove the clothing and flush the 

affected area with clean, running cold water immediately. If the fluid burns your skin, 

seek medical attention immediately. 

� Do not remove the battery from the camera immediately after operating the camera 

on battery power for a long time. 

● Doing so may cause burns. 

� Remove the battery from the camera if it is not going to be used for a long time. 

● Otherwise, battery leakage or overheating may cause a fire or injury. 

14 

WARNING 

CAUTION 

Charger handling precautions 

DANGER 

� Do not put the charger in water or use it when wet. Do not touch or hold it with wet 

hands. 

● Doing so may cause malfunction or electric shock. 

� Do not use the charger if it is covered with cloth such as a blanket. 

● Do not use the charger if something is covering it (such as a blanket). Heat may be kept 

in, causing the charger to deform. This may cause fire, ignition or overheating. 

� Do not disassemble or modify the charger. 

● This may cause electric shock or injury. 

� Use an charger designed to operate on the AC voltage in the area where you are 

using the camera. 

● Otherwise, fire, explosion, smoke, overheat, electric shock or burns may result.

WARNING 

FCC Notice 


� Do not damage the charger’s cable. 

● Do not pull on the charger’s cable or add another cable to it. Be sure to connect or 

disconnect the charger’s cable while holding the power plug. If the following cases occur, 

stop using and contact an Olympus dealer or authorized customer support center. 

– The power plug or cable produces heat, burning smell, or smoke. 

– The power plug or cable is cracked or broken. The contact is bad on the power plug. 

CAUTION 

� Unplug the AC adapter’s cable from the outlet before cleaning the camera. 

● Otherwise, electric shock or injury may result. 

● Radio and Television Interference 

Change or modifications not expressly approved by the manufacturer may void the user’s 

authority to operate this equipment. This equipment has been tested and found to comply with 

the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are 

designed to provide reasonable protection against harmful interference in a residential 

installation. 

This equipment generates, uses, and can radiate radio frequency energy and, if not installed 

and used in accordance with the instructions, may cause harmful interference to radio 

communications. 

However, there is no guarantee that interference will not occur in a particular installation. If 

this equipment does cause harmful interference to radio or television reception, which can be 

determined by turning the equipment off and on, the user is encouraged to try to correct the 

interference by one or more of the following measures: 

– Adjust or relocate the receiving antenna. 

– Increase the distance between the camera and receiver. 

– Connect the equipment to an outlet on a circuit different from that to which the receiver is 

connected. 

– Consult your dealer or an experienced radio/TV technician for help. 

Only the OLYMPUS-supplied USB cables should be used to connect the camera to 

USB-enabled personal computers (PC). 

Any unauthorized changes or modifications to this equipment would void the user's authority 

to operate. 

15


Legal and other notices 

● Olympus makes no representations or warranties regarding any damages, or benefit 

expected by using this unit lawfully, or any request from a third person, which are caused by 

the inappropriate use of this product. 

● Olympus makes no representations or warranties regarding any damages or any benefit 

expected by using this unit lawfully which are caused by erasing picture data. 

Disclaimer of Warranty 

● Olympus makes no representations or warranties, either expressed or implied, by or 

concerning any content of these written materials or software, and in no event shall be liable 

for any implied warranty of merchantability or fitness for any particular purpose or for any 

consequential, incidental or indirect damages (including but not limited to damages for loss 

of business profits, business interruption and loss of business information) arising from the 

use or inability to use these written materials or software or equipment. Some countries do 

not allow the exclusion or limitation of liability for consequential or incidental damages, so 

the above limitations may not apply to you. 

● Olympus reserves all rights to this manual. 

WARNING 

Unauthorized photographing or use of copyrighted material may violate applicable copyright 

laws. Olympus assumes no responsibility for unauthorized photographing, use or other acts 

that infringe upon the rights of copyright owners. 

Be sure to read the “Safety Precautions” at the end of the manual. 

16

1 


The advanced shooting techniques used by professional photographers 

are drawn from years of experience. 

Now, with your digital camera, you’ll be able to take advantage of those 

same advanced techniques simply by pressing a few buttons. 

You’ll find a wide choice of shooting functions listed in the camera’s 

menus that make it easy to change the focusing area, adjust the white 

balance, etc. The menus can be navigated simply by pressing buttons 

while viewing the monitor. 

But before you can use these functions, you first need to learn how to 

operate the buttons and menus. 

HQ 

ISO 

AUTO 

WB 

AUTO 

1/250 

P 

ESP 

F5.6 

ISO 

FP 

WB 

FOCUS S-AF 

AF ILLUMINATOR 

AUTO 

AUTO 

sRGB 

DRIVE 

HQ 2448 

3264 

0 STEP 

AUTO

1 


How to use the mode dial 

This camera has the following shooting 

modes, which can be switched using the 

mode dial. 

When the camera is turned on with the 

mode dial set to SCENE, the shooting 

mode selection screen is displayed. 

P Program shooting 

Allows you to shoot using an aperture and shutter speed that the camera sets. 

~ P. 43 

A Aperture priority shooting 

Allows you to set the aperture manually. The camera sets the shutter speed 

automatically. ~ P. 45 

S Shutter priority shooting 

Allows you to set the shutter speed manually. The camera sets the aperture 

automatically. ~ P. 47 

M Manual shooting 

Allows you to set the aperture and shutter speed manually. ~ P. 49 

Portrait shooting 

Suitable for shooting a portrait-style image of a person. ~ P. 40 

Landscape shooting 

Suitable for shooting landscapes and other outdoor scenes. ~ P. 39 

Macro shooting 

Suitable for taking close-up pictures (macro shooting). ~ P. 41 

Sport shooting 

Suitable for capturing fast-moving action without blurring. ~ P. 41 

Night scene shooting 

Suitable for shooting images of outdoor scenes in the evening or at night. ~ P. 39 

SCENE 

More than 10 different shooting modes are available to suit a wide range of 

shooting situations. When the mode dial is set to this mode, the shooting mode 

selection screen is displayed. ~ P. 38 

18

How to use the buttons and control dial 

This camera has a variety of functions to make optimal settings for various 

shooting conditions. You can set the function settings using the buttons, control 

dial, or menu. 

Functions available using the : Change camera settings with the buttons and 

buttons control dial, while referring to the monitor menus 

or control panel screen. 

Functions available using the : Change camera settings with the monitor 

monitor menus menus while referring to the monitor. 

1 Press the button for the function you 

want to set. 

● When the control panel screen (~ P. 202) is 

displayed on the monitor: 

The current setting of the function you have 

selected lights in green. 

When the control panel screen is not 

displayed: 

The menu of the function you have selected 

appears. 

Example:When pressing the (record mode) button 

When setting on the control panel screen 

1/250 

P 

ESP 

F5.6 

ISO 

FP 

WB 

FOCUS S-AF 


AUTO 

AUTO 

sRGB 

DRIVE 

HQ 2448 

3264 

Record mode 

button 

When setting on the function menu 

(control panel screen is off) 

Record mode 

HQ 

MENU 

19 

1 

Basic operations

1 



2 After pressing the button, rotate the 

control dial. 

● If you do not operate the dial within 3 

seconds, your setting is confirmed. 

● If you press the button again, you can confirm 

the setting and exit the menu immediately. 

Types of buttons 

20 

1/320 

P 

ESP 

F5.6 

ISO 

FP 

WB 

FOCUS S-AF 


AUTO 

AUTO 

sRGB 

DRIVE 

SQ 2448 

3264 

MENU 

Control dial 

button 

When setting on the control panel screen When setting on the function menu 

1 ~P. 21 

2 ~P. 21 

3 ~P. 22 

6 ~P. 23 8 ~P. 23 

SQ 

MENU 

4 ~P. 22 

5 ~P. 22 

7 ~P. 23

1 

2 


WB (White balance) button ~P. 95 

Selects the white balance appropriate to the light source from the following options: 

Auto, preset white balance settings, customized white balance settings or registered 

white balance. 

Press 

(Flash mode) button ~P. 58 

Selects a flash mode from auto-flash, red-eye reduction flash, slow synchronization 

or fill-in flash. 

Press 

AUTO 

13000K 

23600K 

14000K 24500K 

36600K 

CWB1 - CWB4 

1/320 

P 

ESP 

F5.6 

AUTO ISO 

FP 

WB 

FOCUS S-AF 


AUTO 

AUTO 

sRGB 

DRIVE 

1/320 

P 

ESP 

F5.6 

AUTO ISO 

FP 

WB 

FOCUS S-AF 


AUTO 

AUTO 

sRGB 

DRIVE 

HQ 2448 

3264 

AUTO SLOW SLOW 

HQ 2448 

3264 

7500K 

OR 

OR 

6000K 

WB 

AUTO 

AUTO 

SLOW2 

0 STEP 

5300K 

21 

1 

Basic operations

1 



3 

● You can select the compression and number of pixels in the SQ/HQ mode. 

~ “Setting SQ/HQ” (P. 36) 

22 

(Record mode) button ~P. 36 

Selects image quality. 

4 

Press 

RAW TIFF SHQ HQ SQ 

RAW+SQ 

RAW+HQ 

RAW+SHQ 

(AF frame selection) button ~P. 78 

Selects the AF frame, allowing you to perform multiple AF or to perform AF using 

one of the 3 frames. 

5 

Press 

1/320 

P 

ESP 

F5.6 

AUTO ISO 

FP 

WB 

FOCUS S-AF 


AUTO 

AUTO 

sRGB 

DRIVE 

HQ 2448 

3264 

1/320 

P 

ESP 

F5.6 

AUTO ISO 

FP 

WB 

FOCUS S-AF 


AUTO 

AUTO 

sRGB 

DRIVE 

HQ 2448 

3264 

AUTO 

OR 

OR 

HQ 

AUTO 

(Exposure compensation) button ~P. 88 

Sets the exposure compensation value. 

Press 

1/250 

P 

ESP 

F5.6 

AUTO ISO 

FP 

WB 

FOCUS S-AF 


AUTO 

AUTO 

sRGB 

DRIVE 

HQ 2448 

3264 

+1.5 

● The exposure can be adjusted within a range of ±5.0 EV. 

Available EV steps are: 1/3EV, 1/2EV, 1EV. Changing the EV value changes the amount of 

exposure compensation. ~ “EV STEP” (P. 124) 

OR

6 


(Metering) button ~P. 86 

Selects the metering mode. 

7 

Press 

Sets the ISO sensitivity. 

ESP 

ISO button ~P. 91 

Press 

1/320 

P 

ESP 

F5.6 

AUTO ISO 

FP 

WB 

FOCUS S-AF 


AUTO 

AUTO 

sRGB 

DRIVE 

1/320 

P 

ESP 

F5.6 

AUTO ISO 

FP 

WB 

FOCUS S-AF 


AUTO 

AUTO 

sRGB 

DRIVE 

HQ 2448 

3264 

HQ 2448 

3264 

OR 

OR 

AUTO 100 200 400 

● Setting ISO BOOST allows you to add 800 and 1600 to the ISO value options. 

~ “ISO BOOST” (P. 92) 

ISO 

ESP 

AF (focus mode) button ~P. 79 

Selects the focus mode. 

8 

Press 

1/320 

P 

ESP 

F5.6 

AUTO ISO 

FP 

WB 

FOCUS S-AF 


AUTO 

AUTO 

sRGB 

DRIVE 

HQ 2448 

3264 

OR 

AF 

S-AF 

S-AF C-AF MF S-AF+MF 

AUTO 

23 

1 

Basic operations

1 



1 

24 

(flash) switch ~ P. 58 

Raises the flash. 

(Erase) button ~ P. 120 

Erases unwanted images. 

2 

INFO (Information display) button ~ P. 112 

Shooting: Displays shooting information on the control panel screen. 

Playback: Displays shooting information or histogram of the recorded image. 

Each time this button is pressed, the information display is changed. 

3 

4 

Other buttons 

AEL button ~ P. 90 

Locks the exposure. 

5 

1 

2 

(Playback mode) button ~ P. 108 

Plays back images on the monitor. 

6 

MENU button ~ P. 25 

Displays the menu. 

7 

OK/ (Protect) button ~ P. 119, 125 

Shooting : Allows you to use the function that you previously assigned to the 

menu’s CUSTOM OK. 

Playback : Protects images from being accidentally erased. 

MENU 

3 

4 

5 

6 

7

How to use the menus 

The camera’s functions can be set. Display the menus on the monitor 

and select or set them. 

This section explains how the menu works using the P mode. 

1 Press the MENU button to display 

the menu on the monitor. 

1 

2 

1 

CARD SETUP 

DRIVE 

0.0 

2 MONOTONE OFF 


Operation guide is displayed at the bottom of the screen. 

CANCEL T MENU: Press MENU to cancel the setting. 

SELECT T : Press to select the item. The illustration 

displayed corresponds to the arrow pad shown below. 

GO T : Press OK to confirm your setting. 

MENU button 

MENU 

OK 

25 

1 

Basic operations

1 



2 Press to select a tab. 

● The functions are categorized under tabs. 

26 

Tab The current settings are displayed. 

1 

2 

1 

2 

tab 

0.0 

HQ 

AUTO 

AF S-AF 

WB AUTO 


1 

2 

1 

CARD SETUP 

DRIVE 

0.0 


tab 


tab 

tab 

2 tab 

1 

2 

EDIT 

OFF 

1 

2 


1 

2 

1 

EV STEP 

ISO BOOST 

MANUAL FLASH 

1/3EV 

OFF 

OFF 

2 CUSTOM WB 


1 

2 

1 

2 

RESET 

FILE NAME 

REC VIEW 

’04.01.01 

01:01 

AUTO 

5sec 

OFF 

CANCEL MENU SELECT GO

3 Press to move to the functions of the tab you have 

selected. 

4 Press to select a function. 

Press 

Press 

6 Press to select a setting. 

Press 

Press 

1 

2 

1 

2 

1 

2 

1 

Function 

CARD SETUP 

DRIVE 

MONOTONE 

2 


CARD SETUP 

DRIVE 

MONOTONE 

OFF 

BLACK & WHITE 

SEPIA 


0.0 

OFF 

5 Press to move to the settings of the function you have 

selected. 


Setting 

Press 

Press 

27 

1 

Basic operations

1 



7 

Press OK repeatedly until the menu disappears. 

● Normal shooting screen is restored. 

TIPS 

To return to the previous item on the menus 

T Press the MENU button. 

Explanations for menu operation 

This manual uses the following explanations for menu operations. 

Example : Menu T T MONOTONE T OFF, BLACK & WHITE, SEPIA. 

Types of the menus 

28 

Tab 

1 

2 

1 

CARD SETUP 

DRIVE 

0.0 



: Sets the functions that are available using the buttons and control dial. 

: Sets shooting functions. 

: Sets playback functions. 

: Customizes shooting functions. 

2 : Sets functions that allow you to use the camera efficiently.

2 

Things to know before 

shooting 

The camera focuses automatically if you simply press the shutter button 

in the P mode. However, sometimes you may come across a subject that 

is difficult to focus on. This chapter explains how to deal with those hardto-focus 

subjects. 

Another important thing is to select the appropriate record mode before 

you start shooting. Remember that depending on what you are going to 

do with your shots later, you may find that the image looks grainy in large 

prints, the file size is too big for e-mail, etc. To avoid this kind of problem, 

always check the record mode before shooting. 

SHQ 

SQ 

SQ 

PIXEL COUNT COMPRESSION 

1280x980 

1/8 

CANCEL SELECT GO

2 


If correct focus cannot be obtained 

The camera uses three AF frames to 

automatically detect the subject to focus on. 

Because the camera uses contrast level to 

detect the subject, it may not be able to 

correctly detect the desired subject if its 

contrast is lower than the surroundings or it 

is positioned higher in the composition. In 

this case, the easiest solution is to use focus 

lock. 

How to focus on a difficult subject – Focus lock 


1 Position the AF frame on the subject 

you want to focus on. 

30 

P A S M SCENE 

AF frame 

Card access lamp 

Shutter button

2 Press the shutter button halfway until 

the AF confirmation mark lights. 

● The focus is locked. The AF confirmation 

mark and the AF focusing frame light up in 

the viewfinder. 

● If the AF confirmation mark blinks, the focus 

and exposure are not locked. Release your 

finger from the shutter button, re-position 

your subject and press the shutter button 

halfway again. 

● The control panel screen disappears. 

3 While keeping the shutter button 

pressed halfway, re-compose your 

shot. 

4 Press the shutter button all the way. 

● A picture is taken. 

● The card access lamp blinks while the picture 

is being stored on the card. 


Halfway down 

AF confirmation mark 

All the way 

down 

31 

2 

Things to know before shooting

2 



Subjects that are difficult to focus on 

Under the following conditions, AF may not work properly. Take a picture using 

focus lock (~ P. 30), manual focus (~ P. 83), or by selecting an AF frame 

(~ P. 78). 

32 

The AF confirmation mark 

blinks. The subject cannot 

be brought into focus. 

Subjects with low contrast Subjects in excessively bright 

light in the center of the frame 

The AF mark stays lit, 

but the subject cannot 

be brought into focus. 

Subjects with different 

distances 

Subject with repeated 

patterns 

Fast-moving subjects The subject is not 

positioned within the AF 

frames. 

If this happens, focus on a high-contrast object the same distance away as the 

intended subject, recompose your shot and then take the picture. If the subject 

has no vertical lines, hold the camera vertically and adjust the focus, then 

return the camera to the horizontal position to take the picture.

Selecting the record mode 

You can select a record mode in which to take pictures. Choose the record mode 

that’s best for your purpose (printing, editing on a PC, website editing, etc.). For 

details about record modes and number of pixels, refer to the table on P. 35. 

Types of record modes 

Record mode allows you to select a combination of pixel count and compression 

rate for the images you record. An image consists of pixels (dots). When you 

enlarge an image with a low pixel count, it will be displayed as a mosaic. If an 

image has a high pixel count, the file size (amount of data) will be larger and the 

number of storable still pictures will be lower. The higher the compression, the 

smaller the file size. However, the image will have less clarity when played back. 

Number of pixels increases 

(Number of storable pictures decreases) 

˙ 

Application 

Select for the 

print size 

For smallsized 

print 

and website 

Quality 

(Compression) 

Number of pixels 

3264�2448 

3200�2400 

2560�1920 

1600�1200 

1280�960 

1024�768 

640�480 

ß 

Noncompression 

1/1 

TIFF 

– 

Image with a hign pixel count 

Image with a low pixel count 

Low 

compression 

1/2.7 

SHQ 

Image becomes clearer 

High 

compression 

1/4 

SQ 

High 

compression 

1/8 

HQ 

33 

2 


2 




The number of pixels (horizontal x vertical) used when saving an image. If the 

image is going to be printed, higher resolutions (larger numbers) are 

recommended so that the image will be clearer. 

Compression 

In record modes other than RAW/TIFF, image data are compressed. The higher 

the compression, the less clear the image will be. 

Number of pixels and picture size on a computer screen 

When a picture is transferred to a computer, the size of the picture on the 

computer screen varies depending on the computer’s monitor setting. For 

instance, a picture taken in 1024 x 768 resolution is the same size as the screen if 

you set the picture to 1x when the monitor setting is 1024 x 768. However, if the 

monitor setting is over 1024 x 768 (such as 1280 x 1024), the picture only takes 

up part of the screen. 

RAW 

Raw data is original, unprocessed data, i.e. it has not been subject to image 

processing such as white balance, sharpness, contrast and color space, etc. 

OLYMPUS Master software is required to display RAW images on a PC. A 

Photoshop plug-in is also available to allow you to open RAW images in 

Photoshop (you can download it from our website). It is not possible to display 

RAW data using commercially available software applications or to apply print 

reservation to RAW data. With this camera, pictures taken in RAW record mode 

can be edited. ~ “Editing still images” (P. 117) 

34

Record mode 

Record mode 

RAW 

TIFF 

SHQ 

HQ 

SQ 


(PIXEL COUNT) 

3264 x 2448 

3200 x 2400 

2560 x 1920 

1600 x 1200 

1280 x 960 

1024 x 768 

640 x 480 

The file size in the table is approximate. 

Compression 

Uncompressed 

Uncompressed 

1/2.7 

1/4 

1/8 

1/2.7 

1/4 

1/8 

1/2.7 

1/4 

1/8 

1/2.7 

1/4 

1/8 

1/2.7 

1/4 

1/8 

1/2.7 

1/4 

1/8 

1/2.7 

1/4 

1/8 

Note 

File format 

ORF 

TIFF 

JPEG 


File size (MB) 

13.5 

23.3 

6.1 

4.3 

1.9 

5.9 

4.1 

1.9 

4.0 

2.4 

1.2 

1.4 

0.9 

0.5 

0.9 

0.6 

0.3 

0.6 

0.4 

0.2 

0.2 

0.2 

0.1 

● The number of remaining pictures may change according to the subject or 

factors like whether print reservations have been made or not. In certain 

instances, the number of remaining pictures displayed on the viewfinder or 

the monitor does not change even when you take pictures or stored images 

are erased. 

● The actual file size varies depending on the subject. 

35 

2 


2 



How to select the record mode 


1 Press the (record mode) button. 

● The current setting is displayed on the 

monitor. 

2 Rotate the control dial until the setting 

you want to select is displayed. 

Setting HQ/SQ 

36 

1 

2 

1 

HQ 

SQ 

NOISE REDUCTION 

P A S M SCENE 

SQ 

When the control panel screen is off 

1/4 

1/8 

Compression 2 

rate selection 


button 

Control dial 

You can select the number of pixels (PIXEL COUNT) and compression rate 

(COMPRESSION). 


P A S M SCENE 

PIXEL COUNT: Selects the number of 

pixels. (SQ only) 

COMPRESSION: Selects compression rate. 

MENU 

OK button 

1 Menu T T HQ, SQ. ~ “How to use the menus” (P. 25) 

2 Press 

Press 

to move to the setting. 

to select a setting. Press the OK button. 

To select both COMPRESSION and PIXEL COUNT, press 

PIXEL COUNT to COMPRESSION. 

to move from 

SQ 

PIXEL COUNT COMPRESSION 

1280x980 

1/8 

CANCEL SELECT GO

3 

Selecting the right mode for 

shooting conditions 

Close-ups of small objects like flowers or jewelry, capturing a fastmoving 

subject like a child running around, shooting with a naturallooking 

illuminated background at night — did you ever wonder how to 

achieve the results you want without complicated and time-consuming 

camera settings? 

With this camera, you will find a new way of capturing all those special 

moments and effects in an instant. All you have to do is to select the 

appropriate mode, and concentrate on your composition; no complicated 

settings as with other cameras. 

You can also select the exposure mode, which allows you to set the 

aperture value and shutter speed. With precise value setting, images 

come out better. The more you shoot, the more possibilities you will 

discover.

3 

Selecting the right mode for shooting conditions 

This camera has 4 different exposure modes (Program shooting, aperture 

shooting, shutter speed, manual shooting) and more than 10 different situationrelated 

shooting modes. The shooting modes can be set using the mode dial and 

menus. 

See below. 

Selecting the right mode for the shooting situation 

When you select a mode to suit the shooting situation, the camera optimizes the 

settings for the shooting situations and conditions. 

1 Set the mode dial to the situation-related mode you want to use. 

When you select : The camera enters the selected mode. 

When you select SCENE : The SCENE menu appears. 

2 Press to select the situation-related mode. (For SCENE only) 


● A sample image of the selected mode is displayed. 

3 Press the OK button. 

● The camera enters the shooting stand-by mode. 

● To change the setting, press the OK button again. The SCENE menu appears. 

38 

~ P. 18


LANDSCAPE 

Suitable for shooting landscapes and other outdoor 

scenes. Vivid reproduction of blues and greens. 

LANDSCAPE+PORTRAIT 

Suitable for shooting both main subject and 

background. The camera brings both of them into 

focus. 

NIGHT SCENE 

Suitable for shooting images of outdoor scenes in the 

evening or at night. 

Usually a street at night makes a dark image with only 

the sparkle of lights such as street lamps due to the 

lack of brightness. This mode allows you to capture the 

true appearance of the street. 

• Since the shutter speed is slow, be sure to stabilize the camera. 

NIGHT+PORTRAIT 

Suitable for shooting both the main subject and 

background at night. 

• Since the shutter speed is slow, be sure to stabilize the 

camera. 

• The flash fires in the red-eye reduction mode. 

~ “Flash modes” (P. 54) 

39 

3 

Selecting the right mode for shooting conditions

3 



40 

FIREWORKS 

Suitable for shooting fireworks. 


camera. 

• The flash cannot be used. 

• AF is not possible. Use manual focus (MF). 

SUNSET 

Suitable for taking sunset pictures. 

Vivid red and yellow color reproduction. 



camera. 

PORTRAIT 

Suitable for shooting a portrait-style image of a person. 

Only the subject is brought into focus with a blurred 

background. 

HIGH KEY 

Suitable for shooting a bright subject. Subject 

brightness is enhanced, producing an image with more 

impact.


MACRO 

Suitable for taking close-up pictures (macro shooting). 

• If you use the flash, shadows may be noticeable and the 

correct exposure may not be achieved. 

DOCUMENTS 

Suitable for shooting documents, etc. Increases 

contrast between letters and background. 


MUSEUM 

For shooting with no beep sound and flash. Useful in 

art gallery, museum, etc. 

• SHQ and HQ cannot be selected 

~ "Selecting the record mode" (P. 33) 

SPORT 

Suitable for capturing fast-moving action without 

blurring. 

41 

3 


3 



42 

BEACH & SNOW 

Suitable for shooting snow-capped mountain 

landscapes, white sand beaches, seascapes, etc. 

CANDLE 

Suitable for shooting under candlelight. Warm colors 

are reproduced. 


• SHQ and HQ cannot be selected. 

~ “Selecting the record mode” (P. 33)

Selecting the right mode for the shooting technique — P, A, S and M 

P : Program shooting 

The camera sets the optimum aperture value and shutter speed 

automatically according to the subject brightness. 

You can also perform program shift as needed to change the 

combination of aperture and shutter speed while keeping the correct EV 

(exposure value). 

1 Set the mode dial to P. 

2 Press the shutter button halfway. 

● Focusing is performed and the AF 

confirmation mark lights on the viewfinder. 

● The shutter speed and aperture value that 

have been set automatically by the camera 

are displayed on the viewfinder. 



Halfway 

down 

AF confirmation 

mark 

Exposure mode 

Shutter speed 

Viewfinder 

All the way down 

Aperture 

value 

43 

3 


3 



Aperture values and shutter speeds in the 

P (Program) mode 

In the P (Program) mode, the camera is programed so that the aperture value and 

shutter speed are selected automatically according to the subject brightness as 

shown below. The below diagram depends on the attached lens. 

ED 50mm f2 MACRO 

Example:When EV is 7, 

the aperture 

value is set to 

F2 and the 

shutter speed to 

1/30. 

Program shift (Ps) 

By rotating the control dial in the P mode, you can change the combination of 

aperture and shutter speed while keeping the optimum exposure. 

The program shift setting will not be 

canceled after shooting. To cancel 

program shift setting, rotate the 

Aperture value 

control dial so that the viewfinder 

Viewfinder 

indication Ps changes to P or turn off 

Shutter speed 

the power. Program shift is not 

available when you are using a flash. 

44 

5 

4 

3 

2 

1 

0 

-1 

-2 

6 7 8 

9 10 11 12 13 14 15 16 17 18 19 20 EV 

F22 

F16 

F11 

F8 

F5.6 

F4 

F2.8 

F2 

F1.4 

8s 4s 2s 1s 1/2 1/4 

F1 

1/8 1/15 1/30 1/60 1/125 1/250 1/500 1/10001/2000 1/4000 

Shutter speed 

: When using the fixed focal lens (ED 50mm f2 MACRO) 

: Maximum wide setting when using the zoom lens (14mm-54mm f2.8-f3.5) 

: Maximum tele setting when using the zoom lens (14mm-54mm f2.8-f3.5) 

Exposure mode 

Aperture value

A : Aperture priority shooting 


The camera sets the optimum shutter speed automatically for the aperture value 

you have selected. When you decrease the aperture value (F-number), the 

camera will focus within a shorter range (shallow depth of field) and produce a 

picture with a blurred background. Conversely, when you increase the aperture 

value, the camera will focus over a wider range in the forward and backward 

directions (more depth of field), producing a picture with clear focus throughout 

the image area. Before shooting, you can use the preview function to check how 

the background will look in your picture. 

Aperture value (F-number) is decreased Aperture value (F-number) is increased 

1 Set the mode dial to A. 

2 Rotate the control dial to set the 

aperture value. 

Large aperture (F-number is decreased) 

Small aperture (F-number is increased) 

45 

3 


3 






● The shutter speed that has been set 

automatically by the camera is displayed on 


Viewfinder 

Overexposed when the shutter speed 

indication is blinking. Increase the aperture 

value (F-number). 

46 

Shutter speed 


mark 

Exposure mode 



Viewfinder 

Shutter speed 


mark 

Exposure mode 

Halfway down 


Underexposed when the shutter speed 

indication is blinking. Decrease the aperture 

value (F-number). 

All the way down 

TIPS 

The shutter speed indication does not stop blinking after the aperture value 

is changed. 

T If a fast shutter speed indication is blinking, set the ISO sensitivity to a lower 

value or use an ND filter (for adjusting the amount of light). 

~ “ISO sensitivity — Setting the desired sensitivity to light” (P. 91) 

T If a slow shutter speed indication is blinking, set the ISO sensitivity to a 

higher value. 

~ “ISO sensitivity — Setting the desired sensitivity to light” (P. 91) 

To change the EV step interval: 

T In the menu, set the EV step interval to 1/3EV, 1/2EV or 1EV. 

~ “EV STEP” (P. 124) 

To check the depth of field with the selected aperture value: 

~ “PREVIEW function” (P. 52)

S : Shutter priority shooting 


The camera sets the optimum aperture value automatically for the shutter speed 

you have selected. Set the shutter speed depending on the type of effect you 

want: a higher speed shutter allows you to capture a fast-moving subject without 

blur, and a slower shutter speed blurs a moving subject, creating a feeling of 

speed or motion. 

A fast shutter speed can freeze a fast 

action scene without any blur. 

1 Set the mode dial to S. 


shutter speed. 

A slow shutter speed blurs a moving 

subject, generating a sense of 

movement to create a more powerful 

visual impact. 

Slower shutter speed 

Faster shutter speed 

47 

3 


3 






● The aperture value that has been set 

automatically by the camera is displayed on 


Viewfinder 

If the aperture value indication at the 

minimum value is blinking, the correct 

exposure is not attained (underexposed). Set 

the shutter speed slower. 

48 

Shutter speed 


mark 

Exposure mode 



Viewfinder 

Shutter speed 


mark 

Exposure mode 

Halfway down 


If the aperture value indication at the 

maximum value is blinking, the correct 

exposure is not attained (overexposed). Set 

the shutter speed higher. 

All the way 

down 

Shutter speed indication 

If the selected shutter speed is less than 1 second, only its denominator will be 

displayed such as 200 for 1/200 sec., and if more than 1 second, a double-quote 

mark " will be displayed such as 1" for 1 sec.


TIPS 

The picture looks blurred. 

T The possibility of camera shake spoiling your picture increases greatly during 

macro or ultra-telephoto shooting. Set the shutter speed higher or use a 

monopod or tripod to stabilize the camera. 

The aperture value indication does not stop blinking after the shutter speed 

is changed. 

T If the aperture value indication at the maximum value is blinking, set the ISO 

sensitivity to a lower value or use an ND filter (for adjusting the amount of 

light). ~ “ISO sensitivity — Setting the desired sensitivity to light” (P. 91) 

T If the aperture value indication at the minimum value is blinking, set the ISO 

sensitivity to a higher value. ~ “ISO sensitivity — Setting the desired 

sensitivity to light” (P. 91) 



~ “EV STEP” (P. 124) 

M : Manual shooting 

You can set both aperture value and shutter speed manually, while referring to the 

exposure level indicator. This mode gives you more creative control, allowing you 

to make whatever settings you like, regardless of the correct exposure. Bulb 

shooting is also possible, allowing you to take astronomical or fireworks pictures. 

1 Set the mode dial to M. 

49 

3 


3 




aperture value. 

Press the (exposure 

compensation) button, then rotate the 

control dial to set the shutter speed 

(30 sec. -1/4000 sec.). 

● The aperture value and shutter speed 

change in 1/3 EV increments as the dial is 

rotated. 

● The exposure level indicator appears on the 

control panel screen, showing the difference 

(ranging from –3 EV to +3 EV) between the 

exposure value calculated by the currently 

selected aperture and shutter speed 

compared to the exposure value considered 

optimum by the camera. 

50 

Control panel screen 

M 

1/320 F5.6 –0.3 

ESP 

FP 

WB 

FOCUS S-AF 


DRIVE 

HQ 2448 

3264 

ISO 

AUTO 

AUTO 

sRGB 

Exposure level indicator 

Decrease the aperture value (F-number) 

Increase the aperture value (F-number) 

Slow shutter speed 

Fast shutter speed 

If the difference between the currently set exposure and the optimum exposure is outside the 

range of available indicator levels, “ ” or “ ” will blink on the left or right end of the 

exposure level indicator. 

3 Take the picture. 

Underexposure 

Overexposure 

Optimum exposure 

M 

1/320 F5.6 –0.7 

ESP 

ISO 

FP 

WB 

FOCUS S-AF 


DRIVE 

HQ 2448 

3264 

AUTO 

AUTO 

sRGB 

Exposure level indicator


Noise in images 

During shooting at slow shutter speeds of 30 

or more seconds, noise may appear onscreen 

or the image may be overly bright in 

the top left part of the screen. These 

phenomena are caused when current is 

generated in those sections of the CCD that 

are not normally exposed to light, resulting 

in a rise in temperature in the CCD or CCD 

drive circuit. This can also occur when 

shooting with a high ISO setting in an 

environment exposed to heat. The NOISE 

REDUCTION function helps reduce this 

noise. ~ “NOISE REDUCTION” (P. 105) 

Bulb shooting 

You can take a picture with a bulb exposure time in which the shutter stays open 

as long as you hold down the shutter button (up to 8 minutes). Set the shutter 

speed to [bulb] in the M mode. 

Bulb shooting can also be done using the optional power battery holder and 

remote cable. 

TIPS 

The picture looks blurred. 

T The possibility of camera shake spoiling your picture increases greatly when 

you take a picture at slow shutter speed. Use a monopod or tripod to 

stabilize the camera. 


T In the menu, set the EV step interval to 1/3EV, 1/2EV or 1EV. ~ “EV STEP” 

(P. 124) 

51 

3 


3 


PREVIEW function 

If you press the OK button, the viewfinder shows the actual depth of field (the 

distance from the nearest to the furthest point of perceived “sharp” focus) in a 

picture, with the selected aperture value. Assign preview function to the OK 

button beforehand. ~ “CUSTOM OK” (P. 125) 



52 

P A S M 

Note 

The metering values cannot be changed in the preview mode. 

MENU 

OK button

4 


The flash and drive modes (sequential shooting) are the keys to 

advanced shooting techniques. Selecting a flash mode to suit a specific 

shooting situation or adjusting the amount of light emitted by the flash 

will produce an image that is different from what would be obtained when 

less precise settings are used. Similarly, using an optional external flash 

together with the built-in flash will create yet another impression. 

With drive mode you can take several pictures of the same scene in 

sequence with different exposure or white balance settings. There’s no 

need to change the settings before taking each picture.

4 


Flash shooting 

Flash modes 

The camera sets the flash mode according to various factors such as firing pattern 

and flash timing. Available flash modes depend on the exposure mode. 

The flash modes are available to optional external flashes. 

Auto-flash AUTO 

The flash fires automatically in low light or backlight conditions. 

To shoot a subject with backlighting, position the AF frame over the subject. 

Red-eye reduction flash 

The light from the flash may make the 

subject’s eyes appear red in the picture. The 

red-eye reduction flash mode significantly 

reduces this phenomenon by emitting preflashes 

before firing the regular flash. This 

helps accustom the subject’s eyes to the The subject’s eyes appear red. 

bright light and minimizes the red-eye 

phenomenon. 

● After the pre-flashes, it takes about 1 second before the shutter is released. 

Hold the camera firmly to avoid camera movement. 

● Effectiveness may be limited if the subject is not looking directly at preflashes, 

or if the shooting range is too far. Individual physical characteristics 

may also limit effectiveness. 

Slow synchronization (1st curtain) SLOW 

The slow synchronization flash is designed for slow shutter speeds. Normally, 

when shooting with a flash, shutter speeds cannot go below a certain level to 

prevent camera movement. But when shooting a subject against a night scene, 

fast shutter speeds can make the background too dark. Slow synchronization 

allows you to capture both the background and the subject. Since the shutter 

speed is slow, be sure to stabilize the camera by using a tripod so as not to cause 

the picture to be blurred. 

54 

Note


1st curtain 

Usually, regardless of the shutter speed, the flash fires right after the shutter fully 

opens. This is called 1st curtain. Unless you change it, this is how the flash always 

fires. 

Slow synchronization (2nd curtain) SLOW2 

2nd curtain flash fires just before the shutter closes. Changing the flash timing can 

create interesting effects in your picture, such as expressing the movement of a 

car by showing the tail-lights streaming backwards. The slower the shutter speed, 

the better the effects turn out. The slowest possible shutter speed depends on the 

shooting mode. 

P mode : 2 sec. 

A/S/M mode (Bulb is also available) : 30 sec. 

When the shutter speed is set to 2 sec. 

2 sec. 

2 sec. 0 

2nd curtain 1st curtain 

2nd curtain flash fires 1st curtain flash fires 

Shutter closes Shutter fully opens 

Slow synchronization + Red-eye reduction flash SLOW 

This mode is for when you want to use slow synchronization, yet also reduce the 

red-eye phenomenon. For instance, when shooting a person against a brightly lit 

night background. A normal flash might make the person’s eyes red, but this mode 

lets you capture the background correctly and reduce the red-eye phenomenon at 

the same time. 2nd curtain flash with red-eye reduction is not available. 

55 

4 

Various shooting functions

4 



Fill-in flash 

The flash fires regardless of the light 

conditions. This mode is useful for 

eliminating shadows on the subject’s face 

(such as shadows from tree leaves), in a 

backlight situation, or for correcting the color 

shift produced by artificial lighting (especially 

fluorescent light). 

● When the flash fires, the shutter speed is set to 1/180 sec. or less. When 

shooting a subject against a bright background with the flash, the 

background may be overexposed. In this case, use the optional FL-50/FL-36 

external flash and set it to the Super FP flash mode. 

Fill-in flash + Red-eye reduction flash 

This mode makes it possible to fire the flash regardless of the light conditions and 

also to reduce red-eye phenomenon. 

Fill-in flash + Slow synchronization (2nd curtain) SLOW2 

The flash fires regardless of the light conditions at the timing of the 2nd curtain. 

56 

Note

Flash modes available in the exposure mode 

Exposure 

mode 

P 

A 

S 

M 

Control panel 

screen 

AUTO 

Flash mode 

Auto-flash 

Auto-flash 

(Red-eye reduction) 1st 

Slow synchronization curtain 

(Red-eye reduction) 

Slow synchronization 

Slow synchronization 2nd 

(2nd curtain) 

curtain 

Fill-in flash 

1st 

curtain 

Always fires 

Flash off — 

Fill-in flash 

Fill-in flash 

(Red-eye reduction) 

Fill-in flash 

(2nd curtain) 

Flash off 

Flash 

timing 

1st 

curtain 

1st 

curtain 

2nd 

curtain 

Conditions to 

fire the flash 

Fires 

automatically 

in dark/backlit * 

conditions 

Always fires 

— 


Shutter speed 

restrictions 

1/30 - 1/180 with 

auto/ 

Restricted to 

2 - 1/180 sec. 

Restricted to 

60 -1/180 sec. 

* When the flash is set to the Super FP mode, it detects backlight before emitting light. 

~ “Super FP flash” (P. 63) 

57 

4 


4 



Setting the flash mode 


1 Press the (flash) switch to raise the 

flash. 

2 Press the (flash mode) button. 


monitor. 

3 Rotate the control dial until the 

desired setting is displayed. 

58 

P A S M 

Flash 

(flash mode) button 

AUTO 

Control dial 

(flash) switch 


MANUAL FLASH 

When MANUAL FLASH (~ P. 124) in the menu is set to ON, the flash emits a 

fixed amount of light. 

MENU

Using the built-in flash 


If you shoot a subject from as close as 1 m using a lens that is wider than 14 mm 

(equivalent to 28 mm on a 35 mm film camera), the light emitted by the flash may 

produce a vignette effect. 


P A S M 

1 Press the (flash) switch to raise the 

flash. 


● The (flash stand-by) mark lights when the 

flash is ready to fire. If the mark is 

blinking, the flash is charging. Wait until 

charging is complete. 

3 Press the shutter button all the way 

down (fully) to take the picture. 

Viewfinder 

(flash) switch 

Flash stand-by mark 

59 

4 


4 



Flash intensity control 

This adjusts the amount of light emitted by the flash. 

In some situations (e.g., when shooting small subjects, distant backgrounds, etc.), 

you may get better results by adjusting light emission. It is useful when you intend 

to increase the contrast (distinction between light and dark) of images to make the 

images more vivid. 


1 Menu T T 


2 Press . 

● The setting screen is displayed. 

3 To increase light emission: 

Each time you press , light 

emission increases in steps of 1/3EV. 

To decrease light emission: 

Each time you press , light emission 

decreases in steps of 1/3EV. 

● You can select EV steps from 1/3EV, 1/2EV 

or 1EV. ~ “EV STEP” (P. 124) 


● This does not work when the flash control mode on the electronic flash is set 

to MANUAL. 

● If light emission is adjusted on the electronic flash, it will be combined with 

the camera’s light emission setting. 

● Flash intensity control is applicable to the flash you are using (built-in flash 

or external flash). When using both flashes simultaneously, flash intensity 

control is applicable to the amount of light emitted by both flashes. 

60 

P A S M 

Note 

OK button

Optional electronic flashes 


In addition to this camera’s built-in flash capabilities, you can take advantage of a 

variety of flash shooting techniques to suit different shooting conditions with the 

flash units specified for use with this camera — the Olympus FL-50, FL-36, and 

FL-20 electronic flashes. 

These flashes communicate with the camera to make available various flash 

modes, such as auto-flash, red-eye reduction flash, slow synchronization, and 

controlled light emission. The flash can be mounted on the camera by attaching it 

to the camera’s hot shoe. 

Functions available with optional flash units 

Optional flash 

Flash control 

mode 

Using the external 

flash with the 

built-in flash 

GN (guide number) 

(ISO100) 

* Calculated based on 35mm film. 

FL-50 

FL-36 

FL-20 

TTL-AUTO (Super TTL-AUTO (Super TTL-AUTO, AUTO, 

FP flash), TTL- FP flash), TTL- MANUAL 

AUTO, AUTO, AUTO, AUTO, 

MANUAL, MANUAL MANUAL, MANUAL 

(Super FP flash) (Super FP flash) 

The external flash The external flash can be used with the 

cannot be used with 

the built-in flash 

while the former is 

attached to the 

camera’s hot shoe. 

built-in flash. 

GN 50 (85 mm*) GN 36 (85 mm*) GN 20 (35 mm*) 

GN 28 (24 mm*) GN 26 (24 mm*) 

61 

4 


4 



Using the electronic flash 

The following instructions describe how to connect and use the FL-50 electronic 

flash (optional). Be sure to attach the flash to the camera before turning on the 

flash’s power. 


1 Remove the hot shoe cover by sliding 

it in the direction indicated by the 

arrow in the illustration. 

● Keep the shoe cover in a safe place to avoid 

losing it, and put it back on the camera after 

flash shooting. 

2 Attach the FL-50 electronic flash to 

the hot shoe on the camera. 

● If the lock pin is protruding, turn the shoe lock 

dial as far as it will go in the direction 

opposite to ß LOCK. This will pull the lock 

pin back inside. 

● For instructions on how to attach the flash, 

refer to the FL-50’s manual. 

3 Turn on the flash. 

● When the charge lamp on the flash lights up, 

charging is complete. 

● The flash will be synchronized with the 

camera at a speed of 1/180 sec or less. 

4 Select a flash mode. 

~ “Selecting the flash mode” (P. 58) 

62 

P A S M 

Lock pin 

Shoe lock dial 

(flash mode) button

5 Select the desired flash control mode. 

6 Press the shutter button on the 

camera halfway. 

● Shooting information such as ISO sensitivity, 

aperture value, and shutter speed is 

communicated between the camera and 

flash. 

● lights up in the viewfinder. 


Super FP flash 

Note 

Viewfinder 

blinks: 

The flash is 

charging. 


lights up: 

Charging is 

complete. 

● When shooting with the flash control mode set to TTL-AUTO, pre-flashes 

are emitted before firing the regular flash. 

● When the flash control mode is set to TTL-AUTO, or when shooting a 

subject at a distance with ISO set to 400 or higher, flash control accuracy 

will decrease. 

Super FP flash is available with the FL-50/FL-36. Super FP flash timing is longer 

than standard flash timing. This means that pictures can be taken at a higher 

shutter speed than is possible with normal flashes. 

Flash shooting with the aperture open such as in portrait shooting is also possible 

with Super FP flash. For details, refer to the FL-50 manual. 


P 

1/250 F5.6 

AUTO ISO 

FP 

FOCUS S-AF 


WB 

DRIVE 

HQ 2448 

3264 

AUTO 

AUTO 

sRGB 

63 

4 


4 



Using commercially available flashes 

The amount of light emitted cannot be adjusted on commercially available flashes 

except for those specified. A small versatile flash can be synchronized with the 

camera at a shutter speed of 1/180 sec. or less, whereas a large flash (such as a 

studio flash) can be synchronized at 1/125 sec. or less. For details on nonspecified 

commercial flashes, refer to the next page. 

1 Remove the hot shoe cover to connect 

the flash unit to the camera. 

2 Set the exposure mode to M mode, 

then set the aperture value and 

shutter speed. 

~ “Manual shooting” (P. 49) 

● A slower shutter speed may produce blurred 

images. 

3 Turn on the flash. 

● Be sure to turn on the flash after attaching 

the flash unit to the camera. 

4 Set the flash control mode on the 

flash to AUTO. Also set the ISO 

sensitivity and aperture value on the 

flash to match the camera’s settings. 

● Refer to the manual for the flash to set its 

flash control mode. 

● The camera’s flash mode except 2nd curtain will have no effect on the nonspecified 

commercial flashes. 

● The flash fires each time the shutter is released. When you do not need to 

use the flash, turn off the flash’s power. 

● Check beforehand that the flash you are using is synchrorized with the 

camera. 

64 

Note

Non-specified commercial flashes 


Before selecting a non-specified commercial flash, be sure to read the following 

information carefully to determine whether or not it can be used with this camera. 

(1) Exposures when using a flash require that adjustments be made on the flash. 

If a flash is used in the auto mode, match it with the F value and ISO 

sensitivity settings on the camera. 

(2) Even if the auto F value and ISO sensitivity of the flash are set to the same 

conditions as those on the camera, the correct exposure may not obtained 

depending on the shooting conditions. In such a case, adjust the auto F value 

or ISO on the flash or calculate the distance in the manual mode. (Exposure 

compensation on the camera cannot be used when shooting with the flash.) 

(3) Use a flash with an illumination angle that matches the focal length of the 

lens. The focal length of the lens for 35 mm film is approximately twice as 

long as the focal length of the lenses designed for this camera. 

(4) Do not use a flash unit or other accessory TTL flash that has additional 

communications functions other than the specified flashes, since it may 

not only fail to function normally, but may also cause damage to the 

camera’s circuitry. 

65 

4 


4 


Drive mode 

The following drive modes are available with this camera. 

Single-frame shooting : Shoots 1 frame at a time when the shutter button 

is pressed. (Normal shooting mode, single-frame 

shooting) 

Sequential shooting : Shoots 4 frames or more at 2.5 frames/sec. (in 

SHQ, HQ or SQ) for as long as the shutter button 

pressed. Focus and exposure are locked at the 

first frame. (except C-AF shooting ~ P. 82) 

Auto-bracketing BKT : Shoots multiple frames of the same scene at 

different exposures (AE bracketing) or white 

balance (WB bracketing). 

~ “Auto bracketing” (P. 68) 

Self-timer shooting : Triggers the shutter after a set time, either 12 sec. 

or 2 sec. ~ P. 72 

remote control shooting : Shoots using the optional remote control. 

~ P. 72 

Sequential shooting 


1 Menu T T DRIVE T 


66 

P A S M 

DRIVE 

Shutter button

2 Start shooting. 

● Press the shutter button fully and keep it pressed. The camera will take pictures in 

sequence until you release the button. 

Note 

Drive mode 

● Sequential shooting is not possible when NOISE REDUCTION is set to ON. 

● During sequential shooting, if the battery check blinks due to low battery, the 

camera stops shooting and starts saving the pictures you have taken on the 

card. The camera may not save all of the pictures depending on how much 

battery power remains. 

67 

4 


4 


Drive mode 

Auto bracketing 

Useful when you are not sure what exposure or white balance settings are 

appropriate and you don’t have time to take several test shots at different settings. 

AE bracketing 

The camera automatically shoots a number of pictures at different exposure 

values for each frame. Even in conditions where correct exposure is difficult to 

obtain (such as a backlit subject or a scene at dusk), you can pick the picture you 

prefer from a selected number of frames with a variety of different exposure 

settings (exposure and compensation values). The pictures are taken in the 

following order: Picture with optimum exposure, picture adjusted in – direction, 

and picture adjusted in + direction. 

Example: 

When BKT 

is set to 1.0 

68 

–1.0 ±0 

+1.0 

Compensation value : 0.3, 0.7 or 1.0 

The exposure compensation values depend on the EV step interval setting that 

can be changed in the menu. Exposure compensation value can be adjusted 

within a range of ±1.0. ~ “EV STEP” (P. 124) 

Number of frames : 3 


P A S M 

1 Menu T T DRIVE T BKT 


Shutter button

2 Press . 

● The BKT selection screen is displayed. 

3 Press to select compensation 

value. Press the OK button. 

4 Single-frame shooting : 

Each time the shutter button is 

pressed fully, a picture is taken at a 

different exposure. 

● The setting for the next shot is displayed in 


Sequential shooting : 

Hold down the shutter button until the 

selected number of frames are taken. 

The camera shoots each frame at a 

different exposure. 

● Releasing the shutter button stops auto 

bracketing shooting. 

BKT 

3F 0.3EV 

3F 0.7EV 

3F 1.0EV 


Viewfinder 

EV step 

How AE bracketing compensates exposure in each 

exposure mode 

Depending on the selected exposure mode, exposure is compensated in the 

following way: 

P mode : Aperture value and shutter speed 

A mode : Shutter speed 

S mode : Aperture value 

M mode : Shutter speed 

Drive mode 

69 

4 


4 


Drive mode 

TIPS 

To apply AE bracketing to the exposure value you have compensated: 

T Compensate the exposure value, then use the AE bracketing feature. AE 

bracketing is applied to the exposure value you have compensated. 

70 

Auto bracketing compensation range 

P 

FOCUS 

DRIVE 

Exposure compensation value 

you have adjusted 

1/250 F5.6 +1.7 

ESP 

FP 


AE BKT 0.3 

HQ 2448 

3264 

ISO 

WB 

AUTO 

AUTO 

sRGB 

If the selected range is beyond the scale of 

the exposure level indicator, only the part 

within the scale is displayed. 

Note 

Exposure compensation value 

you have adjusted 

Auto bracketing compensation range 

1/250 F5.6 +3.0 

ESP 

● Auto bracketing is not possible when the flash is on. 

● During WB bracketing, the camera cannot shoot in sequence if there is not 

enough memory in the camera and card for storing more than the selected 

number of frames. 

● During sequential shooting, if the battery check blinks due to low battery, the 

camera stops shooting and starts saving the pictures you have taken on the 

card. The camera may not save all of the pictures depending on how much 

battery power remains. 

P 

FOCUS 

DRIVE 

FP 


AE BKT 0.3 

HQ 2448 

3264 

ISO 

WB 

AUTO 

AUTO 

sRGB

WB bracketing 

Drive mode 

Three images with different white balances are automatically created from one 

shot. One is the image just taken with the specified white balance, one is the 

same image adjusted in the red direction, and the third the same image adjusted 

in the blue direction. All three images are saved on the card. 


P A S M 

1 Menu T TWB BKT T OFF, 

3F 2STEP, 3F 4STEP, 3F 6STEP 



● When the shutter button is pressed down all 

the way, three images are automatically 

created. 

Shutter button 

TIPS 

To apply WB bracketing to white balance you have adjusted: 

T Adjust white balance manually, then use the WB bracketing feature. WB 

bracketing is applied to your white balance adjustment. 

71 

4 


4 


Drive mode 

Self-timer shooting /Remote control shooting (with optional 

remote control) 

You can select self-timer shooting or remote control shooting. 

Self-timer shooting : 

This function lets you take pictures using the self-timer. You can set the camera to 

trigger the shutter after either 12 or 2 seconds. Fix the camera securely on a tripod 

for self-timer shooting. 

Remote control shooting (with optional remote control) : 

By using the optional remote control (RM-1), you can take a picture with yourself 

in it or a night scene without touching the camera. The camera can be set to 

trigger the shutter either right away or 2 seconds after the shutter button on the 

remote control is pressed. 


72 

P A S M SCENE 

Setting or 

1 Menu T T DRIVE T or 

~“How to use the menus” (P. 25) 

2 Press . 


3 Press to select a mode from the 

or settings. 

: 12-second self-timer 

: 2-second self-timer 

: Triggers the shutter button right away. 

: 2-second remote control timer 

Shutter button

Using the self-timer 



● The focus and exposure are locked when the 

shutter button is pressed halfway. 

● When is selected: First, the self-timer 

lamp lights up for approximately 10 seconds, 

then it blinks for approximately 2 seconds 

and the picture is taken. 

When is selected: The self-timer lamp 

lights up for approximately 2 seconds, then 

the picture is taken. 

● To cancel the activated self-timer, press the 

MENU button. 

2 SEC 


TIPS 

To exit the self-timer mode. 

T The self-timer mode is not canceled automatically after shooting. In the 

menu, switch from DRIVE to one of the other modes. 

Drive mode 

Eyepiece cover 

When shooting without looking through the viewfinder, such as when using the 

self-timer, attach the eyepiece cover to the viewfinder so that the light does not 

enter the viewfinder. 

To attach the eyepiece cover, remove the eyecup from the camera as illustrated. 

Eyecup 

Note 

Eyepiece cover 

Do not press the shutter button while standing in front of the camera; this could 

result in the subject being out of focus since focusing is performed when the 

shutter button is pressed halfway. 

73 

4 


4 


Drive mode 

Using the remote control 

1 Mount the camera on a tripod or place 

it on a stable, flat surface. 

2 Point the remote control at the remote 

control receiver on the camera and 

press the shutter button on the remote 

control. 

● When is selected: The focus and exposure 

are locked, the remote control lamp blinks 

and the picture is taken. 

When is selected: The focus and exposure 

are locked, the remote control lamp blinks 

and the picture is taken after approximately 2 

seconds. 

74 

Approx. 3m (9.8 ft.) (indoor) 

Approx. 2m (6.6 ft.) (outdoor) 

Approx. 5m (16.4 ft.) (indoor) 15° 

Approx. 3m (9.8 ft.) (outdoor) 15° 

Approx. 3m (9.8 ft.) (indoor) 

Approx. 2m (6.6 ft.) (outdoor) 

Remote control lamp 

Remote control receiver 

Transmitted signal effective area 

Point the remote control at the remote control receiver of the camera within the 

effective area as shown below. 

Powerful lighting such as direct sunlight, fluorescent light or devices emitting 

electrical or radio waves could narrow the effective area. 

Remote 

control 

Remote control receiver 

Camera

Drive mode 

TIPS 

The remote control lamp does not blink after the shutter button on the 

remote control is pressed. 

T The transmitted signal may not be effective if the remote control receiver is 

exposed to powerful lighting. Move the remote control closer to the camera 

and press the shutter button on the remote control again. 

T The transmitted signal may not be effective if the remote control is too far 

from the camera. Move the remote control closer to the camera and press 

the shutter button on the remote control again. 

T There is signal interference. Change the channel as described in the remote 

control's instruction manual. 

To cancel the remote control shooting mode: 

T The remote control shooting mode will not be canceled after shooting. In the 

menu, switch from DRIVE to one of the other modes. 

To use the shutter button on the camera in the remote control shooting 

mode: 

T The shutter button on the camera still works even if or is displayed. 

● The shutter will not be released if the subject is not in focus. 

● Under bright light conditions, the remote control lamp may be difficult to see, 

making it hard to determine whether or not the picture has been taken. 

● Zoom is not available on the remote control. 

MONOTONE shooting 

Note 

This setting lets you add special effects to pictures. 

BLACK & WHITE : Records pictures in black and white. 

SEPIA : Records pictures in sepia. 


P A S M 

1 Menu T T MONOTONE T OFF, BLACK & WHITE, SEPIA 


75 

4 


4 


MEMO 

76

5 


When you turn a focus ring to focus on a subject it’s called manual focus. 

If you’re a beginner, it usually takes some time to get used to this style of 

focusing. Fortunately, your digital camera provides not only manual 

focus, but also auto focus and various other focus modes — all easily 

accessible through simple button operations. These different modes will 

enhance your shooting flexibility. For example, if you want to capture a 

fast-moving subject without blur, choosing the right shutter speed is 

important. But you can also use focusing to achieve the same effect — 

when the focus mode is set to continuous AF mode, the camera focuses 

on the subject in anticipation of its movement.

5 


AF frame selection 

Normally, the camera measures the distance to the subject using the 3 AF frames 

in the viewfinder and selects the most appropriate point. This function allows you 

to select only one AF frame. 

Center AF frame 

(AUTO) : Focuses using the 3 AF 

frames. (Factory default 

setting) 

: Focuses using the left AF 

frame. 

: Focuses using the center AF 

frame. 

: Focuses using the right AF 

Viewfinder 

frame. Left AF frame Right AF frame 


78 

P A S M 

1 Press the (AF frame selection) 

button. 


monitor. 




● The AF frame you have selected lights up. 

Monitor 

Control dial 

AUTO 

MENU 

button 

When the control panel screen is off

Focus mode 

Three focus modes are available with this camera: S-AF (single AF), C-AF 

(continuous AF) and MF (manual focus). 


P A S M 

1 Press the AF (focus mode) button. 


monitor. 



~ “S-AF (single AF) shooting” (P. 80), 

“Simultaneous use of S-AF mode 

and MF mode” (P. 81), 

“C-AF (continuous AF) shooting” 

(P. 82), 

“Manual focus (MF)” (P. 83) 

Monitor 

Control dial 

AF 

S-AF 

MENU 

AF button 


79 

5 

Focusing functions

5 


Focus mode 

S-AF (single AF) shooting 

Focusing is performed once when the shutter button 

is pressed halfway. If focusing fails, release your 

finger from the shutter button and press it halfway 

again. This mode is suitable for taking pictures of 

non-moving subjects or subjects with limited 

movement. 



● When the focus is locked, the AF 

confirmation mark lights up. 

● A beep sound is output when the subject is in 

focus. 


80 

P A S M 


mark 

TIPS 

To adjust focus manually while using AF: 

~ “Simultaneous use of S-AF mode and MF mode” (P. 81) 

Viewfinder 

Shutter button

Simultaneous use of S-AF mode and MF mode 

Focus mode 

This function allows you to fine-adjust focus manually by turning the focus ring 

after AF is performed in the S-AF mode. 


P A S M 

1 Press the shutter button halfway to 

use AF. 

● When the focus is locked, the AF 

confirmation mark lights up. 

2 Fine-adjust the focus using the focus 

ring, while keeping the shutter button 

pressed halfway. 

3 Press the shutter button all the way to 

take the picture. 

Note 



mark 

Focus ring 

Viewfinder 

If the shutter button is pressed again after fine-adjusting focus with the focus 

ring, the AF is activated and your adjustments are canceled. 

81 

5 

Focusing functions

5 


Focus mode 

C-AF (continuous AF) shooting 

The camera repeats focusing. When the subject is in motion, the camera focuses 

on the subject in anticipation of its movement (Predictive AF). Even if the subject 

moves or you change the composition of the picture, the camera continues trying 

to focus. 


1 Press the shutter button halfway and 

keep it in this position. 

● When the subject is in focus and exposure is 

locked, the AF confirmation mark lights up. 

● The AF frame does not light up, even when 

the subject is in focus. 

● The camera repeats focusing. Even if the 

subject moves or even if you change the 

composition of the picture, focusing is tried 

continuously. 

● A beep sound is output when the subject is in 

focus. The beep sound is not output after the 

third continuous AF operation, even when the 

subject is in focus. 


82 

P A S M 



mark 

Viewfinder

Manual focus (MF) 

This function allows you to manually focus on any subject while looking through 



1 Adjust the focus using the focus ring. 


P A S M 


Focus ring 

Focus mode 

Rotational direction of the focus ring 

You can select the rotational direction of the focus ring to suit your preference for 

how the lens adjusts to the focusing point. ~ “FOCUS RING” (P. 126) 

Focus aid 

When you focus the lens on a subject manually (by turning the focus ring), the AF 

confirmation mark lights. 

When 3 AF frames are selected, the camera performs focusing in the center AF 

frame. 

83 

5 

Focusing functions

5 



When AF ILLUMINATOR is set to ON, the flash provides light if a subject is in a 

dark environment and auto focus does not work. To use this function, raise the 

flash. 


84 

P A S M 

Setting the AF ILLUMINATOR 

1 Menu T T AF ILLUMINATOR T 

ON, OFF 


Using the flash as the AF illuminator 

1 Raise the flash. ~ P. 58 


Flash

6 

Exposure, image and 

color 

If you wish to go beyond simple shooting using only the shutter button, 

you will find various functions that can be used to modify 

image/brightness/exposure parameters to achieve remarkably better 

results. 

For instance, if you want to shoot atmospheric pictures indoors, or if your 

subject would strongly reflect the flash light, shooting without the flash 

would typically result in a blurred or dark picture. To overcome this 

problem, try adjusting the ISO setting; use a lower ISO value with normal 

light, and a higher ISO value with dark subjects. 

With exposure compensation you can adjust the image brightness and 

make a significant difference to how the picture turns out. Try adjusting 

toward “–” when you want to capture images with a dark background 

such as green leaves in shadow or crimson foliage on a mountainside. 

The red, green, and yellow of autumn leaves will be beautifully 

reproduced, standing out against the background. 

ISO 

ISO 

400 

1600

6 


Metering mode—Changing the metering area 

There are 3 ways of measuring the subject brightness: Digital ESP metering, 

Center weighted averaging metering and spot metering. Select the most suitable 

mode depending on the shooting condition. 


1 Press the (metering) button. 


monitor. 



86 

Viewfinder 

P A S M 

The selected metering 

mode is displayed in 


Control dial 

button 

ESP 


MENU

Metering mode—Changing the metering area 

� Digital ESP metering ESP 

The camera meters and calculates the light levels or light level differences in 

the center and other areas of the image separately. Recommended for 

shooting under conditions where there is high contrast between the center of 

the screen and the area around it, such as when shooting backlit subjects or 

under excessively bright light. 

� Center weighted averaging metering 

This metering mode provides the average 

metering between the subject and the 

background lighting, placing more weight on 

the subject at the center. Use this mode 

when you do not want the light level of 

background to affect the exposure value. 

� Spot metering 

The camera meters a very small area around 

the center of the subject, defined by the spot 

metering area mark in the viewfinder. Use 

this mode for intensively backlit subjects, etc. 

Metering area 

Metering area 

87 

6 

Exposure, image and color

6 


Exposure compensation—Varying the image brightness 

In some situations, you may get better results if you manually compensate (adjust) 

the exposure value set automatically by the camera. In many cases, bright 

subjects (such as snow) will turn out darker than their natural colors. Adjusting 

toward + makes these subjects closer to their real shades. For the same reason, 

adjust toward – when shooting dark subjects. The exposure can be adjusted in 

range of ±5.0 EV. Center weighted averaging metering ( ) or spot metering 

( ) is recommended for exposure compensation. The EV step interval can be 

selected from 1/3EV, 1/2EV or 1EV. ~ “EV STEP” (P. 124) 


1 

88 

–2.0 EV �0 

+2.0 EV 

P A S 

Press the (exposure 

compensation) button. 

● The exposure compensation indicator 

appears on the monitor. 

2 Rotate the control dial to make 

adjustment. 

● Adjust toward +: up to +5.0 EV 

Adjust toward –: up to –5.0 EV 

+1.5 


Adjust toward – 

Adjust toward + 

MENU 

button 

Control dial

Example: When adjusting the exposure in –1/3 step 

Exposure compensation—Varying the image brightness 

Press the button. 

Rotate the control dial to set the desired exposure compensation value. 


P 

1/320 F5.6 –0.7 

ESP 

AUTO ISO 

FP 

FOCUS S-AF 


WB 

DRIVE 

HQ 2448 

3264 

AUTO 

AUTO 

sRGB 

Exposure compensation 

indicator 

Adjust toward – 

Viewfinder 

Exposure 

compensation 

value 

The exposure compensation indicator disappears if the exposure is compensated 

by 0. 

TIPS 



~ “EV STEP” (P. 124) 

Exposure 

compensation 

indicator with 

“1/3EV” selected 

Exposure 

compensation 

indicator with 

“1/2EV” or “1EV” 

selected 

1EV 

1/3EV 

1EV 

1/2EV 

● If the exposure compensation value exceeds the scale of the exposure compensation 

indicator, – or + turns red. 

Note 

Pressing the button has no effect in the M or SCENE mode. 

89 

6 


6 


AE lock—Locking the exposure 

The metered exposure value can be locked with the AEL button (AE lock). Use 

AE lock when you want a different exposure setting from the one that would 

normally apply under the current shooting conditions. 

Normally, pressing the shutter button halfway locks both AF (auto focus) and AE 

(automatic exposure), but you can lock the exposure alone by pressing AEL. 

When you lock the exposure, the metering mode (digital ESP metering, center 

weighted averaging metering or spot metering) selected in the menu is 

automatically applied. ~ “AEL METERING” (P. 124) 


1 

90 

P A S SCENE 

Aim the camera toward the subject. 

2 Hold down AEL. 

● The exposure is locked. 

● is displayed in the viewfinder. 

Viewfinder 

AE lock 

3 Compose your shot. While holding 

down AEL, hold down the shutter 

button halfway. 

● The focus is locked. 


● Releasing AEL cancels AE lock. 

Mode dial 

AEL button 


Halfway 

down 

AEL 

All the way 

down

ISO sensitivity—Setting the desired sensitivity to light 

The higher the ISO value, the greater the camera’s light sensitivity and the better 

its ability to shoot in low light conditions. However, higher values may give pictures 

a grainy appearance. 

Setting the ISO sensitivity to ISO BOOST using the menu beforehand allows you 

to select the high ISO sensitivity (800 or 1600). ~ “ISO BOOST” (P. 92) 

AUTO, 100, 200, 400, 800 1600 

With a lower ISO setting, you can shoot clear, sharp images in daylight. 

The values can be selected when ISO is set to ISO BOOST. 

Setting the ISO sensitivity 


P A S M 

1 Press the ISO button. 


monitor. 



Note 

Control dial 

ISO 

AUTO 

ISO button 


The ISO sensitivity when it is set to auto is usually ISO 100. If the subject is 

too far away for the flash illumination, the sensitivity is automatically increased. 

MENU 

91 

6 


6 


ISO sensitivity—Setting the desired sensitivity to light 

ISO BOOST 

This allows you to make ISO 800 and 1600 available for ISO setting. 


1 Menu T T ISO BOOST T ON. 



92 

P A S M 

MENU 

OK button

White balance—Adjusting the color tone 

Color reproduction differs depending on the light conditions. For instance, when 

daylight or tungsten lighting is reflected on white paper, the shade of white 

produced will be slightly different for each. 

With a film camera, you can adjust color balance using different films for different 

light conditions or by using filters. With a digital camera, on the other hand, white 

color can be adjusted to reproduce more natural white with a digital processor. 

This mechanism is called white balance. There are three options for setting the 

WB with this camera. 

Auto white balance 

This function enables the camera to automatically detect white in images and 

adjust the color balance accordingly. Auto WB is sufficient for most light 

conditions. If there is no near white color in the picture, the white balance of the 

image may not be correct. In such a case, use preset WB or one-touch WB to 

achieve the correct white balance. 

Preset white balance 

You can set the white balance by selecting the appropriate color temperature for 

the light source. For example, use preset WB when you want to reproduce more 

red in the picture of a sunset, or capture a warmer artistic effect under artificial 

lighting. You can enjoy creating different color tones by trying the different preset 

WB settings. 

The color temperatures available for preset WB are as follows: 3000, 3300, 3600, 

3900, 4000, 4300, 4500, 4800, 5300, 6000, 6600, or 7500. 

You can also select one of 4 preset color temperatures in the menu and use it as a 

preset WB. ~ “CUSTOM WB” (P. 100) 

One-touch white balance ~ ”Setting the one-touch white balance” (P. 97) 

You can set the optimum white balance for the shooting conditions by pointing the 

camera at a white object like a sheet of white paper. The white balance achieved 

with this setting is saved as one of the preset WB settings. 

93 

6 


6 



Color temperature 

The spectral balance of different white light sources is rated numerically by color 

temperature—a concept of physics, expressed using the Kelvin (K) temperature 

scale. The higher the color temperature, the richer the light in bluish tones and the 

poorer in reddish; the lower the color temperature, the richer the light in reddish 

tones and the poorer in bluish. 

It follows, then, that the color temperatures of fluorescent lights make them 

unsuitable as artificial light sources. There are gaps in the hues from the color 

temperatures of fluorescent light. If these differences in hue are small, they can be 

calculated with color temperature and this is called correlated color temperature. 

The 4000K, 4500K and 6600K preset settings in this camera are correlated color 

temperatures, and should not be considered strictly as color temperatures. Use 

these settings for shooting conditions under fluorescent lights. 

94 

Candle frame 

More Red More Blue 

Hot white light 

bulb 

Intense white 

fluorescent 

White fluorescent 

Clear day 

Overcast 

Shade on clear 

day 

Daylight 

fluorescent 

TIPS 

White balance with a flash: 

T Auto WB is recommended when taking pictures with the flash. If you intend 

to use preset WB, select the color temperature 6000K. 

When shooting with the flash, be sure to play back your pictures and check 

the color on the screen. Various conditions affect color temperature and how 

color is reproduced on the screen. 

Note 

The color temperatures for each light source indicated in the above scale are 

approximate. They are not an accurate indication of color. For example, the 

actual sunlight is not exactly 5300K, nor fluorescent lights 4000K.

Setting the white balance 

You can adjust the white balance by selecting the appropriate color temperature 

for the light conditions. 


P A S M 

1 Press the WB (white balance) button. 


monitor. 



Viewfinder 

Displayed when any WB setting 

except AUTO is selected. 


Control dial 

WB button 


TIPS 

When subjects with no white appear white in the image: 

T In the auto WB setting, if there is no near-white color in the image framed in 

the screen, the white balance will not be correctly determined. In such a 

case, try preset WB or one-touch WB settings. 

WB 

AUTO 

MENU 

0 STEP 

WB 

95 

6 


6 



Monitor 

indications 

¥ 

96 

AUTO 

˙ 

¥ 

1 3000K 

˙ 

¥ 

2 3600K 

˙ 

¥ 

1 4000K 

˙ 

¥ 

22 4500K 

˙ 

¥ 

3 6600K 

˙ 

¥ 


˙ 

¥ 

6000K 

˙ 

¥ 

7500K 

˙ 

¥ 

CWB1 

˙ 

¥ 

CWB2 

˙ 

¥ 

CWB3 

˙ 

¥ 

CWB4 

˙ 

¥ 

¥ 

Light conditions 

Used for most light conditions (when there is a white portion framed in 

the viewfinder) 

For shooting under a tungsten light 

For shooting under incandescent light to preserve the mood of the 

lighting 

For shooting under white fluorescent lighting 

For shooting under a neutral white fluorescent lamp 

For shooting under a daylight fluorescent lamp 

For shooting outdoors on a clear day, or to capture the reds in a sunset 

or the colors in a fireworks display 

For shooting outdoors on a cloudy day (when using the flash) 

For shooting outdoors in the shadows on a clear day 

Color temperature set in custom white balance menu. When the value has 

not been adjusted, it is set to 2000K. ~ “CUSTOM WB” (P. 100) 

Color temperature set in custom white balance menu. When the value 

has not been adjusted, it is set to 2500K. 





Color temperature set by one-touch WB. When the value has not been 

set, it is set to 5300K. 

~ “Setting the one-touch white balance” (P. 97)

Setting the one-touch white balance 

This function is useful when you need a more precise white balance than preset 

WB can provide. Point the camera at a sheet of white paper under the light source 

you want to use to determine the white balance. The optimum white balance for 

the current shooting conditions can be saved in the camera. 

This is useful when shooting a subject under natural light, as well as under various 

light sources with different color temperatures. 


P A S M 

1 Menu T T 


2 Press . 

● The screen appears. 

3 With the screen displayed, point 

the camera at a sheet of white paper. 

● Position the paper so that it fills the 

viewfinder. Make sure there are no shadows. 

4 Set the aperture and shutter speed to 

obtain the optimum exposure. 


● The white balance is registered. 

● The registered white balance will be 

stored in the camera as a preset WB 

setting. Turning the power off does not 

reset the data. 

~ “Setting the white balance” (P. 95) 


YES 

NO 


Lighting used 

for shooting 

OK button 

97 

6 


6 



TIPS 

After pressing OK, “WB NG RETRY” is displayed. 

T When there is not enough white in the image, or when the image is too 

bright, too dark or the colors look unnatural, you cannot register the white 

balance. 

Repeat the procedure from Step 1. 

WB compensation 

This function lets you make fine changes to the auto WB and preset WB settings. 


1 Menu T T 


2 Press . 

● The screen is displayed. 

3 Press to select the white 

balance to adjust, then press . 

● The setting screen for WB compensation is 

displayed. 

98 

P A S M 

MENU 

AEL button 

OK button 

AUTO 0 STEP 

1 3000K 0 STEP 

2 3600K 0 STEP 

14000K 

0 STEP 


4 The color becomes bluer each time 

you press , and redder each time 

you press , depending on the 

original WB conditions. Press the OK 

button to save your adjustment. 

● The white balance can be adjusted in 7 

increments in both the RED and BLUE 

directions. 

5 Point the camera at the subject to take 

test shots. 

6 Press the AEL button. 

● Sample images that have been taken with 

the current WB settings are displayed. 

● The WB compensation indicator indicates the 

current WB compensation value. 

7 After checking the sample images, 

press OK. 

● Press OK again to complete WB 

compensation. 


AUTO 

BLUE 

0 

SAMPLE IMAGE MODE AEL 

RED 

CANCEL MENU 

SELECT GO 

99 

6 


6 



CUSTOM WB 

You can reset the current custom white balance values to different color 

temperatures. 


1 Menu T T CUSTOM WB 


2 Press . 

● The CUSTOM WB SETTING screen 

appears. 

3 Press to select CWB1, CWB2, 

CWB3 or CWB4, then press . 

4 Press to adjust the current white 

balance. 


● Select the other custom white balance items 

to set. 

100 

P A S M 

CUSTOM WB 

MENU 

OK button 

CWB1 

CWB2 

CWB3 

CWB4 

2500K 


SHARPNESS 

This function adjusts the sharpness of the image. 


P A S M 

1 Menu T T SHARPNESS 


2 Press . 


3 Press to move �. 

To increase the sharpness (Hi): 

Press . The image contours are 

emphasized, making the image 

appear sharper and more vivid. Use 

this setting when you want to print 

pictures. 

To reduce the sharpness (Lo) : 

Press . The image contours are 

softened. Use this setting when you 

want to edit images on a PC. 


● Your adjustment is saved. 

Note 

SHARPNESS 

0 

Lo Hi 


Adjusting the sharpness toward Hi may give the picture a grainy appearance. 

MENU 

OK button 

S 

101 

6 


6 


CONTRAST 

This function adjusts the contrast (distinction between light and dark) of images. 

For example, you can make images with marked differences in light and shadow 

softer, and those with less differences more vivid. 


1 Menu T T CONTRAST 


2 Press . 



To increase the contrast (Hi): 

Press . The light and dark areas are 

defined more clearly, making the 

image look crisper. 

To reduce the contrast (Lo) : 

Press . The light and dark areas 

become less defined, giving the image 

a softer impression. Use this setting 

when you want to edit images on a 

PC. 

4 

Press the OK button. 


102 

P A S M 

CONTRAST 

MENU 

OK button 

0 

Lo Hi 


C

SATURATION 

This function sets the color depth of images. 


1 Menu T T SATURATION 


2 Press . 



To increase the saturation (Hi): 

Press . The color becomes more 

vivid. 

To reduce the saturation (Lo): 

Press . The color becomes more 

subdued. 

4 

P A S M 



SATURATION LEVEL 

MENU 

0 

Lo Hi 

OK button 


RGB 

103 

6 


6 


GRADATION 

Lets you select the brightness of the entire image. Suitable when you want to 

produce a brighter image for a bright object and a darker image for a dark object. 

1 Menu T T GRADATION T 

NORMAL, HI KEY, LOW KEY 



104 

HI KEY : 

A brighter image is produced. 


P A S M 

LOW KEY : 

A shadowy image is produced. 

MENU 

OK button

NOISE REDUCTION 

This function reduces the noise that is generated during long exposures. When 

shooting night scenes, shutter speeds are slower and noise tends to appear in 

images. When NOISE REDUCTION is set to ON, the camera automatically 

reduces noise to produce clearer images. However, shooting time is 

approximately twice as long as usual. 

For more information about noise generated in images during long exposures, 

refer to “Noise in images” (P. 51). 


NOISE REDUCTION: OFF NOISE REDUCTION: ON 

P A S M 

1 Menu T T NOISE REDUCTION T 

ON 



3 Take a picture. 

● The noise-reduction process is activated after 

OK button 

shooting. 

● The card access lamp blinks during the noise-reduction process. You cannot take more 

pictures until the card access lamp goes out. 

● Busy is displayed while noise reduction is operating. 

Note 

● When , , , or mode is set, NOISE REDUCTION is fixed to 

ON. 

● When NOISE REDUCTION is set to ON, sequential shooting is not 

available. 

● This function may not work effectively with some shooting conditions or 

subjects. 

MENU 

NR 

105 

6 


6 


COLOR SPACE 

This function lets you select how colors are reproduced on the monitor or printer. 

The first character in image file names indicates the current color space. 

~ “FILE NAME” (P. 129) 

106 

Pmdd0000.jpg 

P : sRGB 

_ : Adobe RGB 

sRGB : Standardized color space for Windows 

Adobe RGB : Color space that can be set by Adobe Photoshop 


1 

Menu T 2 T COLOR SPACE T 

sRGB, Adobe RGB 



sRGB, Adobe RGB 

P A S M SCENE 

MENU 

OK button

7 Playback 

One of the big advantages of a digital camera is that as soon as you take 

a picture, you can see how it looks right away. That means that if the 

picture is out of focus or just hasn’t turned out the way you want, you can 

erase it and try again. With a film camera, on the other hand, you won’t 

know if there is a problem with the picture until you get the film 

developed. Because a digital camera lets you erase those unwanted 

images, you can keep more memory free to store images and take more 

shots. You can also protect images that you do not want to erase. 

Another benefit is that you can edit recorded images: change colors to 

black and white or sepia, trim images, change the resolution, etc. 

So take advantage of your digital camera’s benefits and have fun taking 

great pictures. 

MENU 

10 

13 

16 

11 

14 

17 

12 

15 

18

7 

Playback 

Viewing still images 

There are several different ways to view and edit images. However, before using 

any of these functions, follow step 1 below. 

Single-frame playback 

1 Press the (playback mode) button. 

● The monitor turns off after about 1 minute if 

no operations are performed. After about 1 

hour without being used, the camera will turn 

off automatically. Turn on the camera again. 

2 Use the arrow pad to select images you want to view. 

● Pressing the shutter button halfway resumes the shooting mode. 

When the AC adapter is used, the camera does not turn off automatically. 

108 

The last recorded image appears. 

SQ 

’04.01.01 00:00 

100–0015 15 

Displays the previous 

frame. 

Displays the frame that is stored 10 frames back. 

Displays the next 

frame. 

Displays the frame that is stored 10 frames ahead. 

Note 

Arrow pad 

MENU 

button

Close-up playback 

This function lets you enlarge images 

displayed on the monitor. It is useful when 

you want to check the details in an image. 

Each time you rotate the control dial toward 

, the image is enlarged in steps of 2x - 

10x. 


1 2x 

3x 4x 

Rotating the dial toward returns 

to the original size. 

Displacing the image 

During close-up playback, you can displace the image vertically and horizontally 

and display the adjusted image. 

1 During close-up playback, press the arrow pad button that corresponds 

to the direction you want to move. 

Entire image 

Control dial 

Display area 

If the image reaches the 

end, Ñ, ñ, É or í 

disappears. 

109 

7 

Playback

7 

Playback 


Viewing other images 

During close-up playback, you can view other images. 


2 Use the arrow pad to select images 

you want to view. 

Displaying close-up position 

You can check which part of the image is enlarged. 

110 

Displays the previous 

frame. 

1 Press the INFO button during closeup 

playback. 

● The part you have enlarged is displayed with 

a frame. When you release the button, the 

frame disappears. 

INFO button 

Displays the frame that is stored 10 frames back. 

Displays the frame that is stored 10 frames ahead. 

2.0x 15 

MENU 

button 

Displays the next 

frame. 

3 To apply close-up to the image or return to the original size, press the 

OK button.

Index display 


This function lets you show several images on the monitor at the same time. It is 

useful when you want to quickly search a number of pictures to find a particular 

image. 

Each time you rotate the control dial 

toward , the number of images shown 

changes from 4 to 9 to 16. 

: Moves to the previous frame. 

: Moves to the next frame. 

: Displays the index previous to the topleft 

image in the currently displayed 

index. 

: Displays the index proceeding the 

lower-right image in the currently 

displayed index. 

1 2 3 4 

5 6 7 8 

9 10 11 12 

13 14 15 16 

1 

4 

7 

2 

5 

3 

6 

8 9 

Control dial 

Rotating the control dial toward returns to 

single-frame playback. 

MENU 

1 2 

3 4 

111 

7 

Playback

7 

Playback 

Information display 

This allows you to display detailed 

information about the image. Luminance 

information can also be displayed with 

histogram and highlight graphs. 

INFO button 

1 Press the INFO button repeatedly until the desired information is 

displayed. 

● This setting is stored and will be shown the next time the information display is called up. 

Only image Information 1 Information 2 

P ESP RAW 

ISO 

s RGB 

117 mm 

100 

1/4000 F2.8 0.0 0.0 

WB : AUTO 0STEP 

C 0 S 0 

RGB 0 0 

Shooting information Highlight 

112 

SQ 

SQ 

x 10 

100–0015 15 

Information 1 

Frame number, print reservation and protect. 

Histogram 

MENU 

x 10 

SQ [ 1280x960 , 1/8 ] 

’04.01.01 00:00 

100–0015 

SQ 

SQ 

INFO 

x 10 

100–0015 15

Information 2 

Print reservation, protect, record mode, number of 

pixels, compression, date and time and file number. 

Histogram 

Shows you the distribution of brightness in recorded 

images. Checking the histogram will enable more 

precise exposure control for subsequent shots. 

How to use the histogram display 

The histogram display enables you to check the 

brightest highlights and darkest shadows which may 

result in a poor image. If the bars in the histogram are 

higher towards the right, the image may be too bright. 

If the bars are higher on the left, the image may be too 

dark. Compensate the exposure or shoot again. 

Highlight 

The overexposed parts of the recorded image blink. 

Overexposed parts 

Shooting information 

Displays the exposure mode, metering mode, record 

mode, ISO sensitivity, color space, saturation and 

focal length, etc. 

~ “Monitor indications (only for playback)” (P. 201) 

Information display 

x 10 

SQ [ 1280x960 , 1/8 ] 

’04.01.01 00:00 

100–0015 15 

SQ 

Histogram 

Distribution 

of brightness 

Dark Bright 

SQ 

P ESP RAW 

ISO 

s RGB 

117 mm 

100 

1/4000 F2.8 0.0 0.0 

WB : AUTO 0STEP 

C 0 S 0 

RGB 0 0 

113 

7 

Playback

7 

Playback 

Slideshow 

This function displays images stored on the card one after another in succession. 

Images are displayed one by one for about 5 seconds starting from the currently 

displayed image. Slideshow can be performed using index display. You can select 

the number of images displayed during slideshow from 1, 4, 9 or 16. 

1 Menu T T T , , , 


2 Press the OK button to start the 

slideshow. 

3 Press OK to stop the slideshow. 

114 

Note 

MENU 

When selecting 

OK button 

1 2 

3 4 

If the camera is running on battery power during slideshow, the camera will 

turn off automatically in about 30 minutes.

Rotating images 

This function lets you rotate images and display them vertically on the monitor. 

This is useful for viewing pictures that were taken with the camera held vertically. 

1 Menu T T T ON 


2 Press the (flash mode) button. 

● Each press of the button turns the image 

90 degrees clockwise. 

● The rotated image will be recorded on the 

card. 

’04.09.12 12:30 

30 

’04.09.12 12:30 

30 

button 

MENU 

’04.09.12 12:30 

30 

115 

7 

Playback

7 

Playback 

Playback on TV 

Use the video cable provided with the camera to play back recorded images on 

your TV. 

1 Turn the camera and TV off, and 

connect the video cable as illustrated. 

2 Turn on the TV and set it to the video 

input mode. For details on switching 

to the video input mode, refer to the 

TV’s instruction manual. 

3 Turn the camera on and press the 

(playback mode) buttton. 

116 

Note 

button 

VIDEO OUT jack 

Video cable 

Video input terminal 

● To connect the camera to a TV, use the provided video cable. 

● Make sure that the camera’s video output signal type is the same as the 

TV’s video signal type. ~ “VIDEO OUT — Selecting the video signal type 

before TV connection” (P. 134) 

● The camera’s monitor turns off automatically when the video cable is 

connected to the camera. 

● The image may appear off-center depending on the TV screen.

Editing still images 

Recorded images can be edited and saved as new images. Available editing 

functions depend on the image format (image record mode). 

Editing images recorded in RAW data format 

This performs image processing (such as white balance and sharpness 

adjustment) on images in the RAW data format, then saves the data to a new file 

in the TIFF or JPEG format. While checking recorded images, you can edit them 

to your liking. 

Image processing is performed based on the current camera settings. If you 

want to use different settings when editing, change the current camera 

settings beforehand. 

Editing images recorded in JPEG/TIFF data format 

BLACK & WHITE Creates black and white images. 

SEPIA Creates sepia-toned images. 

Resizing Converts the image file size to 1280 x 960, 640 x 480 or 320 x 

240. 

1 Menu T T EDIT 

● The image selection screen is displayed. 


2 Press to select the image, then 

press the OK button. 

● The camera recognizes the image data 

format. 

RAW 

’04.03.01 12:00 

100–0020 20 


Image in RAW data format 

HQ 

MENU button 

MENU 

OK button 

’04.01.01 00:00 

100–0009 9 


Image in JPEG/TIFF data format 

117 

7 

Playback

7 

Playback 

Editing still images 

3 Press to select the item. Press the OK button. 

If you select for the JPEG/TIFF image, go to step 4. 

If you select any item except , go to step 5 

4 When you select : 

Press to select the pixel count. Press the OK button. 

5 To edit another image, press to select the desired image. 

● Press the MENU button to exit the menu. 

118 

JPEG/TIFF DATA EDIT 

BLACK & WHITE 

SEPIA 


When editing JPEG/TIFF image 

Note 

The image recorded in TIFF is saved as an SHQ image. 

RAW DATA EDIT 

YES 

NO 


When editing RAW image

Protecting images—Preventing accidental erasure 

Protect images you do not want to erase. Protected images cannot be erased by 

the selected frame/all-frame erase function. 

1 Play back the image you want to 

protect. ~ P. 108 

2 Press the (protect) button. 

● is displayed on the screen. 

To cancel the protection 

Display the images that are protected and press . 

Note 

● Formatting the card erases all image even if they have been protected. 

● Protected images cannot be rotated. 

MENU 

button 

Protect mark 

119 

7 

Playback

7 

Playback 

Erasing images 

Lets you erase recorded images. You can select either single-frame erase, which 

erases only the currently displayed image, or all-frame erase, which erases all the 

images stored on the card. 

Single-frame erase 

1 Play back the image you want to 

erase. 

2 Press the (erase) button. 

● The ERASE screen is displayed. 

3 Press to select YES, then press 

the OK button. 

ERASE SETTING 

In the ERASE SETTING screens in the 2 menu, you can set the screen cursor 

setting to YES. ~ “ERASE SETTING” (P. 128) 

120 

Note 

● Protected images cannot be erased. Cancel protected images, then erase 

them. 

● Once erased, images cannot be restored. ~ “Protecting images 

— Preventing accidental erasure” (P. 119) 

button 

ERASE 

MENU 

CANCEL MENU SELECT 

YES 

NO 

GO 

ERASE screen 

OK button

All-frame erase 



2 Press . 


3 Press to select ALL ERASE, 

then press the OK button. 

● The ALL ERASE screen is displayed. 

4 

Press to select YES, then press 

OK. 

● All frames will be erased. 

CARD SETUP 

ALL ERASE 

FORMAT 


CARD SETUP screen 

ALL ERASE 

YES 

NO 


ALL ERASE screen 

Erasing images 

ERASE SETTING 

In the ERASE SETTING screens in the 2 menu, you can set the screen cursor 

setting to YES. ~ “ERASE SETTING” (P. 128) 

MENU 

OK button 

121 

7 

Playback

7 

Playback 

MEMO 

122

8 

Customizing the settings/functions 

of your camera 

Thanks to digital technology you can effortlessly customize many of your 

camera’s functions. For example, you can call up your favorite functions 

at the touch of a button, adjust EV step values, or set the amount of flash 

light. This chapter introduces all the functions that can be customized to 

suit preferences. Try these functions to find ways to use your camera 

even more effectively. 

SHORT CUT 

DRIVE 

MONOTONE 

GRADATION 


MENU 

1 EV STEP 

2 ISO BOOST 

MANUAL FLASH 

1 

2 CUSTOM WB 


RESET 

YES 

NO 


1 EV STEP 

2 ISO BOOST 

1/3EV MANUAL FLASH 

1/2EV 

1 

1EV 

2 CUSTOM WB 

Lo 

–2 

Hi 


OFF 

ON 


8 


AEL METERING 

Set the metering mode before using the AEL button to lock the exposure. This 

allows the camera to automatically apply the selected metering mode when the 

AEL lock function is used. 


1 Menu T T AEL METERING T 

AUTO, ESP, , 



EV STEP 

124 

P A S M 

This allows you to change the EV step for exposure parameter setting, such as 

shutter speed, aperture value or exposure compensation value, etc. 


P A S M 

1 Menu T T EV STEP T 1/3EV, 1/2EV, 1EV 



MANUAL FLASH 

This allows the built-in flash to output a fixed amount of light. With MANUAL 

FLASH set to ON, you can set the amount of light to FULL, 1/4, 1/16, or 1/64 with 

the (flash) button. 


P A S M 

1 Menu T T MANUAL FLASH T ON 



MENU 

OK button

CUSTOM OK 

This lets you select a shooting function to register on the OK button. You will be 

able to call up the selected function’s setting screen by pressing the OK button or 

use it to perform function setting. 

OFF : The OK button is used for setting confirmation in the normal 

way. 

SHORTCUT : Registers one of the shooting menus. This is useful when you 

want to go quickly to the setting screen of a function you use 

frequently. 

PREVIEW : Registers the preview function. When you press the OK 

button, the viewfinder shows the actual depth of field (the 

distance from the nearest to the furthest point of perceived 

“sharp” focus) in a picture, with the selected aperture value. 

AF/MF : Lets you switch between AF and MF. While holding down the 

OK button, you can adjust the focus manually in the S-AF 

mode or operate AF in the MF mode. 


P A S M 

1 Menu T T CUSTOM OK T OFF, 

SHORTCUT, PREVIEW, AF/MF 



When you have selected SHORTCUT 

3 Press . 

● The SHORT CUT screen appears. 

Any of the following items can be 

registered with SHORTCUT: 

DRIVE (~ P. 66), One-touch white balance 

(~ P. 97), MONOTONE (~ P. 75), 

GRADATION (~ P. 104), SATURATION 

(~ P. 103), CONTRAST (~ P. 102), 

SHARPNESS (~ P. 101), WB bracketing 

(~ P. 71) 

4 Press to select the item to set. 


SHORT CUT 

MENU 

DRIVE 

MONOTONE 

GRADATION 

OK button 

CANCEL MENU 

SELECT GO 

125 

8 

Customizing the settings/functions of your camera

8 


RESET LENS 

This allows you to reset the focus of the lens (infinity) when the power is turned 

off. 


1 

Menu T 2 T RESET LENS T ON 



FOCUS RING 

126 

P A S M SCENE 

MENU 

OK button 

This allows you to customize how the lens adjusts to the focal point by selecting 

the rotational direction of the focus ring. 


1 

Menu T 2 T FOCUS RING T , 



P A S M SCENE 

FAR (∞) 

NEAR 

NEAR 

FAR (∞)

Date/time setting 

Date and time information is recorded on images. The file No. is also included with 

the date and time information. 


1 

Menu T 2 T 


2 Press . 


P A S M SCENE 

3 Press to select one of the 

following date formats: 

Y-M-D (Year/Month/Day), 

M-D-Y (Month/Day/Year), 

D-M-Y (Day/Month/Year). 

Then press . 

● The following steps show the procedure used 

when the date and time settings are set to Y- 

M-D. 

4 Press to set the year, then press 

to move to the month setting. 

● To return to the previous setting, press . 

● The first two digits of the year are fixed. 

5 Repeat this procedure until the date 

and time are completely set. 

● The time is displayed in the 24-hour format. 

For example, 2 p.m. will be displayed as 14:00. 

2004 . 01 . 01 

Y M D 

00 : 00 


2004 . 01 . 01 

00 : 00 



● For a more accurate setting, press OK when the time signal hits 00 seconds. 

The clock starts when you press the button. 

Note 

The date/time setting is saved for approximately 3 months using the built-in 

battery. Depending on how the camera is used, the date/time setting may be 

erased earlier. Date/time settings will also be lost if the camera is left for a long 

period with no battery loaded. The internal battery will be fully recharged in 

about one day with the camera’s battery loaded. 

MENU 

OK button 

127 

8 


8 


RESET —Restoring the factory default setting 

Normally, current camera settings (including any changes you have made) are 

retained when the power is turned off. If you prefer the original setting to be 

restored, you can use this function to restore the factory default settings after the 

power is turned off. 


1 

Menu T 2 T RESET 


2 Press . 

● The RESET screen is displayed. 

3 Press to select YES. Press the 

OK button. 

ERASE SETTING 

128 

P A S M SCENE 

RESET 

YES 

NO 

MENU 

OK button 


This allows you to customize the cursor position (YES or NO) as the initial position 

on the ALL ERASE, ERASE or FORMAT screen. 


1 

P A S M SCENE 

Menu T 2 

T ERASE SETTING T YES, NO 


2 Press the OK button.

FILE NAME 

When you take a picture, the camera assigns it a unique file name and saves it in 

a folder. The folder and file name can later be used for file handling on a 

computer. File names are assigned as shown in the illustration below. 

DCIM 

100 OLYMP 

P2030001.jpg 




All folders 

Folder name 

000 OLYMP 

Folder number (100 - 999) 

File name 

Pmdd0000.jpg 

Day (01 - 31) 

Month (10, 11, 12 are 

Color space 

P: sRGB 

_: Adobe RGB 

numbered A, B, C) 

File number (0001 - 9999) 

After taking 9999 pictures, the counter is reset 

to 0001 for the next picture, the folder number 

increments by 1 to name and create a new 

folder where the next image (file) is stored. 

AUTO 

Even when a new card is inserted, the folder numbers are retained from the 

previous card. If the new card contains an image file whose file number coincides 

with one saved on the previous card, the new card’s file numbers start at the 

number following the highest number on the previous card. 

RESET 

When a new card is inserted, folder numbers start at 100 and file numbers start at 

0001. If a card containing images is inserted, the file numbers start at the number 

following the highest file number on the card. 

129 

8 


8 


FILE NAME 


1 

Menu T 

RESET 

2 T FILE NAME T AUTO, 



130 

P A S M SCENE 

Note 

When both the Folder and File No. reach their respective maximum number 

(999/9999), it is not possible to store additional pictures even if the card is not 

full. No more pictures can be taken. Replace the card with a new one. 

MENU 

OK button 

REC VIEW — Checking the picture immediately after shooting 

This allows you to display the picture you have just taken on the monitor while it is 

being recorded to the card, and to select how long the picture is displayed. This is 

useful for making a brief check of the picture you have just taken. Pressing the 

shutter button halfway during REC VIEW lets you resume shooting immediately. 

OFF : The picture being recorded to the card is not displayed. 

5SEC : The picture being recorded to the card is displayed for 5 seconds. 

20SEC: The picture being recorded to the card is displayed for 20 seconds. 


1 

Menu T 2 T REC VIEW T OFF, 5SEC, 20SEC 



P A S M SCENE

Setting the warning tone 

The camera beeps when buttons are pressed. It also beeps to alert you to 

warnings. You can turn the beep sound on or off with this function. 


1 

P A S M SCENE 

Menu T 2 T T OFF, ON 



Monitor brightness adjustment 

MENU 

OK button 

This allows you to adjust the brightness of the monitor for optimal viewing. 


1 

Menu T 2 T 


2 Press . 


P A S M SCENE 

3 Press to adjust the brightness. 


Lo 

–2 

Hi 


131 

8 


8 


SLEEP 

After a specified period of time elapses with no operations being performed, the 

camera enters the sleep mode (stand-by) to save battery power. SLEEP lets you 

select sleep timer. OFF cancels the sleep mode. 

The camera activates again as soon as you touch any button (the shutter button, 

arrow pad etc.) 


1 

Menu T 2 T SLEEP T OFF, 1min, 

3min, 5min, 10min 



PC MODE 

132 

P A S M SCENE 

MENU 

OK button 

You can connect the camera directly to a computer or printer with the provided 

USB cable. If you specify the device you are connecting to beforehand, you can 

skip the USB connection setting procedure normally required every time you 

connect the cable to the camera. For details on how to connect the camera to 

either device, refer to Chapter 9 “Printing” (~ P. 137) and Chapter 10 

“Connecting the camera to a computer” (~ P. 163). 

AUTO : You are required to select PC or PRINT in the USB connection menu 

every time you connect the cable to a computer or printer. 

STORAGE : Allows USB connection to a PC and transfer of data to the PC. Also, 

select to use the OLYMPUS master software via PC connection. 

CONTROL : Allows you to control the camera from a PC using the optional 

OLYMPUS Studio. 

PRINT : Allows you to connect the camera to a PictBridge-compatible printer. 

Pictures can be printed directly without using a PC. ~ “Connecting 

the camera to a printer” (P. 147)


1 

P A S M SCENE 

Menu T 2 T PC MODE T AUTO, 

STORAGE, CONTROL, PRINT 



Changing the display language 

MENU 

PC MODE 

OK button 

You can change the language used for the on-screen display and error messages 

from ENGLISH to another language. 


1 

P A S M SCENE 

Menu T 2 T 


2 Press . 

● The language selection screen is displayed. 

3 Press to select the language 

you want to use. Press the OK button. 

● You can add another language to your 

camera with the provided OLYMPUS Master 

software. For details, refer to Help. 

ENGLISH 

FRANCAIS 

DEUTSCH 

ESPAÑOL 


133 

8 


8 


VIDEO OUT —Selecting the video signal type before TV connection 

This lets you select NTSC or PAL according to your TV's video signal type. Make 

sure the correct video signal type is selected before connecting the AV cable. 

If you use the wrong video signal type, recorded pictures will not play back 

properly on your TV. 


1 

Menu T 

PAL 

2 TVIDEO OUT T NTSC, 



TV video signal types & main regions 

Check the video signal type before 

connecting the camera to your TV. 

NTSC North America, Japan, Taiwan, 

Korea 

PAL European countries, China 

134 

P A S M SCENE 

MENU 

OK button

CARD SETUP — Formatting the card 

Lets you format a card. Formatting prepares cards to receive data. 

Non-Olympus cards or cards formatted on a computer must be formatted with the 

camera before they can be used. 

All data stored on the card, including protected images, is erased when the 

card is formatted. When formatting a used card, confirm there are no images 

that you still want to keep on the card. 


P A S M SCENE 



2 Press . 


3 Press to select FORMAT. Press 

. 

● The FORMAT screen is displayed. 

4 Press to select YES. Press OK. 

● FORMAT is performed. 

CARD SETUP 

MENU 

ALL ERASE 

FORMAT 

OK button 


135 

8 


8 


MEMO 

136

9 Printing 

Turning the images you shot into prints is the next step in digital imaging. 

You can print your images at photo labs or on your own printer. If you 

print at photo labs, you’ll find the print reservation function helpful. Print 

reservation allows you to save the number of prints and the date and 

time information on the card. 

If you print on a printer, there are a number of different ways to do it. One 

method is to connect your digital camera to an exclusive printer and print 

out recorded pictures directly from the camera. The other is to transfer 

images to a computer and print them on a printer connected to the 

computer. 

Printing with print reservation (DPOF) 

Printing on a DPOFcompatible 

printer 

Printing at a photo lab 

that supports DPOF 

Direct printing (PictBridge) or printing using a computer 

Printing on a printer 

connected to the 

camera

9 

Printing 

Print reservation (DPOF) 

Print reservation allows you to save printing data (the number of prints and the 

date/time information) with the pictures stored on the card. 

With print reservation, you can print out pictures easily either at home using a 

personal DPOF-compatible printer or at a photo lab that supports DPOF. 

DPOF is a standard format used to record automatic print information from digital 

cameras. You can print out pictures automatically, at home or in a photo lab, by 

storing such data as which pictures you wish to print and the number of prints on a 

card. 

Pictures set with print reservation can be printed using the following procedures. 

Printing using a DPOF-compatible photo lab 

You can print the pictures using the print reservation data. 

Printing using a DPOF-compatible printer 

Printing is possible directly from a card containing print reservation data without 

using a PC. For more details, refer to the printer’s instruction manual. 

A PC card adapter may also be necessary. 

138

Picture size and printing 


The resolution of a computer/printer is generally based on the number of dots 

(pixels) per square inch. This is called dpi (dots per inch). The higher the dpi 

value, the better the printed results. Keep in mind, however, that the dpi of the 

picture does not change. This means that when you print an image with a 

higher resolution, the size of the printed picture will be smaller. Although you 

can print magnified images, picture quality will decrease. 

If you want to print large, high-quality pictures, set the record mode as high as 

possible when taking the pictures. ~ “Selecting the record mode” (P. 33) 

Note 

● DPOF reservations set by another device cannot be changed by this camera. 

Make changes using the original device. 

● If a card contains DPOF reservations set by another device, entering 

reservations using this camera will erase the previous reservations. 

● If there is not enough space in the card memory, CARD FULL will be 

displayed and you may not be able to enter the reservation data. 

● You can make DPOF print reservations for up to 999 images per card. 

● Not all functions may be available on all printers or at all photo labs. 

● Print reservation may take considerable time when saving printing data to a 

card. 

139 

9 

Printing

9 

Printing 


Flowchart for print reservation 

You can select single-frame reservation or all-frame reservation . 

Follow the operation guide on the camera’s monitor. 

Play back a still picture (~ “Single-frame playback”, P. 108) and select T 

in the menu. Press to select the item you want. 

140 

1 

2 

1 

EDIT 

OFF 

2 


Select the print reservation mode. 


x 2 

100–0009 9 


Follow the operation guide displayed 

here. 

Select whether to apply print reservation to 

selected pictures or apply print reservation 

to all the pictures stored on the card. 

~ P. 142 

Select frames you want to print (only for when you have selected ). 

Select the picture to be printed and set the 

desired number of prints. You cannot 

perform this procedure with all-frame 

reservation, as the number of prints is 

fixed to one for each frame. ~ P. 142

Set the printing data. 

NO 

DATE 

TIME 


Confirm the print reservation you have set. 

SET 

CANCEL 



Select whether to print the pictures without 

the date and time, print the pictures with 

the shooting date or with the shooting 

time. ~ P. 143 

The print reservation you have made is 

stored on the card. ~ P. 143 

141 

9 

Printing

9 

Printing 


Selecting the print reservation mode 

Two print reservation modes are available: single-frame reservation and allframe 

reservation . 


If print reservation data is already stored on the card 

142 

: Applies print reservation to selected 

pictures. 

: Applies print reservation to all the pictures 

stored in the card. 

Pictures shot after performing all-frame 

reservation and stored on the same card 

will not be printed. 

The RESET/KEEP selection screen appears, giving you the choice of 

resetting the data or keeping it. ~ “Resetting print reservation” (P. 144) 

Selecting pictures you want to print 

Lets you apply print reservation to selected pictures. Display the picture to be 

printed and select the desired number of prints. The number of prints can be set 

up to 10. If the number of prints is set to 0, print reservation will not be applied. 

If all-frame reservation is used after single-frame reservation, specifications for the 

number of prints will be overwritten and only one copy of each frame will be 

printed. 

x 2 

100–0009 9 

CANCEL MENU 

SELECT GO

Setting printing data 


You can print the shooting date and time on all the pictures selected for printing. 

NO 

DATE 

TIME 


Confirming your print setting 

SET 

CANCEL 


NO : The pictures are printed without the date 

and time. 

DATE : All the selected pictures are printed with 

the shooting date. 

TIME : All the selected pictures are printed with 

the shooting time. 

SET : Confirms the print reservation you 

have made. 

CANCEL : Cancels the print reservation and the 

menu is restored. 

143 

9 

Printing

9 

Printing 


Resetting print reservation 

Lets you reset print reservation data. You can reset all print reservation data or 

just the data for selected pictures. 

1 Play back a still picture. 

~ “Single-frame playback” (P. 108) 

2 Menu T T 


3 Press . 

● If print reservation data is already stored on 

the card, the RESET/KEEP selection screen 

appears, giving you the choice of resetting 

the data or keeping it. 

Resetting the print reservation data for 

all pictures 

4 Press to select RESET, then 

press OK. 

5 Press the MENU button. 

● The menu is restored. 

Resetting the print reservation data for a 

selected picture 

4 Select KEEP, then press OK. 

5 Press to select , then press 

OK. 

144 

PRINT ORDERED 

RESET 

KEEP 

MENU 

OK button 


PRINT ORDERED 

RESET 

KEEP 

CANCEL MENU 

SELECT GO

6 Press to select the frame with 

print reservation data you want to 

reset, then press to set the 

number of prints to 0. 

● To reset print reservation data of other 

frames, repeat this step. 

7 Press OK when you are finished. 


8 Press to select NO, DATE or 

TIME. Press OK. 

● This setting is applied to all frames with print 

reservation data. 

9 Press 

OK. 

to select SET, then press 

● The setting is saved. 

● The menu is restored. 


Set to 0. 

x 0 

100–0009 9 


NO 

DATE 

TIME 


SET 

CANCEL 

CANCEL MENU 

SELECT GO 

145 

9 

Printing

9 

Printing 

Direct printing (PictBridge) 

By connecting the camera to a PictBridge-compatible printer with the USB cable, 

you can print out recorded pictures directly. With the camera connected to the 

printer, select the pictures you want to print and the number of prints on the 

camera’s monitor. It is also possible to print out pictures using the print reservation 

data. ~ P. 138 

To find out if your printer is compatible with PictBridge, refer to the printer’s 

instruction manual. 

PictBridge 

It is the standard that enables digital cameras and printers made by different 

manufacturers to be connected, and also allows pictures to be printed directly 

from the camera. 

STANDARD 

All printers that support PictBridge have standard print settings. By selecting 

STANDARD on the settings screens (~ P. 148), you can print pictures 

according to these settings. For details on your printer’s standard settings, 

refer to the printer’s instruction manual or contact the printer manufacturer. 

Printer accessories 

For details on printing paper types, ink cassettes, etc., refer to the printer’s 

instruction manual. 

● You are recommended to use the optional AC adapter when printing 

pictures. 

If you use the battery, make sure that it is fully charged. If the camera stops 

operating while communicating with the printer, the printer may malfunction 

or image data may be lost. 

● Images recorded in RAW data cannot be printed. 

● The camera will not enter sleep mode while it is connected to the USB 

cable. 

146 

Note

Connecting the camera to a printer 

Use the USB cable provided to connect the camera to a PictBridge-compatible 

printer. The procedure described below is for when the PC mode is set to AUTO in 

the menu. If you set the PC mode to PRINT beforehand, you can skip this 

procedure. 

1 Turn the printer on and plug the 

printer end of the USB cable into the 

printer’s USB port. 

● For details on how to turn the printer on and 

the position of the USB port, refer to the 

printer’s instruction manual. 

2 Plug the USB cable into the camera’s 

USB connector and turn the camera 

on. 

● The selection screen for the USB connection 

is displayed. 

3 Select PRINT. 

● ONE MOMENT is displayed and the camera 

and printer are connected. The PRINT MODE 

SELECT screen is displayed on the monitor. 

4 Go to “Flowchart for printing” 

(~ P. 148). 

Note 

USB 


P C 

PRINT 

EXIT 

SELECT GO 

USB connector 

If the screen is not displayed after a few minutes, turn off the camera and start 

again from Step 2. 

147 

9 

Printing

9 

Printing 


Flowchart for printing 

When you have connected the camera to a printer successfully, you can apply 

print reservation to selected pictures or you can print a currently displayed picture. 

Follow the operation guide on the camera’s monitor. 

Press to select the item you want. 

148 

PRINT MODE SELECT 

PRINT 

ALL PRINT 

MULTI PRINT 

ALL INDEX 

EXIT SELECT GO Follow the operation guide displayed 

here. 

Select the print mode. 


PRINT 

ALL PRINT 

MULTI PRINT 

ALL INDEX 

EXIT SELECT GO 

Select the print paper setting. 

PRINT PAPER 

SIZE BORDERLESS 

STANDARD STANDARD 

CANCEL SELECT GO 

You can print selected pictures one by 

one or you can print multiple pictures on 

a single sheet of paper. ~ P. 150 

You can select the print paper setting 

according to your printer and you can 

select whether to print pictures with a 

blank frame or not. ~ P. 151

Select frames you want to print. 

SELECT 

SINGLE PRINT 

Set the printing data. 

Print pictures. 

PRINT INFO 

x 

FILE NAME 

123– 3456 

PRINT OK 

MORE 

1 

NO 

NO 

SELECT SET GO 

SELECT 

SINGLE PRINT 

123– 3456 

PRINT OK 

MORE 


Display the picture you want to print. You 

can print the currently displayed picture 

immediately. If you have selected an 

image, you can also apply print 

reservation. ~ P. 151 

Set the number of prints, and select 

whether to print the date and time 

information or file name on the pictures. 

~ P. 152 

Print the pictures with print reservation. 

~ P. 152 

149 

9 

Printing

9 

Printing 


Selecting the print mode 

Select the type of printing (print mode). You 

can print pictures one by one or multiple 

pictures on a single sheet of paper. 

PRINT : Prints selected pictures. 

ALL PRINT : Prints all the pictures stored in the card and makes one print for 

each picture. 

MULTI PRINT : Prints multiple copies of one image in separate frames on a 

single sheet. 

ALL INDEX : Prints an index of all the pictures stored in the card. 

PRINT ORDER : Prints according to the print reservation you made. If there is no 

picture with print reservation, this is not available. ~ P. 138 

Print modes and settings 

The available print modes and settings such as paper size vary depending on 

the type of printer. For details, refer to the printer’s instructions. 

150 


PRINT 

ALL PRINT 

MULTI PRINT 

ALL INDEX 

EXIT SELECT GO

Setting the print paper items 

This setting varies depending on the type of printer. If only the printer’s 

STANDARD setting is available, you cannot change the setting. 

PRINT PAPER 


STANDARD STANDARD 


PRINT PAPER 


STANDARD 16 



SIZE : Sets the paper size that the printer supports. 

BORDERLESS : Selects whether the picture is printed on the entire page 

or inside a blank frame. 

PICS/SHEET : Selects the number of pictures per sheet. Displayed 

when you have selected MULTI PRINT. 

Selecting pictures you want to print 

Select pictures you want to print. The selected pictures can be printed later 

(single-frame reservation) or the picture you are displaying can be printed right 

away. 

SELECT 

SINGLE PRINT 

123– 3456 

PRINT OK 

MORE 

PRINT [ ]: Prints the currently displayed picture. 

If there is a picture that SINGLE PRINT 

reservation has already been applied to, only the 

picture with SINGLE PRINT reservation will be 

printed. 

SINGLE PRINT [ ]: Applies print reservation to the 

currently displayed picture. If you want to apply 

reservation to other pictures, press to select 

them. 

MORE [ ]: Sets the number of prints and other 

items for the currently displayed picture, and 

whether or not to print it. 

~ “Setting printing data” (P. 152) 

151 

9 

Printing

9 

Printing 


Setting printing data 

Select whether to print printing data such as the date and time or file name on the 

picture when printing. 

PRINT INFO 

FILE NAME 

152 

x 

1 

NO 

NO 

SELECT SET GO 

Printing 

PRINT 

OK 

CANCEL 

EXIT SELECT GO 

PRINT 

CONTINUE 

CANCEL 

SELECT GO 

x : Sets the number of prints. 

: Prints the date and time recorded on 

the picture. 

FILE NAME: Prints the file name recorded on the 

picture. 

Print when you have set the pictures for printing and 

printing data. 

OK : Transfers images you print to the printer. 

CANCEL : Resets the settings. All print reservation 

data will be lost. If you want to keep the 

print reservation data and make other 

settings, press . This returns you to 

the previous setting. 

To stop and cancel printing, press the OK button. 

CONTINUE: Continues printing. 

CANCEL : Cancels printing. All print reservation 

data will be lost.

If an error code is displayed 


● If an error code is displayed during direct printing setting or printing, see the 

following table. 

● For more details on solutions, refer to the printer’s instruction manual. 

● If other codes are displayed, refer to “Error codes” (P. 174). 

Monitor indication 

NO CONNECTION 

NO PAPER 

NO INK 

JAMMED 

SETTINGS CHANGED 

PRINT ERROR 

CANNOT PRINT 

Possible cause 

Corrective action 

The camera is not connected Disconnect the camera and 

to the printer correctly. connect it again correctly. 

There is no paper in the 

printer. 

The printer has run out of ink. 

The paper is jammed. 

The printer’s paper cassette 

has been removed or the 

printer has been manipulated 

while making settings on the 

camera. 

There is a problem with the 

printer and/or camera. 

Pictures recorded on other 

cameras may not be printed 

on this camera. 

Load some paper in the printer. 

Replace the ink cartridge in the 

printer. 

Remove the jammed paper. 

Do not manipulate the printer 

while making settings on the 

camera. 

Turn off camera and printer. 

Check the printer and remedy 

any problems before turning the 

power on again. 

Use a personal computer to 

print. 

153 

9 

Printing

9 

Printing 

MEMO 

154

10 

Transferring images to a 

computer 

Transferring images to your computer is a great way to make the most of 

the potential of digital imaging. Not only can you print the images of your 

choice, you can also use image processing software to organize, edit, 

and manipulate images. There are so many things you can do. Sort 

images by date/time or other criteria. Trim, crop, colorize, or add special 

effects. And much more. 

Once you’ve transferred images to your computer, you can email them to 

friends, post them on your website, create slideshows or HTML albums, 

you can even use them as wallpaper for your desktop. 

Home printing 

Online 

printing 

Printing 

images 

Transferring 

images to 

your 

computer 

Online album 

Share the 

fun with 

everyone 

Emailing 

photos 

Editing & 

processing 

images 

Creating photo albums

10 

Transferring images to a computer 

Flowchart 

Just connect the camera to a computer with the USB cable and you can easily 

transfer images stored on the card to the computer with the provided OLYMPUS 

Master software. 

Installing OLYMPUS Master ~P. 159 

¥ 

Connecting the camera to the computer using the provided 

USB cable ~P. 163 

¥ 

Starting OLYMPUS Master ~P. 165 

¥ 

Saving images in the computer ~P. 166 

¥ 

Disconnecting the camera from the computer ~P. 167 

● When connecting the camera to the computer, use the provided AC adapter 

whenever possible. When connected (transmitting) to the computer, the 

camera may stop operating if battery power runs low. This could cause the 

computer to malfunction, and any image data (file) being transmitted may be 

lost. 

● Never open the camera’s battery/card compartment cover or disconnect or 

connect the AC adapter while the card access lamp is blinking. Doing so 

may destroy the image files. 

● If the camera is connected to the computer via a USB hub, operation may 

not be stable if there are any compatibility problems between the computer 

and the hub. In such cases, do not use the hub and connect the camera 

directly to the computer instead. 

156 

Note

Viewing or processing images downloaded to the computer 

Flowchart 

If you want to process images using graphics applications, be sure to download 

them to your computer first. Depending on the software, image files may be 

destroyed if the images are processed (rotated, etc.) while they are on the card. 

When your computer cannot read the camera’s image data with the 

USB connection 

Transferring images to the computer is possible with the use of the optional PC 

card adapter or other media adapters for the Compact Flash. 

For details, see the Olympus web site. 

PC card adapter 

Compact Flash 

157 

10 

Transferring images to a computer

10 


Using the provided OLYMPUS Master software 

Install the OLYMPUS Master software from the provided CD-ROM to edit and 

manage images on your computer. 

What is OLYMPUS Master? 

OLYMPUS Master is an image management program with viewing and editing 

features for pictures taken with your digital camera. Once installed on your 

computer, you can take advantage of the following. 

Viewing images and movies 

You can also enjoy slideshows and sound 

playback. 

Transferring images from the camera 

or removable media to your computer 

Correcting images using filter and 

correction functions 

A variety of printing formats 

You can print in a variety of formats 

including index prints, calendars, postcards, 

and more. 

158 

Grouping and organizing images 

You can organize images by displaying 

them in a calendar format. Using shooting 

date or key words, you can quickly find 

the particular images you want. 

Editing images 

You can rotate, trim or change the image 

size. 

Creating panorama images 

You can make a panorama from the 

photos you have taken using the 

panorama function. 

For information about OLYMPUS Master’s other features, as well as for details 

on how to use the software, refer to OLYMPUS Master Help or the OLYMPUS 

Master software user’s guide.

Installing OLYMPUS Master 


Identify the OS on your computer before installing the software. 

For the latest information on compatible operating systems, visit the OLYMPUS 

web site (http://www.olympus.com). 

System requirements 

Windows 

OS Windows 98SE/Me/2000 Professional/XP 

CPU Pentium III 500 MHz or higher 

RAM 128 MB or more (256 MB or more recommended) 

HD space 300 MB or more 

Interface USB port 

Monitor 1024 x 768 pixel or more, minimum 65,536 colors 

Note 

● Only pre-installed operating systems are supported. 

● To install OLYMPUS Master on a computer running Windows 2000 Professional or 

Windows XP, login as a user with administrator privileges. 

● QuickTime 6 and Internet Explorer or later must be installed on the computer 

beforehand. 

● For Windows XP, Windows XP Professional/Home Edition is supported. 

● For Windows 2000, only Windows 2000 Professional is supported. 

● For Windows 98SE, a USB driver will be automatically installed. 

Macintosh 

OS Mac OS X 10.2 or later 

CPU Power PC G3 500 MHz or higher 

RAM 128 MB or more (256 MB or more recommended) 

HD space 300 MB or more 

Interface USB port 

Monitor 1024 x 768 pixel or more, minimum 32,000 colors 

Note 

● If your Macintosh has no built-in USB port, its functionality may not be guaranteed when 

the camera is connected to the computer via USB. 

● Quick Time 6 or later and Safari 1.0 or later must be installed on your computer. 

● Be sure to remove the card (drag and drop it onto the Trash icon) first before performing 

the following procedures. If you skip these procedures, the computer may not function 

properly, requiring you to restart it. 

– Unplug the cable connected between the camera and computer. 

– Turn off the camera. 

– Open the camera’s card compartment cover. 

159 

10 


10 



How to install 

Windows 

1 Boot your computer and insert the 

OLYMPUS Master CD into your 

CD-ROM drive. 

● The OLYMPUS Master Setup Menu will 

automatically launch. 

● If the menu window does not appear, doubleclick 

the [My Computer] icon, and click the 

CD-ROM icon. 

2 Click the [OLYMPUS Master] button. 

● The QuickTime Setup program will 

automatically run. 

● QuickTime is required to run OLYMPUS 

Master. If QuickTime 6 or later is preinstalled 

on your computer, the setup program will not 

run. In this case, go to step 4. 

3 Click the [Next] button, then follow the 

on-screen prompts to continue 

installing the program. 

● When the software license agreement 

window appears, read the license agreement 

text, then click [Agree]. 

● The OLYMPUS Master installation window 

appears. 

4 Follow the on-screen prompts to 

continue installing the program. 



test, then click [Yes]. 

● When a dialog box prompting you for User 

Information appears, enter your name and the 

OLYMPUS Master serial number that is printed 

on the label on the CD-ROM package. Select 

your country, then click [Next]. 

Installation starts. When the DirectX license 

agreement window appears, read the message, 

then click [Yes] to continue installation. 

160

● A confirmation window appears, asking you if 

you want to install Adobe Reader. To view the 

OLYMPUS Master software user’s guide, 

Adobe Reader must be installed. 

If Acrobat Reader is preinstalled on your 

computer, the confirmation window will not 

appear. 

5 If you want to install Adobe Reader, 

click [OK]. 

● If you do not want to install the program, click 

[Cancel]. Go to step 7. 

● The Adobe Reader installation window 

appears. 

6 Follow the on-screen prompts to 

continue installing the program. 

● A window appears to inform you when 

installation is complete. 

7 Click [Finish]. 

● The screen returns to the Olympus Software 

Setup Menu. 

8 Select the option to restart 

immediately when the screen asking 

you if you wish to restart the 

computer is displayed and click [OK]. 

●The computer restarts. 

9 Remove the CD, then click [Finish]. 


161 

10 


10 



Macintosh 

1 Insert the OLYMPUS Master software 

CD into your CD-ROM drive. 

● The CD-ROM window automatically appears. 

● If the screen does not appear, double-click 

the CD-ROM icon on your desktop. 

2 Double-click the [Installer] icon. 

● Follow the on-screen prompts to continue 

installing the program. 

OLYMPUS Master Installer will automatically 

launch. 



text, then click [Continue] and [Agree]. 

● A window appears to inform you when 

installation is complete. 

3 Click the [Quit] button. 

4 Remove the CD, then click [Restart]. 

162

Connecting the camera to a computer 

Connect the camera to your computer with the provided USB cable. 

1 Insert the marked end of the provided 

USB cable into the USB port on your 

computer. 

The location of the USB port varies 

depending on the computer. For details, 

refer to your computer’s manual. 

2 Insert the provided USB cable into the 

USB connector. 

3 Set the camera’s power switch to ON. 

4 Press to select PC. Press the 

OK button. 

Look for this mark. 

USB port 

USB connector 

Terminal 

Smaller terminal 

USB cable 

The selection screen for the USB 

connection is displayed. 

USB 

P C 

PRINT 

EXIT 

SELECT GO 

Power switch 

163 

10 


10 


Connecting the camera to the computer 

5 The computer recognizes the camera 

as a new device. 

● Windows 98SE/Me/2000 

When you connect the camera to the 

computer for the first time, the computer 

automatically recognizes the camera. 

Click [OK] when the message saying that the 

installation is completed appears. 

The computer recognizes the camera as a 

[Removable Disk ]. 

● Windows XP 

You can download image files from the 

camera easily. To transfer images with 

OLYMPUS Master, click [Cancel]. 

● Mac OS X 

iPhoto is the default image management 

application for Mac OS. When you connect 

your Olympus digital camera for the first time, 

iPhoto will start up automatically. Close 

iPhoto and start OLYMPUS Master. 

When the camera is connected to the computer, none of the camera buttons 

are functional. 

164 

Note

Starting OLYMPUS Master 

Windows 

1 Double-click (OLYMPUS Master) on the desktop. 

● The OLYMPUS Master main menu appears. 

Macintosh 

1 Double-click (OLYMPUS Master) in the [OLYMPUS Master] folder. 

● The OLYMPUS Master main menu appears. 

● The first time you start the program, a dialog box appears, prompting you for User 

Information. Enter your name and the OLYMPUS Master serial number that is printed on 

the affixed label, then select your country. 

1 

3 

6 

1 [Transfer Images] button 

Transfers images from the camera or 

removable media. 

2 [Upgrade] button 

Displays the dialog box that allows 

upgrade to OLYMPUS Master PLUS. 

3 [Browse Images] button 

Displays the Browse window. 

Closing OLYMPUS Master 

1 Click (Close) in the main menu. 

● The OLYMPUS Master program is closed. 

2 

4 

5 

7 

4 [Backup Images] button 

Backs up images onto removable media. 

5 [Create and Share] button 

Displays menus to enjoy images. 

6 [Print Images] button 

Displays the print menu. 

7 Close button 

Closes the OLYMPUS Master program. 

165 

10 


10 


Displaying the camera’s images on your computer 

Downloading images to save on your computer 

Save images downloaded from the camera on your computer. 

1 Click (Transfer Images) in the 

OLYMPUS Master main menu. 

● The selection menu for the folders containing 

the files to be copied appears. 

2 Click (From Camera). 

● The window containing the files to be copied 

appears. The thumbnails of all the images in 

the camera appear. 

3 Select the image file you want to save 

on the computer, then click the 

[Transfer Images] button. 

● A confirmation message appears. 

4 Click the [Browse images now.] 

button. 

● The images downloaded to the Browse 

window appear. 

● Clicking [Menu] in the Browse window returns 

to the main menu. 

● Never open the camera’s battery/card 

compartment cover or disconnect or connect 

the AC adapter while the card access lamp is 

blinking. Doing so may destroy the image 

files. 

166

Disconnecting the camera from your computer 

1 Make sure that the card access lamp 

goes out. 

2 Windows 98SE: 

1 Double-click the [My Computer] icon and 

right-click the [Removable Disk] to display 

the menu. 

2 Click [Eject] on the menu. 

Windows Me/2000/XP: 

1 In the System Tray, click the Remove 

Hardware icon . 

2 Click on the pop-up message. 

3 Click [OK] on the [Safe to Remove 

Hardware] window. 


After downloading images from the camera to your computer, you can disconnect 

the camera from your computer. 

Click 

MENU 

Card access lamp 

167 

10 


10 



Macintosh: 

1 Drag and drop the [untitled] (or 

[NO_NAME]) icon on the desktop to 

[Trash]. 

3 Unplug the USB cable from the 

camera. 

Windows Me/2000/XP: When you click [Unplug or Eject Hardware], the 

window may return the following message. In such case, make sure that no 

image data is being downloaded from the camera, and that there are no 

applications open that were accessing the camera image files. Close any such 

applications and click [Unplug or Eject Hardware] again and then remove the 

cable. 


1 Click (Browse Images) in the 

OLYMPUS main menu. 

● The Browse window appears. 

2 Double-click the thumbnail of the 

image you want to view. 

168 

Thumbnail 

● The screen switches to the View mode, 

enlarging the image. 

● Clicking the [Menu] in the Browse window 

returns to the main menu. 

Note 

å

Printing images 

The print menus include menus such as [Photo], [Index], [Postcard], [Calendar] 

etc. The examples in the instructions below are taken from the [Photo] menu. 

1 Click (Print Images) in the 

OLYMPUS Master main menu. 

● The print menu appears. 

2 Click (Photo). 

● The photo print window appears. 

3 Click (Settings) on the photo print 

window. The printer setting dialog box 

appears. Make printer settings as 

required. 

4 Select the layout and size of the image 

to print. 

● To print images with the date or date and 

time, check off [Print Date], then select 

[Date] or [Date & Time]. 

5 Select the thumbnail of the image you 

want to print, then click the [Add] 

button. 

● The selected image is previewed on the 

layout. 

6 Set the number of images to print. 

7 Click the [Print] button. 

● Clicking [Menu] in the photo print window 

returns to the main menu. 

169 

10 


10 


Transferring images to your computer without using OLYMPUS Master 

Your camera supports the USB Mass Storage Class. You can transfer images to a 

computer by connecting the camera to the computer with the provided USB cable. 

This can be done even without using OLYMPUS Master. 

The following operating systems are compatible with the USB connection: 

Windows : Windows 98SE/Me/2000 Professional/XP 

Macintosh : Mac OS 9.0-9.2/X 

● Users running Windows 98SE need to install the USB driver. Before 

connecting the camera to your computer with the USB cable, double-click 

the file included in the following folder on the provided OLYMPUS Master 

CD-ROM. When you install OLYMPUS Master, the USB driver will be 

installed at the same time. 

Your computer's drive name: \USB\INSTALL.EXE 

● Even if your computer has a USB connector, data transfer may not function 

correctly if you are using one of the operating systems listed below or if you 

have an add-on USB connector (extension card, etc.). 

– Windows 95/98/NT 4.0 

– Windows 98SE upgrade from Windows 95/98 

– Mac OS 8.6 or lower 

(except Mac OS 8.6 equipped with USB MASS Storage Support 1.3.5 

installed at the factory) 

– Data transfer is not guaranteed on a home-built PC system or PCs with 

no factory installed OS. 

170 

Note

11 Appendix 

The appendix will assist in solving most problems you may encounter. 

Solutions to error messages, operational problems, blurry pictures, 

camera storage, basic terminology and more can easily be found in this 

section. 

If you encounter problems 

Error codes 

Troubleshooting 

Camera maintenance 

Safety precautions

11 

Appendix 

Card basics 

“Card” in this manual refers to a recording medium. This camera can use a 

Compact Flash or Microdrive (optional). An xD-Picture Card can also be used with 

a card adapter (optional). 

Compact Flash 

A Compact Flash is a large-capacity 

solid state flash memory card. You can 

use commercially available cards. 

Precautions when using a Microdrive 

172 

Microdrive 

A Microdrive is a medium that uses a 

large-capacity compact hard disk drive. 

You can use a Microdrive that supports 

CF+Type II (Compact Flash extension 

standard). 

A Microdrive is a medium that uses a compact hard disk drive. Because the 

disk drive rotates, a Microdrive is not as resistant to vibration or impact as 

other cards. Special care is needed when using a Microdrive (especially during 

recording and playback) to make sure the camera is not subjected to shock or 

vibrations. Be sure to read the following precautions before using a Microdrive. 

Also, refer to the manuals provided with your Microdrive. 

• Be very careful when putting the camera down during recording. Place it 

gently on a firm surface. 

• Be careful not to hit the camera against anything when carrying it by the 

strap. 

• Do not use the camera in places subject to vibrations or excessive shock, 

such as at a construction site or in a car while driving along a bumpy road. 

• Do not take a Microdrive close to areas where it may be exposed to strong 

magnetism. 

• Microdrives confirmed for use with this camera (as of October, 2004): 

Hitachi 

DSCM-1100 (1 GB) HMS360404D5CF00 (4GB) 

DSCM-10512 (512 MB) HMS360402D5CF00 (2GB) 

DSCM-10340 (340 MB)

Lens basics 

Select the lens that you want to shoot with. 

Use a specified Four Thirds lens (Four Thirds mount*). When a non-specified lens 

is used, AF (auto focus) and light metering will not function correctly. In some 

cases, other functions may not work either. 

*Four Thirds mount: 

Standard developed by Olympus. Lens mount of Four Thirds system. Developed 

from the ground up, these all-new interchangeable lenses are based on optic 

engineering exclusively for digital cameras. 

Four Thirds system interchangeable lens 

Designed to withstand severe professional use. The Four Thirds system makes it 

possible for a fast lens to be compact and lightweight as well. 

The Four Thirds system interchangeable lens lineup includes the following 

products: 

ZUIKO DIGITAL 14mm-54mm f2.8-3.5: 

Standard zoom lens equivalent to 28-108 mm on a 35 mm lens 

ZUIKO DIGITAL ED 50mm-200mm f2.8-3.5: 

Super telephoto zoom lens equivalent to 100-400 mm on a 35 mm lens 

ZUIKO DIGITAL ED 40mm-150mm f3.5-4.5: 

Telephoto zoom lens equivalent to 80-300 mm on a 35 mm lens 

Note 

● When you attach or remove the body cap and lens from the camera, keep 

the lens mount on the camera pointed downward. This helps prevent dust 

and other foreign matter from getting inside the camera. 

● Do not remove the body cap or attach the lens in dusty places. 

● Do not point the lens attached to the camera toward the sun. This may 

cause the camera to malfunction or even ignite due to the magnifying effect 

of sunlight focusing through the lens. 

● Be careful not to lose the body cap and rear cap. 

● Attach the body cap to the camera to prevent dust from getting inside when 

no lens is attached. 

173 

11 

Appendix

11 

Appendix 


Error codes 

Viewfinder 

indications 

Normal 

indication 

No 

indication 

No 

indication 

174 

Monitor 

indications 

NO CARD 

CARD ERROR 

WRITE 

PROTECT 

CARD FULL 

NO PICTURE 


The card is not 

inserted, or it 

cannot be 

recognized. 

There is a problem 

with the card. 

Writing to the card 

is prohibited. 

The card is full. 

No more pictures 

can be taken or no 

more information 

such as print 

reservation can be 

recorded. 

There are no 

pictures on the 

card. 


Insert a card or insert a 

different card. 

Insert the card again. If 

the problem persists, 

format the card. If the 

card cannot be 

formatted, it cannot be 

used. 

The card has been set 

to read-only setting with 

the computer. Reset the 

card with the computer. 

Replace the card or 

erase unwanted 

pictures. Before 

erasing, download 

important images to a 

PC. 

The card contains no 

pictures. Record 

pictures.

Viewfinder 

indications 

No 

indication 

No 

indication 

No 

indication 

Monitor 

indications 

PICTURE 

ERROR 

CARD-COVER 

OPEN 

CARD ERROR 

BATTERY 

EMPTY 

No 

indication 


The selected 

picture cannot be 

displayed for 

playback due to a 

problem with this 

picture. Or the 

picture cannot be 

used for playback 

on this camera. 

The card cover is 

open. 

The card is not 

formatted. 

The battery is 

drained. 

Camera interior has 

overheated. 



Use image processing 

software to view the 

picture on a PC. If that 

cannot be done, the 

image file is damaged. 

Close the card cover. 

Format the card. 

Charge the battery. 

Switch the camera off 

and allow it to cool, and 

then switch the camera 

on again. 

175 

11 

Appendix

11 

Appendix 


Troubleshooting 

Possible cause Corrective action Ref. Page 

The camera does not turn on or function buttons do not respond. 

The power is off. 

The camera automatically turns off if it is not 

operated for a certain period of time. Set the 

power switch to ON. 

– 

The camera enters the 

sleep mode. 

Press the shutter button halfway. 

P. 132 

The battery is drained. Charge the battery. 

– 

The battery is temporarily Warm the battery by putting it in your pocket for – 

unable to function 

because of the cold. 

a while. 

The camera is connected The camera will not operate while it is connected P. 132 

to a PC. 

to a PC. The optional OLYMPUS Studio software 

is required in the CONTROL mode. 

No picture is taken when the shutter button is pressed. 

The battery is drained. Charge the battery. 

– 

Subjects are difficult to Use manual focus or focus lock to focus on the P. 30, 

focus on (AF does not 

work properly). 

subject and then shoot. 

83 

Pictures are being 

During sequential shooting, no pictures can be P. 200 

recorded to the card. taken when the camera's memory is full. 

The flash has not finished Remove your finger from the shutter button, and P. 59 

charging. 

wait until the mark stops blinking. Press the 

The card is full. 

shutter button again. 

Erase unwanted images or insert a new card. Before P. 120, 

erasing, download important images to a PC. 

166 

The battery ran out of Charge the battery. (Wait until the card access – 

power during shooting or 

while the images were 

being written to the card. 

(The monitor turns off 

after BATTERY EMPTY is 

displayed.) 

lamp stops blinking.) 

There is a problem with 

the card. 

Refer to the "Error codes". 

P. 174 

176



The viewfinder display is not clear. 

The diopter is not 

adjusted. 

Stray light enters through 

the lens. 

Stray light enters through 


There is condensation* in 

the lens or viewfinder. 

The date recorded with the image data is wrong. 

The date/time is not set. 

The camera was left for a 

long period with the 

battery removed. 

This camera retains the 

saved settings after the 

camera's power is turned 

off. 

The picture is out of focus. 

The subject is too close. 

Subjects are difficult to 

focus on (AF does not 

work properly). 

The subject is dark. 

There is condensation* in 

the lens or viewfinder. 

Adjust the diopter so that the AF frame is clearly 

visible. 

Use a sunshade. 

Use the provided eyepiece cover. 

Turn off the camera’s power and wait until the 

camera is dry. The camera will dry out as it gets 

accustomed to the environmental temperature. 

Set the date/time. The clock adjustment is not 

factory-preset. 

If the camera is left for a long period with the 

battery removed, the stored date/time setting 

will be canceled. Set the date/time again. 

Turning the camera's power off does not reset the stored settings. 

Turning the camera’s power off does not reset 

the saved settings. 

Set RESET to ON, then turn off the camera. 

Move back to the closest focusing distance for 

the lens and take the picture. 

Use manual focus or focus lock to focus on the 


Set AF ILLUMINATOR to ON in the menu and 

raise the flash. 

Turn off the camera’s power and wait until the 

camera is dry. 

P. 127 

P. 127 

P. 128 

– 

P. 30, 

83 

*Condensation: When it is cold outside, the water vapor in the air is rapidly cooled and turns 

to droplets of water. Condensation occurs when the camera is suddenly taken 

from a cold place into a warm room. 

– 

– 

P. 73 

– 

P.84 

– 

177 

11 

Appendix

11 

Appendix 



The picture is blurred. 

A subject unsuited to AF 

was taken 

The camera moved when 

the shutter button was 

pressed. 

ISO is set to auto in a 

dark environment. 

The lens was dirty. 

The picture is too bright. 

There was something 

dark in the center of the 

image. 

The ISO setting is high. 

A low aperture value is set 

in the A (M) mode. 

A slow shutter speed is 

set in the S (M) mode. 

178 

Use manual focus or focus lock to focus on the 


Camera vibrations will result in a blurred picture. 

Hold the camera correctly and press the shutter 

button gently. When a telephoto lens is used, 

special care is needed. 

The camera is more likely to move with slower 

shutter speeds. Use the flash or set a higher 

ISO sensitivity. The use of a tripod is also 

recommended. 

Clean the lens. Use a commercially available 

blower blush and then wipe with a lens cleaner 

to remove dust. Mold may form on the lens 

surface if the lens is left dirty. 

When there is something dark in the center of 

the image, the edges of the image will be 

brighter regardless of the metering system. 

Adjust the exposure toward –. 

Set ISO to auto or 100. If there is no 

improvement, use an ND filter. 

Increase the aperture value. Or set the 

exposure mode to the P mode. 

Increase the shutter speed. Or set the exposure 

mode to the P mode. 

P. 30, 

83 

– 

P. 54, 

91 

P. 181 

P. 88 

P. 91 

P. 43, 

45 

P.43, 

47



The picture is too dark. 

The subject was too small 

and was backlit. 

There was something 

bright in the center of the 

image. 

A high aperture value is 

set in the A (M) mode. 

A fast shutter speed is set 

in the S (M) mode. 

Set the metering system to spot metering. Or 

use the flash. 

When there is something bright in the center of 

the image, the whole image will be darker 

regardless of the metering system. Adjust the 

exposure toward +. 

Decrease the aperture value. Or set the 

exposure mode to the P mode. 

Reduce the shutter speed. Or set the exposure 

mode to the P mode. 

The colors of pictures taken indoors look unnatural. 

Indoor lighting affected 

the picture's colors. 

The white balance setting 

is wrong. 

Halation produces unnatural colors in the picture. 

This may be caused by 

excessively bright 

ultraviolet light on the 

subject, such as sunlight 

shining through the leaves 

of trees, brightly lit 

windows at night, 

reflections off metal in 

direct sunlight, etc. 

Set the appropriate white balance for the lighting. 

More natural-looking colors can be reproduced 

with the one-touch white balance. 

Set the appropriate white balance for the lighting 

again. 

● Use a UV filter. As this may upset the overall 

color balance, it should only be used under 

the conditions described on the left. 

● Process the picture using a graphics 

application that supports JPEG (Paint Shop 

Pro, Photoshop, etc.). For example, after 

picking up unnatural colors with an 

eyedropper tool, etc., you can select color 

areas, and try color conversion or saturation 

adjustment. For details, refer to the manual 

for the graphics application you are using. 

P. 54, 

87 

P. 88 

P. 43, 

45 

P. 43, 

47 

P. 93 

P. 93 

– 

179 

11 

Appendix

11 

Appendix 



The top left part of the picture appears too bright. 

When shooting at slow 

shutter speeds, noise may 

be generated due to a rise 

in temperature in the CCD 

drive circuit. 

Pictures cannot be played back on the monitor. 

Pictures are not stored on 

the card. 

The card error occurs. 

The camera's power is 

turned off. 

The USB driver was not 

successfully installed. 

The camera's PC MODE 

is set to CONTROL. 

180 

Set NOISE REDUCTION to ON before taking 

pictures. 

NO PICTURE appears on the monitor. Record 

pictures. 

Refer to “Error codes”. 

No picture is displayed on the TV when connected to the camera. 

The video cable is not 

connected correctly. 

The camera's video 

output signal is incorrect. 

The TV 's video signal is 

incorrect. 

The monitor is hard to see. 

The brightness is not 

adjusted properly. 

The monitor is exposed to 

direct sunlight. 

Connect the cable properly according to the 

instructions. 

Set the video signal according to the region 

where used. 

Set the TV to the video input mode. 

Adjust the brightness of the monitor using the 

menu. 

Block the sunlight with your hand. 

The computer does not recognize the camera correctly. 

Set the power switch to ON. 

Install the OLYMPUS Master. 

Set PC MODE to AUTO or STORAGE. When 

AUTO is set, the selection screen for USB 

connection is displayed every time you connect 

the USB cable to the camera. 

P. 105 

– 

P. 174 

P. 116 

P. 134 

– 

P. 131 

– 

– 

P. 158 

P. 132


Cleaning and storing the camera 

Cleaning the camera 

Turn off the camera and remove the battery before cleaning the camera. 

Exterior: 

T Wipe gently with a soft cloth. If the camera is very dirty, soak the cloth in mild 

soapy water and wring well. Wipe the camera with the damp cloth and then 

dry it with a dry cloth. If you have used the camera at the beach, use a cloth 

soaked in clean water and well wrung. 

Monitor and viewfinder: 

T Wipe gently with a soft cloth. 

Lens, mirror and focusing screen: 

T Blow dust off the lens, mirror and focusing screen with a commercially 

available blower. For the lens, wipe gently with a lens cleaning paper. Do not 

use a high-pressure bottled blower. If high-pressure gas is sprayed onto the 

lens, mirror, or focusing screen by non-authorized service persons, the 

camera will be damaged. 

Storage 

• When storing the camera for extended periods, remove the battery and card. 

Store the camera in a cool, dry place that is well ventilated. 

• Replace the battery periodically and test camera functions. 

Cleaning and Checking the CCD 

This camera incorporates a dust reduction function to keep dust from getting on 

the CCD and to remove any dust or dirt from the CCD surface with ultrasonic 

vibrations. Dust reduction works when the power switch is set to ON. 

Since dust reduction is activated every time the camera's power is turned on, the 

camera should be held upright for the dust reduction function to be effective. The 

SSWF indicator blinks while dust reduction is working. 

~ “Names of parts” (P. 198) 

Note 

● Do not use strong solvents such as benzene or alcohol, or chemically treated 

cloth. 

● Avoid storing the camera in places where chemicals are treated, in order to 

protect the camera from corrosion. 

● Mold may form on the lens surface if the lens is left dirty. 

● Check each part of the camera before use if it has not been used for a long 

time. Before taking important pictures, be sure to take a test shot and check 

that the camera works properly. 

181 

11 

Appendix

11 

Appendix 


CLEANING MODE —Removing dust on the CCD 

If dust or dirt gets on the CCD, black dots may appear in the picture. If this 

happens, contact your Olympus Authorized Service Center to have the CCD 

physically cleaned. The CCD is a precision device and is easily damaged. When 

cleaning the CCD yourself, be sure to follow the instructions below. 

When cleaning the CCD, the specified AC adapter should be used (~ P. 206). If 

a battery is used and power runs out during cleaning, the shutter will close, which 

may cause the shutter curtain and mirror to break. 

Remove the lens from the camera. 

1 

Set the power switch to ON. 

2 

Menu T 2 T CLEANING MODE 

3 


Press , then press the 4 OK button. 

● The camera enters the cleaning mode. 

Press the shutter button fully. 

5 

● The mirror goes up and the shutter curtain 

opens. 

Clean the CCD. 

6 

● Carefully blow off any dust on the surface of 

the CCD by using a mechanical blower 

(commercially available). 

Be careful not to catch the mechanical 

7 

blower in the shutter curtain when 

turning the power off to finish 

cleaning. 

● If the camera turns off, the shutter curtain 

closes, causing the mirror to fall. 

● Be careful to not let the mechanical blower (commercially available) touch the 

CCD. If the blower touches the CCD, the CCD will be damaged. 

● Never put the mechanical blower behind the lens mount. If the power turns 

off, the shutter closes, breaking the shutter curtain. 

● Do not use anything other than the mechanical blower. If high-pressure gas is 

sprayed onto the CCD, it will freeze on the CCD’s surface, damaging the CCD. 

182 

Note 

1 

2 

1 

2 

OK button 

PIXEL MAPPING 

CLEANING MODE 

RESET LENS OFF 

ERASE SETTING NO 

COLOR SPACE s RGB 


Shutter button


PIXEL MAPPING — Checking the image processing functions 

The PIXEL MAPPING feature allows the camera to check and adjust the CCD and 

image processing functions. It is not necessary to operate this function frequently. 

Approximately once a year is recommended. After using the monitor or taking 

continuous shots, wait for at least one minute before using the PIXEL MAPPING 

function to ensure that it operates correctly. 

1 

Menu T 2 T PIXEL MAPPING 


Press , then press the 2 OK button. 

● The busy bar is displayed during PIXEL 

MAPPING. When PIXEL MAPPING is 

finished, the menu is restored. 

Note 

● If you accidentally turn the camera off 

during PIXEL MAPPING, start again 

from Step 1. 

1 

2 

1 

2 

PIXEL MAPPING 

CLEANING MODE 

RESET LENS OFF 

ERASE SETTING NO 

COLOR SPACE s RGB 


BUSY 

OK button 

183 

11 

Appendix

11 

Appendix 

Safety precautions 

Handling and storage precautions 

● To protect the high-precision technology contained in this product, never leave the 

camera in the places listed below, no matter if in use or storage: 

– Places where temperatures and/or humidity are high or go through extreme 

changes. Direct sunlight, beaches, locked cars, or near other heat sources 

(stove, radiator, etc.) or humidifiers. 

– In sandy or dusty environments. 

– Near flammable items or explosives. 

– In wet places, such as bathrooms or in the rain. 

– In places prone to strong vibrations. 

● Never drop the camera or subject it to severe shocks or vibrations. 

● Do not leave the camera pointed directly at the sun. This may cause lens damage, 

color failure, ghosting on the CCD, or may possibly cause fires. 

● Condensation may form inside the camera when there is a sudden extreme 

change in temperature (such as when moving from indoors to outdoors). 

Acclimatize the camera to the temperature (e.g. by putting the camera into the 

plastic bag) before use. 

● If the camera has not been used for a long time, mold may form or the camera 

may malfunction. Before using the camera, check that the camera works properly. 

● Do not touch electric contacts on cameras and interchangeable lenses. Remember 

to attach the cap when removing the lens. 

● Do not place the camera near anything that could be affected by magnetism (e.g. 

credit card, floppy disk, etc.). Doing so may destroy the data on these items. 

Battery handling precautions 

● This camera uses a lithium ion battery specified by Olympus. Do not use any other 

type of battery. For safe and proper use, read the battery’s instruction manual 

carefully before using it. 

● If the battery’s terminals get wet or greasy, camera contact failure may result. Wipe 

the battery well with a dry cloth before use. 

● Always charge a battery when using it for the first time, or if it has not been used 

for a long period. 

● When operating the camera with battery power at low temperatures, try to keep the 

camera and spare battery as warm as possible. A battery that has run down at low 

temperatures may be restored after it is warmed at room temperature. 

● The number of pictures you can take may vary depending on the shooting 

conditions or battery. 

184

Safety precautions 

● Before going on a long trip, and especially before traveling abroad, purchase extra 

batteries. Recommended batteries may be difficult to obtain while traveling. 

● Please recycle batteries to help save our planet’s resources. When you throw 

away dead batteries, be sure to cover their terminals and always observe 

local laws and regulations. 

Battery charger 

● Although battery charging is guaranteed when the air temperature is 0°C - 

40°C/32°F - 104°F, for best results, we recommend an air temperature between 

10°C - 30° C/50°F - 86°F. 

● If the red charge indicator blinks, the battery may be broken or not inserted 

correctly. 

● The battery may become warm while charging, but this is not a malfunction. 

● There may be static on other electronic equipment (such as a radio or 

television) if the battery charger is plugged in to the same outlet. If this occurs, 

plug the battery charger into a different outlet. 

LCD monitor 

● Do not push the monitor forcibly; otherwise the image may become fuzzy, 

resulting in a playback mode failure or damage to the monitor. If the monitor is 

damaged, be careful not to get any of the liquid crystals from the monitor in your 

mouth. If liquid crystals get on your limbs or clothes, wash them off. 

● A strip of light may appear on the top/bottom of the monitor, but this is not a 

malfunction. 

● When a subject is viewed diagonally in the camera, the edges may appear 

zigzagged on the monitor. This is not a malfunction; It will be less noticeable in 

playback mode. 

● In places subject to low temperatures, the LCD monitor may take a long time to 

turn on or its color may change temporarily. When using the camera in 

extremely cold places, it is a good idea to occasionally place it in a warm place. 

A LCD monitor exhibiting poor performance due to low temperatures will 

recover in normal temperatures. 

● The LCD monitor is made with high-precision technology. However, black 

spots or bright spots of light may appear on the LCD monitor. These spots 

may not be uniform in color and brightness depending on their 

characteristics or the angle at which you are viewing the monitor. This is 

not a malfunction. 

185 

11 

Appendix

11 

Appendix 

Glossary 

A (Aperture Priority) Mode 

You set the aperture yourself and the camera automatically varies the shutter 

speed so that the picture is taken with the correct exposure. 

AE (Automatic Exposure) 

The camera’s built-in exposure meter automatically sets the exposure. The 3 AE modes 

available on this camera are P mode, in which the camera selects both the aperture and shutter 

speed, A mode, in which the user selects the aperture and the camera sets the shutter speed, 

and S mode, in which the user selects the shutter speed and the camera sets the aperture. 

In M mode, the user selects both the aperture and the shutter speed. 

Aperture 

The adjustable lens opening which controls the amount of light that enters the 

camera. The larger the aperture, the shorter the depth of field and the fuzzier the 

background. The smaller the aperture, the greater the depth of field and the 

sharper the background. Aperture is measured in f/stops. Larger aperture values 

indicate smaller apertures, and smaller aperture values indicate larger apertures. 

CCD (Charge-Coupled Device) 

This converts light passing through the lens into electrical signals. On this camera, 

light is picked up and converted into RGB signals to build a single image. 

Center weighted averaging metering 

A light metering mode or technique that uses an average of the center and periphery 

of the image area but is biased toward the information at the center of the image area. 

This method is best used when the brightness of the center and periphery of the image 

area does not vary greatly. See also digital ESP metering and spot metering. 

Color space 

A model that describes colors using more than three coordinates. Color spaces such 

as sRGB, Adobe RGB are occasionally used for encoding/reproducing colors. 

Color temperature 

The spectral balance of different white light sources is rated numerically by color 

temperature — a concept of theoretical physics that, with incandescent lighting, 

corresponds roughly to the absolute lamp filament temperature, expressed on the 

Kelvin (K) temperature scale. The higher the color temperature, the richer the light in 

bluish tones and the poorer in reddish; the lower the color temperature, the richer the 

light in reddish tones and the poorer in bluish. You may encounter difficulties with color 

reproduction when shooting indoors under fluorescent lighting, or where sunlight and 

fluorescent lighting are both present. Your camera is provided with a white balance 

adjustment feature that you can use to compensate for the odd effects of combinations 

of color you may occasionally see in your pictures. 

186

Glossary 

Compression rate 

Compression is a method of reducing file size by abbreviating some contents of 

data, and compression rate denotes the amount of compression. The actual effect 

of the selected compression rate could vary with the content of the image. The 

numbers for the compression rate selected with this camera provide only a 

general scale for reference and are not precise measurements. 

Conventional Photograph 

This refers to recording images using silver halide (the method for recording 

images in conventional, non-digital photography). This system is in contrast to still 

video and digital photography. 

DCF (Design rule for Camera File system) 

A standard for image files by the Japan Electronics and Information Technology 

Industries Association (JEITA). 

Depth of Field 

Depth of Field refers to the distance from the nearest to the furthest point of 

perceived "sharp" focus in a picture. 

Digital ESP (Electro-Selective Pattern) Light Metering 

This determines the exposure by metering and calculating the light levels in the 

center and other areas of the image separately. 

DPOF (Digital Print Order Format) 

This is for saving desired print settings on digital cameras. By entering which 

images to print and the number of copies of each, the user can easily have the 

desired images printed by a printer or print lab that supports the DPOF format. 

Eclipsing (Vignetting) 

This refers to when an object obscures part of the field of view so that the whole 

subject is not photographed. Vignetting also refers to when the image seen 

through the viewfinder does not exactly match the image shot through the 

objective lens, so the photographed image includes objects not seen through the 

viewfinder. In addition, vignetting can occur when an incorrect lens hood is used, 

causing shadowing to appear in the corners of the image. 

EV (Exposure Value) 

A system for measuring exposure. EV0 is when the aperture is at F1 and the 

shutter speed is 1 second. The EV then increases by 1 each time the aperture 

increases by one F stop or the shutter speed increases by one increment. EV can 

also be used to indicate brightness and ISO settings. 

187 

11 

Appendix

11 

Appendix 

Glossary 

Exposure 

The amount of light used to capture an image. The exposure is determined by the 

length of time the shutter is open (shutter speed) and the amount of light that 

passes through the lens (aperture). 

Flash Bracket 

A mount used to attach an external flash to the camera. Shadows on the subject 

can be changed by detaching the flash. The flash is used in combination with the 

flash cable. 

ISO 

A method for indicating film speed by the International Organization for 

Standardization (ISO) (e.g. “ISO100”). Higher ISO values indicate greater 

sensitivity to light, so images can be exposed even in low-light conditions. 

JPEG (Joint Photographic Experts Group) 

A compression format for color still images. Photographs (images) shot using this 

camera are recorded onto the card in JPEG format when the Record mode is set 

to SHQ, HQ, SQ. By downloading these images to a personal computer, users 

can edit them using graphics application software or view the images using an 

Internet web browser. 

M (Manual) Mode 

The user sets both the aperture and shutter speed. 

NTSC (National Television Systems Committee) / PAL (Phase Alternating 

Line) 

Television formats. NTSC is mainly used in Japan, North America and Korea. PAL 

is mainly used in Europe and China. 

Number of Pixels (PIXEL COUNT) 

The number of dots (pixels) used to create an image denotes the image size. For 

instance, an image in 640 x 480 resolution is the same size as the computer 

screen if the monitor setting is also 640 x 480. If the monitor setting is 1024 x 768, 

the image only takes up part of the screen. 

P (Program) Mode 

Also called Program AE mode. The camera automatically sets the best shutter 

speed and aperture for the shot. 

PictBridge 

A standard that enables digital cameras and printers made by different 

manufacturers to be connected, and also allows pictures to be printed directly 

from the camera. 

188

Pixels 

A pixel is the smallest unit (dot) used to make up an image. Clear large-sized 

printed images require millions of pixels. 

Glossary 

RAW 

Refers to raw data, data which has not been enhanced with a camera option like 

white balance, sharpness, contrast, etc. This file format is for viewing and 

processing with our own software. You may not be able to open or process these 

files with other graphics software applications, and these files cannot be selected 

for DPOF printing. RAW files are assigned an orf file extension (*.orf). 

S (Shutter Priority) Mode 

Also called Shutter Priority AE mode. The user selects the shutter speed and the 

camera automatically varies the aperture so that the picture is taken with the best 

exposure. 

Single-lens reflex camera 

A camera with a shooting lens working also as the viewfinder lens. The image of 

the subject enters through the lens, reflects off of the mirror and into the 

pentaprism, where focus is adjusted, then through the viewfinder lens. Pictures 

are taken by framing the composition and adjusting the focus in the viewfinder 

lens. 

Sleep Mode 

A mode designed to save battery life. The camera automatically enters the sleep 

mode if you do not operate it for a certain time. To get out of the sleep mode, use 

any button on the camera (shutter button, menu button, etc.) 

Spot metering 

The meter reading is taken from a very small area around the center of the 

subject, defined by the spot metering area mark in the viewfinder. Spot metering is 

ideal for use in difficult light conditions, or when the important element of the 

picture (subject’s face) is small. Use spot metering for backlit subjects, or sports 

and stage performers. See also digital ESP metering and center weighted 

averaging metering. 

TIFF (Tagged Image File Format) 

A format used for saving highly detailed black and white or color image data. TIFF 

image files can be handled by software programs for scanners and graphics 

applications. Non-compressed image data are stored in this format with this 

camera. 

189 

11 

Appendix

11 

Appendix 

Glossary 

TFT (Thin-Film Transistor) Color Monitor 

A color monitor constructed using thin-film technology. 

TTL phase-contrast detection system 

This is used to measure the distance to the subject. The camera determines if the 

image is focused by the detected phase contrast. 

TTL (Through-The-Lens) System 

To help adjust exposure, a light receptor built into the camera directly measures 

the light passing through the lens. 

190

12 Information 

This chapter covers all the camera’s functions already described in 

Chapters 1 through 11. 

You can refer to the names of the camera’s buttons and parts, the names 

and meanings of the icons displayed on the monitor, and the menu lists 

as necessary. 

Use the index when you want to find the pages describing the functions 

and items if these are not included in the table of contents. You can also 

use the “Names of parts” and “Menu directory” to search for the relevant 

pages. 

MENU

12 

Information 

Menu directory 

�Shooting Menu 


192 

–5.0 - 0.0 - +5.0 P. 88 

RAW, TIFF, SHQ, HQ , SQ, P. 36 

RAW+SHQ, RAW+HQ, 

RAW+SQ 

AUTO , , SLOW, P. 58 

SLOW, SLOW2, , 

AF S-AF , C-AF, MF, S-AF+MF P. 79 

WB AUTO , 3000K, 3600K, 4000K, P. 95 

4500K, 6600K, 5300K, 

6000K, 7500K, CWB1, 

CWB2, CWB3, CWB4, 

ISO AUTO , 100, 200, 400, P. 91 

800, 1600 

ESP , , P. 86 

AUTO , , , P. 78 

: Factory default setting



CARD SETUP ALL ERASE YES, NO P. 121 

FORMAT YES, NO P. 135 

DRIVE P. 66 

P. 66 

BKT 3F 0.3EV , 

3F 0.7EV, 

3F 1.0EV 

P. 68 

, P. 72 

, 

P. 72 

–2.0 - 0.0 - +2.0 P. 60 

YES , NO P. 97 

MONOTONE OFF , BLACK & WHITE, SEPIA P. 75 

GRADATION HIGH KEY, NORMAL , LOW KEY P. 104 

SATURATION –2.0 - 0.0 - +2.0 P. 103 

CONTRAST –2.0 - 0.0 - +2.0 P. 102 

SHARPNESS –2.0 - 0.0 - +2.0 P. 101 

WB BKT OFF , 3F 2STEP, 

3F 4STEP, 3F 6STEP 

P. 71 

HQ 1/4, 1/8 P. 36 

SQ 3200 x 2400 1/2.7, 1/4 , P. 36 

2560 x 1920 

1600 x 1200 

1280 x 960 

1024 x 768 

640 x 480 

1/8 

NOISE REDUCTION OFF , ON P. 105 

: Factory default setting 

193 

12 

Information

12 

Information 


�Playback Menu 


�Custom Menu 

194 

, , , P. 114 

OFF , ON P. 115 

EDIT JPEG/TIFF EDIT BLACK & WHITE ,P. 117 

SEPIA, 

RAW DATA EDIT YES , NO 

, P. 142 


EV STEP 1/3EV , 1/2EV, 1EV P. 124 

ISO BOOST OFF , ON P. 92 

MANUAL FLASH OFF , ON P. 124 

AUTO BLUE7 - ±0 P. 98 

3000K - RED7 

3600K 

4000K 

4500K 

6600K 


6000K 

7500K 

CUSTOM WB CWB1 2000K - P. 100 

CWB2 10000K 

CWB3 

CWB4 

AF ILLUMINATOR OFF, ON P. 84 

AEL METERING AUTO , ESP, , P. 124 

CUSTOM OK OFF P. 125 

SHORTCUT 

PREVIEW 

AF/MF 

: Factory default setting

�Setup Menu 



2 

P. 127 

RESET YES, NO P. 128 

FILE NAME AUTO , RESET P. 129 

REC VIEW OFF, 5SEC , 20SEC P. 130 

OFF, ON P. 131 

–7 - 0 - +7 P. 131 

SLEEP OFF, 1min , 3min, 5min, 10min P. 132 

PC MODE AUTO , STORAGE, P. 132 

CONTROL, PRINT 

ENGLISH , FRANCAIS, DEUTSCH, P. 133 

ESPAÑOL, PORTUGUES* 

VIDEO OUT NTSC, PAL* P. 134 

PIXEL MAPPING P. 183 

CLEANING MODE P. 182 

RESET LENS OFF, ON P. 126 

ERASE SETTING YES, NO P. 128 

COLOR SPACE sRGB , Adobe RGB P. 106 

FOCUS RING , P. 126 

FIRMWARE 

* Settings differ depending on the region where the camera is sold. 

: Factory default setting 

195 

12 

Information

12 

Information 

Available functions by shooting mode 

Function 

196 

Mode 

Aperture value — � — � — 

Shutter speed — � — 

Bulb shooting — � — 

� — � — 

� 

�(Cannot be selected in 

/ mode) 

Flash shooting � — 

Flash mode 

P A S M 

AUTO � — � — 

� — � — 

SLOW � — � — 

SLOW � — � — 

— � — — 

SLOW2 � — 

� — 

AF mode � — 

ISO � — 

White balance � — 

Metering � — 

AF target mark � 

Preview � — 

DRIVE � — 

BKT � — 

� 

� 

� 

� — 

� — 

MONOTONE � — 

GRADATION � — 

SATURATION � — 

CONTRAST � — 

SHARPNESS � — 

WB BKT � — 

� : Available — : Not available 

SCENE

Function 

HQ 

SQ 

Mode 

P A S M 

� 

� 

Available functions by shooting mode 


/ mode) 


/ mode) 

NOISE REDUCTION � — 

EV STEP � — 

ISO BOOST � — 

MANUAL FLASH � — 

� — 

CUSTOM WB � — 

AF ILLUMINATOR � — 

AEL METERING � — 

CUSTOM OK � — 

RESET � 

FILE NAME � 

REC VIEW � 

SLEEP � 

PC MODE � 

VIDEO OUT � 

PIXEL MAPPING � 

CLEANING MODE � 

RESET LENS � 

ERASE SETTING � 

� 

� (Cannot be selected in mode) 

COLOR SPACE � 

FOCUS RING � — 

� : Available — : Not available 

� 

� 

SCENE 

197 

12 

Information

Names of parts 

12 

Information 


Camera 

Mode dial 

~ P. 18 

Power switch 


~ P. 30 

SSWF indicator 

~ P. 181 

Strap eyelet 

Self-timer/ 

Remote control 

lamp/Remote 

control receiver 

~ P. 74 

Battery compartment 

lock 

Battery 

compartment 

cover 

198 

Control dial ~ P. 19 

Lens attachment mark 

Hot shoe ~ P. 62 

Flash ~ P. 58 

Mirror 

Lens lock pin 

Lens release 

button 

Mount 

(Attach the lens after removing the body 

cap from the camera to prevent dust and 

dirt from entering the camera body.) 

Tripod socket

Monitor ~ P. 19, 25, 108, 131 

Viewfinder ~ P. 30 

(Flash mode) button 

~ P. 58 

WB 

(White balance) 

button ~ P. 95 

(Record 

mode) button 

~ P. 36 

(Erase) 

button ~ P. 120 

INFO (Information 

display) button ~ P. 112 

Diopter adjustment dial 

DC-IN jack 

USB connector 

~ P. 163 

VIDEO OUT jack 

~ P. 116 

Connector cover 

Card slot 

Eject button 


MENU button ~ P. 25 

(Playback) button ~ P. 108 

(Flash) switch ~ P. 58 

AEL button ~ P. 90 

(AF frame 

selection) 

MENU 

button 

~ P. 78 

Card access 

lamp ~ P. 167 

Arrow pad 

~ P. 25, 108 

OK/ (Protect) button 

~ P. 25, 119, 125 

ISO button ~ P. 91 

(Metering) button ~ P. 86 

(Exposure compensation) button ~ P. 88 

AF button ~ P. 79 

Card cover 

199 


12 

Information


12 

Information 


Viewfinder indications 

1 

200 

4 

6 

9 

2 

3 

5 

7 

8 

10 

11 

Items Indication examples Ref. page 

1 AF frame P. 78 

2 Aperture value P. 45 - 50 

3 Shutter speed 

Record mode (appears only when 

P. 46 - 50 

the (record mode) button has been 

4 

pressed) 

AF confirmation mark P. 31 

5 Flash P. 59 

6 White balance P. 95 

7 AE lock P. 90 

8 Number of storable still pictures 

(appears during record mode setting) 

– 

Exposure compensation value indication 

(appears during exposure compensation) 

P. 89 

9 Metering mode ESP, , P. 86 

10 Battery check , (blinks) P. 203 

11 Exposure mode P, Ps, A, S, M P. 43 - 51

4 

5 

6 

Monitor indications (only for playback) 

1 2 3 

x 10 

SQ [ 1280x960 , 1/8 ] 9 

10 

11 

P 

ISO 

s RGB 

117 mm 

ESP RAW 

100 

12 1/4000 F2.8 0.0 0.0 

16 WB : AUTO 0STEP 

’04.12.23 21:56 18 C 0 S 0 

100–0015 15 20 

RGB 0 0 

Single-frame playback information Shooting information 

7 

8 

4 


You can switch the monitor display using the INFO (information display) button. 

~ “Information display” (P. 112) 

Items Indication examples Ref. page 

1 Battery check , P. 203 

2 Print reservation, 

Number of prints 

X10 P. 140 

3 Protect P. 119 

4 Record mode RAW, TIFF, SHQ, HQ, SQ P. 35 

5 Date and time 04. 12. 23. 21:56 P. 127 

6 File number FILE 100-0030 P. 113 

Frame number 30 

7 Exposure mode P, A, S, M, , , , , P. 38 


9 ISO AUTO, ISO 100, ISO 200, ISO 400 P. 91 

10 Color space sRGB, Adobe RGB P. 106 

11 Focal length 117mm – 

12 Shutter speed 1/4000 P. 46 - 50 

13 Aperture value F2.8 P. 45 - 50 

14 Exposure compensation 0.7 P. 88 

15 Flash intensity control 0.5 P. 60 

16 White balance WB : 3300K P. 96 

17 White balance compensation 3 STEP P. 98 

18 Contrast C : +2 P. 102 

19 Sharpness S : +2 P. 101 

20 Saturation RGB : +2 P. 103 

21 Gradation H, L P. 104 

13 

14 

15 

17 

19 

21 

201 


12 

Information


12 

Information 


10 

11 

12 

13 


202 

P 

1/2000 F2.8 +2.0 

NR AEL ESP 

SLOW ISO 

+2.0 WB 

FP 

FOCUS S-AF+MF 


DRIVE 

AE BKT 2.0 

WB BKT 2 

RAW SHQ 

8888 8888 

AUTO 

1 0000K 

2 

AdobeRGB 

S 

RGB 

2 C 2 

2 H 

1 

2 

14 

15 

16 

17 

18 

P 

3 4 5 

1/2000 F2.8 +2.0 

NR AEL ESP 

6 7 8 9 

Items Indication examples Ref. pag 

1 Battery check , P. 203 

2 Exposure mode P, A, S, M, , , , , P. 38 

3 Shutter speed 1/2000 P. 46 - 50 

4 Aperture value F2.8 P. 45 - 50 

5 Exposure compensation +2.0 P. 88 

6 Noise reduction NR 

P. 105 

7 AE lock AEL 

P. 90 


9 Exposure level indicator P. 50 

Exposure compensation indicator P. 89 

10 Flash mode , P. 57 


FP 

Flash intensity control +2.0 P. 60 

11 AF frame P. 78 

12 Drive mode , P. 66 

Auto bracketing AE BKT �2.0 P. 68 

13 Record mode RAW+SHQ P. 35 

Resolution 1280�960 

14 ISO AUTO, 100, 200, 400 P. 91 

15 White balance 1 3000K, 5300K P. 96 

16 Color space sRGB, Adobe RGB P. 106 

Sharpness S +2 P. 101 

Contrast C +2 P. 102 

Saturation RGB +2 P. 103 

Gradation H, L P. 104 

17 Number of storable still pictures 135 – 

Error code CARD ERROR, NO CARD 

18 Memory gauge 

, , , 

P. 203

Memory gauge 

Battery check 

P 

1/250 F5.6 

ESP 

FP 

WB 

FOCUS S-AF 


DRIVE 

AUTO 

AUTO 


Each time you press the shutter button, the memory gauge lights on the 

control panel screen, indicating that the picture you have just taken is being 

recorded onto the card. The memory gauge changes according to how many 

pictures the camera is processing. 

Before taking 

any pictures 

(Off) 

HQ 2448 

3264 

ISO 

sRGB 

Shoot Shoot 

Shoot 

After taking one 

picture 

(Lit) 

After taking 

several pictures 

(Lit) 

Memory gauge 

Maximum reached 

(All lit) 

Wait until the indicator 

turns off again before 

taking more pictures. 

Battery check 

When the camera is turned on or when remaining battery power is low, the battery check 

mark varies. 

Lights (green) 

Remaining power 

level: High*1 

Lights*2 (red) 

Remaining power level: Low. 

Charge the battery. 

Wait 

BATTERY EMPTY 

is displayed. 

Remaining power level: 

Exhausted. Charge the battery. 

*1 Your digital camera's power consumption varies greatly depending on usage and 

operating conditions. Under some operating conditions, the camera may turn off without 

warning when the battery power is low. If this occurs, re-charge the battery. 

*2 Blinks in the viewfinder. 

203 


12 

Information

Specifications 

12 

Information 


Specifications —Camera 

� Product type 

Product type : Single-lens reflex digital camera with interchangeable lens 

system 

Lens : Zuiko Digital, Four Thirds System Lens 

Lens mount : Four Thirds Mount 

Equivalent focal length 

on a 35 mm film camera : Approx. twice the focal length of the lens 

� Image pickup element 

Product type : 4/3 type full frame transfer primary color CCD 

Total no. of pixels : Approx. 8,880,000 pixels 

No. of effective pixels : Approx. 8,000,000 pixels 

Screen size : 17.3 mm (H) x 13.0 mm (V) (0.9" x 0.5") 

Aspect ratio : 1.33 (4 : 3) 

� Viewfinder 

Product type : Eye-level single-lens reflex viewfinder 

Field of view : Approx. 94% (for field of view on recorded images) 

Viewfinder magnification : 1.0x (–1 m–1, 50mm lens, infinity) 

Eye point : 20 mm (0.8") (–1 m–1) 

Diopter adjustment 

range : –3.0 - +1.0 m–1 

Optical path fraction : Quick return half mirror 

Depth of field : To be checked with the OK button (when PREVIEW registered) 

Focusing screen : Fixed 

Eyecup : Interchangeable 

� Monitor 

Product type : 1.8" TFT color LCD 

Total no. of pixels : Approx. 134,000 pixels 

� Shutter 

Product type : Computerized focal-plane shutter 

Shutter : 1/4000 - 30 sec. (1/3, 1/2, or 1 EV step) 

Manual mode: Bulb (Limit: 8 min.) 

� Autofocus 

Product type : TTL phase-contrast detection system 

Focusing point : 3-point multiple AF (left, center, right) 

AF luminance range : EV 0 - EV 19 

Selection of 

focusing point : Auto, Optional 

AF illuminator : The built-in flash provides light. 

204


� Exposure control 

Metering system : TTL full-aperture metering system 

(1) Digital ESP metering 

(2) Center weighted average metering 

(3) Spot metering (approx. 2% for the viewfinder screen) 

Metering range : (1) EV 2 - 20 (Digital ESP metering, Center weighted average 

metering) 

(2) EV 3 - 17 (Spot metering) 

(At normal temperature, 50 mm F2, ISO 100) 

Exposure mode : (1) P: Program AE (Program shift can be performed) 

(2) A: Aperture priority AE 

(3) S: Shutter priority AE 

(4) M: Manual 

ISO sensitivity : 100 - 400 (High ISO values (800 and 1600) are available) 

Exposure compensation : Exposure can be adjusted in 1/3, 1/2 or 1 EV step within a range 

of ± 5 EV. 

� White balance 

Product type : CCD 

Mode setting : Auto, Preset WB (8 settings), customized WB (4 settings can be 

registered), One-touch WB 

� Recording 

Memory : CF card (Compatible with Type I and II) 

Microdrive compatible (Compatible with FAT 32) 

Recording system : Digital recording, TIFF (non-compression), JPEG (in accordance 

with Design rule for Camera File system (DCF)), RAW Data 

Applicable standards : Exif 2.2, Digital Print Order Format (DPOF), PRINT Image 

Matching II, PictBridge 

� Playback 

Playback mode : Single-frame playback, Close-up playback, Index display, Image 

rotation, slideshow 

Information display : Information display, Histogram display 

� Drive 

Drive mode : Single-frame shooting, Sequential shooting, Self-timer, 

Remote control 

Sequential shooting : 2.5 frames/sec. (Max. no. of storable sequential pictures: 4 

frames in RAW/TIFF) 

Self-timer : Operation time: 12 sec., 2 sec. 

Optical remote control : Operation time: 2 sec., 0 sec. (instantaneous shooting) 

� Flash 

Synchronization : Synchronized with the camera at 1/180 sec. or less 

Flash control mode : TTL-AUTO (TTL pre-flash mode), AUTO, MANUAL 

External flash attachment : Hot shoe 

205 


12 

Information


12 

Information 


� External connector 

USB connector (mini-B), DC-IN jack, VIDEO OUT jack 

� Power supply 

Battery : BLM-1 Lithium-ion Battery 

AC power supply : AC-1 AC adapter (optional) 

� Dimensions/weight 

Dimensions : 146.5 mm (W) x 85 mm (H) x 64 mm (D) (5.8" x 3.3" x 2.5") 

(excluding protrusions) 

Weight : Approx. 580 g (1.3 Ib.) (without battery) 

� Operating environment 

Temperature : 0 - 40°C (operation)/–20 - 60°C (storage) 

Humidity : 30 - 90 % (operation)/10 - 90 % (storage) 

Specifications — Provided accessories 

BLM-1 Lithium ion battery 

Type : Lithium ion battery 

Standard voltage : DC 7.2 V 

Standard capacity : 1500 mAh 

Battery life : Approx. 500 full recharges 

*Varies depending on the battery temperature. 

Recommended : 0°C – 40°C/32°F –104°F (charging) 

temperature -10°C – 60°C/14°F – 140°F (operation) 

-20°C – 35°C/-4°F – 95°F (storage) 

Dimensions : 55 mm (W) x 39 mm (D) x 21.5 mm (H) (2.2" x 1.5" x 0.8") 

Weight : Approx. 75 g/2.6 oz. 

BCM-2 charger 

Input voltage : AC100 - 240V, 50/60Hz 

Charging time : Approx. 5 hours 

*Varies depending on the battery temperature. 

Operating environment : 0 - 40˚C (32 - 104˚F) 

Storage environment : –20 - 60˚C (14 - 140˚F) 

Dimensions : 62 mm (W) x 83 mm (D) x 26 mm (H) (2.4" x 3.3" x 1.0") 

Weight : Approx. 72 g/2.5 oz. (excluding the power cable) 

SPECIFICATIONS ARE SUBJECT TO CHANGE WITHOUT ANY NOTICE OR OBLIGATION ON THE PART 

OF THE MANUFACTURER. 

206

Index 

(Custom) menu ................................194 

(Language setting) ........................133 

(Playback) menu ..............................194 

2 

(Setup) menu....................................195 

ALL ERASE ......................................121 

/ (Shooting) menu ..............192, 193 

1st curtain with red-eye reduction 

SLOW ..............................................55 

2nd curtain SLOW2................................55 

A 

Adobe RGB ............................................106 

AE lock AEL ............................................90 

AEL METERING ....................................124 

AF frame ............................................78 

AF mode ..................................................79 

All-frame reservation ........................142 

Aperture priority shooting A......................45 

Auto bracketing BKT................................68 

Auto flash..................................................54 

B 

BEACH & SNOW ................................42 

Beep sound ......................................131 

Bulb shooting ............................................51 

C 

C-AF..........................................................82 

CANDLE ............................................42 

CARD SETUP ........................................135 

Card adapter ..........................................157 

Center weighted averaging 

metering ..........................................86 

CLEANING MODE..................................182 

Close-up playback ............................109 

COLOR SPACE ......................................106 

Compact Flash........................................172 

Compression ............................................34 

CONTRAST ......................................102 

CONTROL ..............................................132 

CUSTOM OK ..........................................125 

CUSTOM WB..........................................100 

D 

Date/time setting ..............................127 

Digital ESP metering ......................86 

DOCUMENTS ....................................41 

DPOF......................................................138 

Drive mode DRIVE ..................................66 

E 

EDIT ........................................................117 

ERASE SETTING ..................................128 

EV STEP ................................................124 

Exposure compensation ....................88 

Exposure mode ........................................43 

F 

FILE NAME ............................................129 

Fill-in flash ..........................................56 

FIREWORKS ......................................40 

Flash intensity control ........................60 

Flash mode ..........................................54 

FOCUS RING ........................................126 

Focus lock ................................................30 

FORMAT ................................................135 

G 

GRADATION ....................................104 

H 

HIGH KEY ..........................................40 

HQ ............................................................36 

I 

Image rotation ..................................115 

Index display ....................................111 

ISO BOOST ..............................................92 

J 

JPEG ........................................................35 

207 

Index 

12 

Information

Index 

12 

Information 

Index 

L 

LANDSCAPE ......................................39 

LANDSCAPE+PORTRAIT ..................39 

M 

MACRO ..............................................41 

MANUAL FLASH ....................................124 

Manual focus ....................................83 

Manual shooting M ..................................49 

Menus ......................................................25 

MF ............................................................83 

Monitor brightness adjustment ........131 

MONOTONE ............................................75 

MUSEUM ............................................41 

N 

NIGHT SCENE ..................................39 

NIGHT+PORTRAIT ............................39 

NOISE REDUCTION ..............................105 

NTSC ......................................................134 

Number of storable still pictures..............200 

O 

One-touch white balance ....................97 

P 

PAL ........................................................134 

PC MODE ..............................................132 

PictBridge................................................146 

PIXEL MAPPING ....................................183 

PORTRAIT ..........................................40 

Preset white balance ................................93 

PREVIEW ................................................52 

Print reservation ..............................138 

Program shift Ps ......................................44 

Program shooting P..................................43 

Protecting ........................................119 

R 

RAW..........................................................35 

RAW+HQ ..................................................22 

208 

RAW+SHQ................................................22 

RAW+SQ ..................................................22 

REC VIEW ..............................................130 

Red-eye reduction flash ....................54 

Remote control ....................................72 

RESET....................................................128 

RESET LENS..........................................126 

S 

S-AF..........................................................80 

S-AF+MF ..................................................81 

SATURATION ..................................103 

Self-timer shooting ............................72 

Sequential shooting ..........................66 

SHARPNESS ..................................101 

SHQ ..........................................................35 

Shutter priority shooting S ........................47 

Shutter speed....................................46 – 50 

Single-frame erase..................................120 

Single-frame reservation ..................142 

SLEEP ....................................................132 

Slideshow ........................................114 

SPORT ..............................................41 

Spot metering ....................................86 

SQ ............................................................36 

sRGB ......................................................106 

STORAGE ..............................................132 

SUNSET ............................................40 

Super FP flash ..........................................63 

T 

TIFF ..........................................................35 

V 

VIDEO OUT ............................................134 

W 

WB BKT ....................................................71 

White balance compensation ..........98 

White balance WB....................................93

MEMO 

209 

12 

Information

MEMO 

210

MEMO 

211

http://www.olympus.com/ 

Shinjuku Monolith, 3-1 Nishi-Shinjuku 2-chome, Shinjuku-ku, Tokyo, Japan 

Two Corporate Center Drive, PO Box 9058, Melville, NY 11747-9058, U.S.A. 

Tel. 1-631-844-5000 

Technical Support (USA) 

24/7 online automated help: http://www.olympusamerica.com/E1 

Phone customer support: Tel. 1-800-260-1625 (Toll-free) 

Our phone customer support is available from 8 am to 10 pm 

(Monday to Friday) ET 

E-Mail: e-slrpro@olympusamerica.com 

Olympus software updates can be obtained at: http://www.olympus.com/digital 

Premises: Wendenstrasse 14-18, 20097 Hamburg, Germany 

Tel. +49 40 - 23 77 3-0 / Fax +49 40 - 23 07 61 

Goods delivery: Bredowstrasse 20, 22113 Hamburg, Germany 

Letters: Postfach 10 49 08, 20034 Hamburg, Germany 

European Technical Customer Support: 

Please visit our homepage http://www.olympus-europa.com 

or call our TOLL FREE NUMBER*: 00800 - 67 10 83 00 

for Austria, Belgium, Denmark, Finland, France, Germany, Italy, Luxemburg, 

Netherlands, Norway, Portugal, Spain, Sweden, Switzerland, United Kingdom 

* Please note some (mobile) phone services/provider do not permit access or 

request an additional prefix to +800 numbers. 

For all not listed European Countries and in case that you can’t get connected to 

the above mentioned number please make use of the following 

CHARGED NUMBERS: +49 180 5 - 67 10 83 or +49 40 - 237 73 899 

Our Technical Customer Support is available from 9 am to 6 pm MET (Monday to 

Friday) 

© 2004 

Printed in China 

VE835501

Olympus E-300 Advanced Manual

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