Nikon announce a DSLR with the highest ISO setting yet, capable of shooting in near pitch black.
| Nikon D3s in Digital SLRsWho needs light when you have the Nikon D3s? The Nikon D3s boasts a new 12.1Mp CMOS sensor that has a top ISO speed of 12,800 but setting Hi3 means you have the equivalent of a whopping ISO102,400!
ePHOTOzine was at the launch of the D3s, the latest in the D3 series, and we tried taking some pictures in the darkest recesses (under tables!) of the plush launch venue at ISO 102,400 and were still getting camera settings of 1/250sec at f/8. The camera we used was pre-production so we weren't allowed to shoot on our own cards, but even from the camera's monitor we could see that the images were amazingly good given the awesome ISO.
With the build quality you would expect from a Nikon professional SLR, a bigger buffer, D-movie mode and the staggering high ISO, the D3s should be another success and it will be on sale from December this year. We only had ten minutes with the camera and were mightily impressed - but it does cost £4200.
We will be testing it as soon as we get our hands on one. If you fancy the D3s, put your order in with Santa now.
Press Release:
Nikon today announces the introduction of the D3S, the camera that enables professionals to take control of the unpredictable and extends the possibilities for action photographers everywhere. Built upon the widely acclaimed Nikon D3, the D3S advances low light photography to another level and sets in motion new creative options for multi-media movie shooting.
Robert Cristina, Manager, Professional Products for Nikon Europe, comments: “The D3S rewrites the rules for extreme low light photography, enabling photographers to take control of ambient light. Professionals from all over the world have contributed to making the best even better.”
It’s what we need, now
Francois Marit, Photo Technical Manager at global news provider, Agence France Presse, said: “Since we started using the Nikon D3, we have also been exploring movie capture to see exactly how it can help us. Now the D3S gives us exactly what we need, the ability to shoot pictures and movies with one piece of professional equipment. This enables us to transmit complete packages of still images and movie clips from the thousands of news and sports events we cover every week, and will really give us the edge in both online and print formats”
Bill Frakes, one of the first professional photographers to trial the D3S, said: “I make career decisions in milliseconds and I want the best possible image quality every time I push the button. I need a camera that responds precisely, quickly and consistently. The D3S does that and more and this gives me enormous freedom.”
When flash is not an option
The D3S features a completely re-designed 12.1 effective megapixel image sensor. The large pixel pitch, with a completely modified inner structure, means that the D3S can capture images under light conditions which were previously believed to be impossible. The seven stop ISO range of 200 – 12,800 enables image and movie capture in extremely low ambient light conditions which is essential for today’s news and sports photographers.
Further proof of the D3S’s incredible capacity for low light photography is the fact that it is the first camera to offer no less than three additional ISO boost levels, up to Hi-3, (ISO equivalent of an astounding 102,400).
FX format HD movies
The D3S delivers a new look and feel to the emerging trend of DSLR movie capture and exploits the creative depth-of-field effects offered by the large FX-format sensor and the benefits of wide aperture NIKKOR lenses, the lens of choice for the world’s leading photographers. Instant and intuitive in use, the D3S’s D-movie function is prioritised for high productivity.
Movies are captured at 720p/ 24fps in motion JPEG with stereo sound using the input jack. The file format enables a unique ‘Save Selected’ frame option that enables the user to shoot video freely, secure in the knowledge that a still image of a key moment can be transmitted as well.
Completely configurable to set up, but extremely simple to use, Nikon’s acclaimed high-density 51-point Multi-CAM3500 AF system, with 15- highly sensitive cross points, provides users with an industry leading system for tracking fast moving subjects. The D3S contrast detection AF system has also been tuned to provide autofocus support during movie capture and Live View.
Image sensor cleaning
Following extensive feedback from professional photographers, the D3S implements a new image sensor cleaning function that generates vibrations at four different frequencies to reduce the impact of static dust collection on the optical low pass filter of the image sensor. This has been implemented without impacting on the 100% viewfinder coverage expected from a flagship, professional D series camera.
Total flexibility
The D3S now offers no less than three alternative crop modes, all masked automatically in the viewfinder. The photographer can now choose from 5:4 (30x24); 1.2x (30x20); and DX (24x16). The new crop mode is designed to offer a practical combination of lens magnification and slightly reduced file size.
When discretion is required
The D3S features a new Quiet shutter release mode that enables the photographer to mitigate the sound caused by the mirror return. Suitable for wildlife photography and other situations where shutter noise might distract the subject, this innovation again reflects and responds to practical feedback from photographers using Nikon’s D3 series cameras.
Improved Active D-Lighting options
The D3S now offers no fewer than five options for Active D-Lighting when shooting high contrast or high key subject matter. Alongside a new Auto setting, users now have four manual control levels; Extra High ; High, Normal and Low.
In camera post processing
Another aid for increasing productivity in the D3S is the new RAW processing options in the Retouch menu. The following image settings can be applied to RAW (NEF) files in the camera on-the-fly: JPEG compression, Size, White Balance, Exposure Compensation, Picture Control, Noise Reduction, Colour space and Vignette Control settings. These options accelerate post production workflow for the busy photographer on the road, by reducing the need to use a PC and Capture NX2 software.
Ready for anything
The D3S redraws the boundaries for photographers allowing them even more control over unpredictable subjects in testing lighting conditions. The camera sensor is so sensitive that it can capture subjects that are practically invisible to the naked eye and render results that are remarkably clear of noise and ready for print. The weather-sealed durable magnesium construction is built to withstand extreme temperatures and humidity to enable users to complete assignments faster and more efficiently.
The Nikon D3s has an SRP of £4199.99/€5100.00
Click the link below to see the full list of exciting features:
Nikon D3s main features
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Quote:Come on Canon! Keep up
I think they are trying Mike, But the old lets throw more pixels into the pot, Is not really cutting the mustard......
This darn Video thing seems to be the latest must have too...
As for shooting in near pitch darkness......LOL, Depends on how ugly your model is....
Quote:ISO102,400!
Agfachrome ISO 1,000 was the limit of my high ISO photography but ISO 102,400 ! !
If money grew on trees I would be out there ordering 4 D3s but all my trees have is squirrels and my local photo shop does not trade Nikons for rodents
Quote:Would autofocus still work at such low light levels where you might need ISO 12,800 and 102,400?
The D3 worked in the dark anyway - it was focussing in this pic pretty well on stuff I could hardly see... if the D3S is as good as the hype it'll work just as well
Not too sure about the 102,400 ISO though... it will be interesting to see the Dxomark result once they've tested it. The D3 was measured at 16134 ISO when Nikon claimed 25600...
Still, it'll give Canon something to stick in their pipe and smoke
Nothing, thats the response from Canon !
fast enugh for sports/action
but
too heavy.
Can you immagine a photographer runing around sport filed with this brick in hands for two or moore hours ? Nikon will have to pay extra bodybuliding trainigs for D3s owners.
;o)))
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