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Apple iPhone 7 Plus Review

We review the new Apple iPhone 7 Plus with a new dual camera setup for 2x optical zoom.

Apple iPhone 7 Plus Review: Apple IPhone 7 Plus White (1)

The iPhone 7 Plus is the latest iOS smartphone from Apple. It features two 12MP sensor cameras, with each having a different focal length lens. This means that you effectively have a 2x optical zoom, compared with the single fixed lens of the standard iPhone 7.

Apple iPhone 7 Plus Features

Apple iPhone 7 Plus Review: Apple IPhone 7 Plus White (6)

Following on from last year’s iPhone 6 Plus, the different camera is one of the main upgrades of this camera from the older version.

One of the cameras is the same as found on the iPhone 7, that is to say it is 12 megapixels and has a fixed lens of 28mm, with a maximum aperture of f/1.8. The second lens is also 12 megapixels, but the lens is 56mm (twice the focal length) and has a maximum aperture of f/2.8. You can also use a digital zoom up to 10x.

There’s also lots of other features which are likely to be of interest to photographers. Those include a display which is capable of showing a wider colour gamut, 4K video recording, optical image stabilisation (on the wide-angle lens), and the ability to capture panoramic images.

Apple also promises that battery life has been improved, and the phone is now waterproof down to one metre for up to an hour at a time.

Apple iPhone 7 Plus Review: Iphone7 Plus Cameras

Key Features

  • 12MP wide-angle and telephoto cameras
  • 28mm f/1.8 lens and 56mm f/2.8 lens
  • Optical image stabilisation (wide-angle lens)
  • 5.5 inch Retina HD Multi-touch display 1920x1080 pixel, 401ppi wide colour display (DCI-P3)
  • Waterproof (IP67 standard)
  • 4K video recording at 30fps, 1080p HD video recording at 30 or 60fps
  • Slow-mo video recording, Time-lapse video
  • Front facing 7 megapixel camera, f/2.2 lens
  • HDR, panoramic, burst mode, Live Photos
  • Colours - Rose Gold, Gold, Silver, Black, Jet Black 

Apple iPhone 7 Plus Handling

Apple iPhone 7 Plus Review: Apple IPhone 7 Plus White (5)

Apple has kept the design almost the same as the iPhone 6 Plus, with the headline change being the lack of a headphone jack. That shouldn’t present much of an issue for most photographers, unless they are using accessories which require the headphone jack - an adaptor is provided in the box to allow you to attach any headphones / accessories as you choose.

The phone is pretty large, and although you can use it with just one hand, it’s not the most comfortable if you do that. This large size facilitates a very large screen, which is great for looking at your images in playback, if a little unpractical the rest of the time.

Buttons are very few and far between on the iPhone 7 Plus, as is usual for iPhones. The home button on the front of the camera is no longer a “real” button, but rather a haptic touch area which mimics the feel of a real button. You press this to be taken back to the home screen, or as a back button. It can also be used if you hold it down to activate Siri, while double tapping it allows you to move between any apps you’ve got open.

In order to use the camera, you don’t actually need to press any buttons if the phone is locked. iOS 10 means that you can lift the phone and the display will automatically switch on. From here, just swipe left and you’ll be taken into the camera app. You’ll be able to take photos, but you’ll only be able to look at those that you have taken in this session, rather than anything you’ve taken in sessions gone by.

Apple iPhone 7 Plus Review: Apple IPhone 7 Plus White (8)

To take a picture you can use either a virtual on screen button, or one of the volume buttons on the side of the phone - it doesn’t matter whether you press volume up or volume down, both will have the same end result. If you hold down either the physical button or the virtual button, you’ll take a burst of images.

The native camera app hasn’t changed a great deal since that found on the iPhone 6 Plus (or any other iPhone). However, there are a couple of small, but important, changes because this phone has the dual camera set up. Along the bottom of the screen, with all the shooting modes that the iPhone’s native camera app offers, you’ll see the new Portrait mode is now visible. This will only appear if you have the public beta of iOS 10.1 installed - it’s available for free for anyone to try, but may not work in the exact same way that the finished software will work.

If you’re in the normal Photo shooting mode, you’ll also see a small 1x in a circle on screen. Tap this and it will then display 2x. This essentially is switching between the two different lenses, rather than zooming as we may ordinarily think of it. From the 2x screen you can also digitally zoom up to 10x.

Apple iPhone 7 Plus Review: Apple IPhone 7 Plus White (4)

Portrait mode is designed to create the look of using a DSLR or CSC. It uses both the lenses to create a “depth map”, but it has some limitations to how it works. If you’re not close enough to the subject, the phone will prompt a warning to move closer. If you’re trying to use it in low light, you’ll also be out of luck as a warning that “more light required” will be displayed if so. Assuming you’ve got close enough and there’s enough light, then the phone will display “Depth Effect” and you should see that the background is now blurred.

You won’t find any advanced settings in the native camera app, such as you’ll find on many Android phones. However, there are plenty of apps you can download from the App Store which give you manual control, and a new feature of iOS 10, is that you can now shoot in raw format through third party applications.

Although the camera can shoot in 4K video, it won’t do that automatically through the native camera app - first you need to change the settings in the main settings area from HD to 4K. Remember that you can’t increase the capacity of memory with an iPhone, so if you’ve gone for one of the smaller storage sizes, you may want to stick to shooting HD video.

Overall, the iPhone is a very simple to use phone, with reasonably obvious menus and operation. That’s especially true if you’ve used an iPhone before, but even Android users should find it not too difficult to get to grips with how it works.

The screen looks great, and although it’s not the highest resolution on the market, thanks to a retina design it looks very crisp and sharp. Colours are also very well rendered, and although perhaps whites can look a little duller than other phones, it’s only really when comparing side by side that you may notice this.

Apple iPhone 7 Plus Review: Apple IPhone 7 Plus White (10)

Battery life - Although Apple has improved the battery life of the phone, it’s worth noting that you can’t access the battery to charge it separately from the phone. We’ve been able to get at least a full day’s worth of charge when using the phone - however, that’s with a pretty big caveat that we have only been using it as a camera, rather than using other applications such as maps which are likely to drain the battery. You may want to consider a portable battery charger if you want to ensure the phone lasts all day and you won’t have access to a wall charger.

Speed - Thanks to the lift to wake function, getting from screen off to picture taking mode is ver quick. Focusing is also very quick in good light, as well as the shutter response. In general use the phone is very quick, with the latest processor ensuring a fast performance. Additionally, from being switched off altogether, the phone can start up in less than 30 seconds. Holding down the shutter release means the phone can record stills at 12fps.

Apple iPhone 7 Plus Review: Apple IPhone 7 Plus White (7)

Apple iPhone 7 Plus Performance

The performance section is where we look at the image quality performance of the camera. Additional sample photos and product shots are available in the Equipment Database, where you can add your own review, photos and product ratings.

Apple iPhone 7 Plus Sample Photos

General1 | 1/694 sec | f/1.8 | 4.0 mm | ISO 20
General1 | 1/694 sec | f/1.8 | 4.0 mm | ISO 20 | high res
General2 | 1/515 sec | f/1.8 | 4.0 mm | ISO 20
General2 | 1/515 sec | f/1.8 | 4.0 mm | ISO 20 | high res
General3 | 1/479 sec | f/2.8 | 6.6 mm | ISO 20
General3 | 1/479 sec | f/2.8 | 6.6 mm | ISO 20 | high res
General4 | 1/50 sec | f/1.8 | 4.0 mm | ISO 32
General4 | 1/50 sec | f/1.8 | 4.0 mm | ISO 32 | high res
General5 | 1/4367 sec | f/1.8 | 4.0 mm | ISO 20
General5 | 1/4367 sec | f/1.8 | 4.0 mm | ISO 20 | high res
Lowlight | 1/4 sec | f/1.8 | 4.0 mm | ISO 400
Lowlight | 1/4 sec | f/1.8 | 4.0 mm | ISO 400 | high res
Macro | 1/127 sec | f/1.8 | 4.0 mm | ISO 20
Macro | 1/127 sec | f/1.8 | 4.0 mm | ISO 20 | high res
Macro4 | 1/4 sec | f/1.8 | 4.0 mm | ISO 250
Macro4 | 1/4 sec | f/1.8 | 4.0 mm | ISO 250 | high res
Wide Urban Detail | 1/2817 sec | f/1.8 | 4.0 mm | ISO 20
Wide Urban Detail | 1/2817 sec | f/1.8 | 4.0 mm | ISO 20 | high res
Zoom Urban Detail | 1/772 sec | f/2.8 | 6.6 mm | ISO 20
Zoom Urban Detail | 1/772 sec | f/2.8 | 6.6 mm | ISO 20 | high res
General1 | 1/694 sec | f/1.8 | 4.0 mm | ISO 20
General2 | 1/515 sec | f/1.8 | 4.0 mm | ISO 20
General3 | 1/479 sec | f/2.8 | 6.6 mm | ISO 20
General4 | 1/50 sec | f/1.8 | 4.0 mm | ISO 32
General5 | 1/4367 sec | f/1.8 | 4.0 mm | ISO 20
Lowlight | 1/4 sec | f/1.8 | 4.0 mm | ISO 400
Macro | 1/127 sec | f/1.8 | 4.0 mm | ISO 20
Macro4 | 1/4 sec | f/1.8 | 4.0 mm | ISO 250
Wide Urban Detail | 1/2817 sec | f/1.8 | 4.0 mm | ISO 20
Zoom Urban Detail | 1/772 sec | f/2.8 | 6.6 mm | ISO 20

If you’re using the wide angle lens, the performance is almost identical to the standard iPhone 7. On the whole exposure is very reliable, and it’s worth activating the HDR mode to make sure that the exposure is balanced. This can result in slightly darker images, but nothing too concerning. Generally speaking, we left it in HDR Auto mode so the phone could decide for itself the best setting.

Apple iPhone 7 Plus Lens test images

Wide | 1/337 sec | f/1.8 | 4.0 mm | ISO 20
Wide | 1/337 sec | f/1.8 | 4.0 mm | ISO 20 | high res
Tele | 1/119 sec | f/2.8 | 6.6 mm | ISO 20
Tele | 1/119 sec | f/2.8 | 6.6 mm | ISO 20 | high res
Digitalzoom | 1/101 sec | f/2.8 | 6.6 mm | ISO 20
Digitalzoom | 1/101 sec | f/2.8 | 6.6 mm | ISO 20 | high res
Rear camera with flash | 1/54 sec | f/1.8 | 4.0 mm | ISO 20
Rear camera with flash | 1/54 sec | f/1.8 | 4.0 mm | ISO 20 | high res
Selfie camera with flash | 1/20 sec | f/2.2 | 2.9 mm | ISO 100
Selfie camera with flash | 1/20 sec | f/2.2 | 2.9 mm | ISO 100 | high res
Trees against sky | 1/344 sec | f/1.8 | 4.0 mm | ISO 20
Trees against sky | 1/344 sec | f/1.8 | 4.0 mm | ISO 20 | high res
Macro2 | 1/17 sec | f/1.8 | 4.0 mm | ISO 40
Macro2 | 1/17 sec | f/1.8 | 4.0 mm | ISO 40 | high res
Macro3 | 1/4 sec | f/1.8 | 4.0 mm | ISO 125
Macro3 | 1/4 sec | f/1.8 | 4.0 mm | ISO 125 | high res
Deptheffect1 | 1/50 sec | f/2.8 | 6.6 mm | ISO 25
Deptheffect1 | 1/50 sec | f/2.8 | 6.6 mm | ISO 25 | high res
Deptheffectoff | 1/50 sec | f/2.8 | 6.6 mm | ISO 25
Deptheffectoff | 1/50 sec | f/2.8 | 6.6 mm | ISO 25 | high res
Deptheffect2 | 1/50 sec | f/2.8 | 6.6 mm | ISO 80
Deptheffect2 | 1/50 sec | f/2.8 | 6.6 mm | ISO 80 | high res
Deptheffectoff2 | 1/50 sec | f/2.8 | 6.6 mm | ISO 80
Deptheffectoff2 | 1/50 sec | f/2.8 | 6.6 mm | ISO 80 | high res
Deptheffectoff3 | 1/50 sec | f/2.8 | 6.6 mm | ISO 100
Deptheffectoff3 | 1/50 sec | f/2.8 | 6.6 mm | ISO 100 | high res
Depth effect 3 A | 1/50 sec | f/2.8 | 6.6 mm | ISO 100
Depth effect 3 A | 1/50 sec | f/2.8 | 6.6 mm | ISO 100 | high res
Wide | 1/337 sec | f/1.8 | 4.0 mm | ISO 20
Tele | 1/119 sec | f/2.8 | 6.6 mm | ISO 20
Digitalzoom | 1/101 sec | f/2.8 | 6.6 mm | ISO 20
Rear camera with flash | 1/54 sec | f/1.8 | 4.0 mm | ISO 20
Selfie camera with flash | 1/20 sec | f/2.2 | 2.9 mm | ISO 100
Trees against sky | 1/344 sec | f/1.8 | 4.0 mm | ISO 20
Macro2 | 1/17 sec | f/1.8 | 4.0 mm | ISO 40
Macro3 | 1/4 sec | f/1.8 | 4.0 mm | ISO 125
Deptheffect1 | 1/50 sec | f/2.8 | 6.6 mm | ISO 25
Deptheffectoff | 1/50 sec | f/2.8 | 6.6 mm | ISO 25
Deptheffect2 | 1/50 sec | f/2.8 | 6.6 mm | ISO 80
Deptheffectoff2 | 1/50 sec | f/2.8 | 6.6 mm | ISO 80
Deptheffectoff3 | 1/50 sec | f/2.8 | 6.6 mm | ISO 100
Depth effect 3 A | 1/50 sec | f/2.8 | 6.6 mm | ISO 100

Lens Performance - Detail is reasonably good, and although you might get more from a phone which has an 18 or 20 megapixel sensor, for sharing online at small sizes, the amount you get here is more than acceptable. You could shoot in raw format if you need to get more detail - especially in lower light scenarios where the applied noise reduction is quite strong.

Lens flare can appear sometimes, but it’s not problematic unless you’re pointing the phone directly at the sun. Similarly, there’s a small degree of purple fringing visible in images of trees with a bright sky behind them, but it’s only really noticeable if you zoom in to the image.

You can get quite close to a subject to focus, but you may find you have to touch the screen to get it to refocus a few times before you get the desired result. Optical image stabilisation means you can shoot at quite slow speeds, but it’s only available for the wide angle lens.

The LED flash on the rear of the phone is quite bright and leaves quite an unnatural look for portraits. The selfie-camera flash is generally more flattering.

In bright light, the second telephoto lens performs in pretty much the same way as the wide-angle lens. It can produce very nice images, but as soon as the light drops, the fact that it has a narrower aperture (f/2.8 compared to f/1.8) becomes quite obvious with images quite noisy and sometimes lacking in detail.

Apple iPhone 7 Plus Review - Performance: Deptheffectoff2 | 1/50 sec | f/2.8 | 6.6 mm | ISO 80 Apple iPhone 7 Plus Review - Performance: Deptheffect2 | 1/50 sec | f/2.8 | 6.6 mm | ISO 80
Depth effect off | 1/50 sec | f/2.8 | 6.6 mm | ISO 80 Depth effect 2 | 1/50 sec | f/2.8 | 6.6 mm | ISO 80

At the moment, Portrait mode, whereby the phone uses both lenses to mimic a DSLR style, is only in Beta. So far, results are mixed. It can produce quite impressive images at times, but other times it can get confused. If the subject is quite clearly defined, then it does well, but anything a little more complicated - such as a delicate flower - it can struggle with, blurring out the wrong parts of the image. Still, the results are pretty impressive for a phone, and when the finalised version of the software is available it may be even better. It’s not possible to use it in low light, which is a shame though. 

iPhone 7 Plus Depth Effect Panasonic Lumix G80 at f/2.8
Apple iPhone 7 Plus Review - Performance: Deptheffect2 | 1/50 sec | f/2.8 | 6.6 mm | ISO 80 Apple iPhone 7 Plus Review - Performance: G80 1040753 | 1/60 sec | f/2.8 | 30.0 mm | ISO 250
Depth effect 2 | 1/50 sec | f/2.8 | 6.6 mm | ISO 80 G80 | 1/60 sec | f/2.8 | 30.0 mm | ISO 250
Apple iPhone 7 Plus Review - Performance: Depth effect 3 A | 1/50 sec | f/2.8 | 6.6 mm | ISO 100 Apple iPhone 7 Plus Review - Performance: G80 1040755 | 1/60 sec | f/2.8 | 30.0 mm | ISO 320
Depth effect 3 | 1/50 sec | f/2.8 | 6.6 mm | ISO 100 G80 | 1/60 sec | f/2.8 | 30.0 mm | ISO 320

We compared the depth effect on the iPhone 7 Plus, to shooting with a Panasonic Lumix G80 (with a much larger Micro Four Thirds sensor), and whilst there are colour differences, the general effect, and blurred background (or bokeh) is very impressive for a smartphone at first glance, and should look impressive on social media website, like Facebook, but when looking at the photos in more detail, the Panasonic Lumix G80 shows more detail and lower noise.

Apple iPhone 7 Plus ISO test images

ISO32 | 1/5 sec | f/1.8 | 4.0 mm | ISO 32
ISO32 | 1/5 sec | f/1.8 | 4.0 mm | ISO 32 | high res
ISO50 | 1/5 sec | f/1.8 | 4.0 mm | ISO 50
ISO50 | 1/5 sec | f/1.8 | 4.0 mm | ISO 50 | high res
ISO100 | 1/5 sec | f/1.8 | 4.0 mm | ISO 100
ISO100 | 1/5 sec | f/1.8 | 4.0 mm | ISO 100 | high res
ISO200 | 1/15 sec | f/1.8 | 4.0 mm | ISO 200
ISO200 | 1/15 sec | f/1.8 | 4.0 mm | ISO 200 | high res
ISO200 zoom | 1/5 sec | f/2.8 | 6.6 mm | ISO 200
ISO200 zoom | 1/5 sec | f/2.8 | 6.6 mm | ISO 200 | high res
ISO400 | 1/20 sec | f/1.8 | 4.0 mm | ISO 400
ISO400 | 1/20 sec | f/1.8 | 4.0 mm | ISO 400 | high res
ISO400 zoom | 1/5 sec | f/2.8 | 6.6 mm | ISO 400
ISO400 zoom | 1/5 sec | f/2.8 | 6.6 mm | ISO 400 | high res
ISO800 | 1/40 sec | f/1.8 | 4.0 mm | ISO 800
ISO800 | 1/40 sec | f/1.8 | 4.0 mm | ISO 800 | high res
ISO800 zoom | 1/15 sec | f/2.8 | 6.6 mm | ISO 800
ISO800 zoom | 1/15 sec | f/2.8 | 6.6 mm | ISO 800 | high res
ISO1000 zoom | 1/20 sec | f/2.8 | 6.6 mm | ISO 1000
ISO1000 zoom | 1/20 sec | f/2.8 | 6.6 mm | ISO 1000 | high res
ISO1250 | 1/50 sec | f/1.8 | 4.0 mm | ISO 1250
ISO1250 | 1/50 sec | f/1.8 | 4.0 mm | ISO 1250 | high res
ISO1600 | 1/62 sec | f/1.8 | 4.0 mm | ISO 1600
ISO1600 | 1/62 sec | f/1.8 | 4.0 mm | ISO 1600 | high res
ISO32 | 1/5 sec | f/1.8 | 4.0 mm | ISO 32
ISO50 | 1/5 sec | f/1.8 | 4.0 mm | ISO 50
ISO100 | 1/5 sec | f/1.8 | 4.0 mm | ISO 100
ISO200 | 1/15 sec | f/1.8 | 4.0 mm | ISO 200
ISO200 zoom | 1/5 sec | f/2.8 | 6.6 mm | ISO 200
ISO400 | 1/20 sec | f/1.8 | 4.0 mm | ISO 400
ISO400 zoom | 1/5 sec | f/2.8 | 6.6 mm | ISO 400
ISO800 | 1/40 sec | f/1.8 | 4.0 mm | ISO 800
ISO800 zoom | 1/15 sec | f/2.8 | 6.6 mm | ISO 800
ISO1000 zoom | 1/20 sec | f/2.8 | 6.6 mm | ISO 1000
ISO1250 | 1/50 sec | f/1.8 | 4.0 mm | ISO 1250
ISO1600 | 1/62 sec | f/1.8 | 4.0 mm | ISO 1600

ISO Noise Performance - At ISO 50 (or lower), noise is very low. It starts to become visible in most shots from around ISO 200. At ISO 400 you can see a bit more noise, while at ISO 800 it’s more obvious but still renders shots usable. At ISO 1600, some shots are OK, but if you can avoid this setting, that’s probably for the best. If you’re using the wide angle lens, the fact that it can shoot at f/1.8 should mean you avoid these high ISO settings a lot of the time. At f/2.8, the telephoto lens may facilitate higher speeds more often. The noise performance of the telephoto camera was slightly worse than the wide-angle camera.

Apple iPhone 7 Plus White-balance test images

Auto white balance test | 1/4 sec | f/1.8 | 4.0 mm | ISO 100
Auto white balance test | 1/4 sec | f/1.8 | 4.0 mm | ISO 100 | high res
White balance test 2 | 1/4 sec | f/1.8 | 4.0 mm | ISO 100
White balance test 2 | 1/4 sec | f/1.8 | 4.0 mm | ISO 100 | high res
Auto white balance test | 1/4 sec | f/1.8 | 4.0 mm | ISO 100
White balance test 2 | 1/4 sec | f/1.8 | 4.0 mm | ISO 100

White Balance Performance - The automatic white balance (AWB) setting does a good job under a variety of different lighting conditions, with a slight tendency towards yellowish tones which are likely to be pleasing most of the time. If you want to take control of white balance, you’ll need to shoot with a third party app. 

Apple iPhone 7 Plus Digital filters

FilterChrome | 1/1244 sec | f/1.8 | 4.0 mm | ISO 20
FilterChrome | 1/1244 sec | f/1.8 | 4.0 mm | ISO 20 | high res
FilterFade | 1/1212 sec | f/1.8 | 4.0 mm | ISO 20
FilterFade | 1/1212 sec | f/1.8 | 4.0 mm | ISO 20 | high res
FilterInstant | 1/1244 sec | f/1.8 | 4.0 mm | ISO 20
FilterInstant | 1/1244 sec | f/1.8 | 4.0 mm | ISO 20 | high res
FilterMono | 1/1212 sec | f/1.8 | 4.0 mm | ISO 20
FilterMono | 1/1212 sec | f/1.8 | 4.0 mm | ISO 20 | high res
FilterNoir | 1/1244 sec | f/1.8 | 4.0 mm | ISO 20
FilterNoir | 1/1244 sec | f/1.8 | 4.0 mm | ISO 20 | high res
FilterProcess | 1/1212 sec | f/1.8 | 4.0 mm | ISO 20
FilterProcess | 1/1212 sec | f/1.8 | 4.0 mm | ISO 20 | high res
FilterTonal | 1/1244 sec | f/1.8 | 4.0 mm | ISO 20
FilterTonal | 1/1244 sec | f/1.8 | 4.0 mm | ISO 20 | high res
FilterTransfer | 1/1212 sec | f/1.8 | 4.0 mm | ISO 20
FilterTransfer | 1/1212 sec | f/1.8 | 4.0 mm | ISO 20 | high res
NoFilter | 1/1259 sec | f/1.8 | 4.0 mm | ISO 20
NoFilter | 1/1259 sec | f/1.8 | 4.0 mm | ISO 20 | high res
FilterChrome | 1/1244 sec | f/1.8 | 4.0 mm | ISO 20
FilterFade | 1/1212 sec | f/1.8 | 4.0 mm | ISO 20
FilterInstant | 1/1244 sec | f/1.8 | 4.0 mm | ISO 20
FilterMono | 1/1212 sec | f/1.8 | 4.0 mm | ISO 20
FilterNoir | 1/1244 sec | f/1.8 | 4.0 mm | ISO 20
FilterProcess | 1/1212 sec | f/1.8 | 4.0 mm | ISO 20
FilterTonal | 1/1244 sec | f/1.8 | 4.0 mm | ISO 20
FilterTransfer | 1/1212 sec | f/1.8 | 4.0 mm | ISO 20
NoFilter | 1/1259 sec | f/1.8 | 4.0 mm | ISO 20

Digital Filters - The native camera app offers 8 different filters, but there are hundreds or thousands more you could employ by downloading a third party app, such as VSCO, Instagram, Lightroom Mobile or more. 

Apple iPhone 7 Plus Review - Performance: Panorama | 1/1140 sec | f/1.8 | 4.0 mm | ISO 20

Panorama | 1/1140 sec | f/1.8 | 4.0 mm | ISO 20

Panorama mode - The panorama produced by the iPhone 7 Plus is pleasing, especially when looking at it at normal viewing sizes online or on your phone. If you examine closely, sometimes you can see joins. 

Video - The phone can record 4K video, as well as Full HD (1080p) or 720p videos. By default, you’ll be recording in Full HD, so you’ll have to change the settings if you want to use one of the other mode. You can use slow-mo recording at 120fps in HD, or 240fps in 720p. You can switch between using the wide angle and telephoto lens. Additional videos can be found on the ePHOTOzine YouTube Channel.

 
 

Apple iPhone 7 Plus Review - Verdict: Apple IPhone 7 Plus White (3)

Value For Money

The phone is available to buy from £719 for the smallest capacity (32GB), rising up to £919 for the highest capacity (256GB). If you’re intending to use the phone to take a lot of photos and/or videos, it’s worth getting the biggest possible. It’s an expensive phone, more expensive than most phones, but you can get some deals by buying the phone on a contract to make it easier to pay for.

Have a look at more smartphones in our Top 10 Best Smartphones for Photography. You'll also need to buy a case or bag to keep your phone safe and protected - have a look at our complete guide to camera bags.

Apple iPhone 7 Plus Verdict

The iPhone 7 Plus is very well built, and while it’s definitely on the large side, some people will enjoy the screen’s ability to display your photos very well.

The screen’s colour is vibrant, and the new expanded colour gamut is one of the key selling points of the phone. Of course the other is the dual lens setup. This is very useful when you’re using the phone in bright light, but if you want to photograph in low light, performance is not quite so good. Overall, image quality is great from both cameras, but the wide angle will probably definitely be your camera of choice for lower light shots.

Apple has kept the setup very simple for the native camera app, but you can download plenty of apps which give you manual control, including plenty which allow you to shoot in raw format if you need it.

Other great features including waterproofing, 4K video and the range of apps which are available for iOS. Some will no doubt find it hard to overcome the high price of the phone, especially when compared to some others on the market.

Ephotozine Recommended Award

The iPhone 7 Plus is very well built, with an innovative dual lens setup for 2x optical zoom, but comes at a price.

View Full Product Details

Apple iPhone 7 Plus Specifications

Manufacturer
Apple
Front Camera
Pixels
No Data
Max Aperture
No Data
Smartphone Cameras
Smartphone Cameras
Additional Cameras
No Data
Lens
Max Aperture
f/1.8 - f/2.8
35mm equivalent
28mm - 56mm
Optical Zoom
2x
Image Sensor
Pixels
12Mp (Megapixels)
Pixels (W)
No Data
Pixels (H)
No Data
Sensor Type
Back-lit CMOS (B.S.I.)
Sensor Size
No Data
Sensor Size (width)
No Data
Sensor Size (height)
No Data
Aspect Ratio
LCD Monitor
LCD Monitor
5.5in
Screen resolution
1920x1080
Touch Screen
Yes
Focusing
Focusing modes
Autofocus
Face Detection
Touch AF
Exposure Control
Shutter speeds shortest
No Data
Shutter speeds longest
No Data
ISO sensitivity
No Data
Video
Movie mode
Yes
Video Resolution
4K
Video FPS
No Data
Stereo Sound
No Data
Other Features
Image Stabilisation
No Data
Interface
USB
Lightning
Wi-Fi
Yes
Storage
Internal Memory
No Data
Power Source
Battery Type
No Data
Box Contents
Box Contents
No Data
Dimensions
Weight
188g
Width
158.2mm
Height
77.9mm
Depth
7.3mm

Apple iPhone 7 Plus Verdict

Features
Handling
Performance
Value for money
Verdict
Pros
  • Bright f/1.8 wide angle lens
  • Extra telephoto lens
  • 4K video recording
  • Optical image stabilisation
  • Waterproof
Cons
  • High price
  • Low light performance not so good for telephoto camera
  • No headphone jack (adapter provided)

Comments

themak
themak
10 1.2k
Oct 11, 2016 3:56pm
Surprising Apple doesn't market it as 'non-incendiary'.
AlexandraSD
AlexandraSD
12 773
Oct 13, 2016 1:02am
Initially i was excited by this phone, but now i have gotten over the hype, its just another smartphone that takes photos at the end of the day, no tripod bush, no hotshoe, only shoots raw through apps... Sure the slow motion looks cool, but there is no way i would get one, the dynamic range does not look like it has barely improved since the iphone 4s, and the noise is actually pretty bad. Expected more from this product but hey, it will keep the hipsters happy until the iphone 8 comes out next year, which will probably have 3 lenses and a flash sync cable...
FredDee
FredDee
10 78
Oct 13, 2016 1:36pm
£1000 + for a telephone !! The world has gone mad !! I paid £7.99 for my telephone . and it makes great calls !! For my picture taking I use a camera ! Makes great pictures (when I get it right !) Maybe I'm just old fashioned (or just getting old !) Fred
MUSTDOS
MUSTDOS
9 16
Oct 16, 2016 1:55pm
Quote:£1000 + for a telephone !! The world has gone mad !! I paid £7.99 for my telephone . and it makes great calls !! For my picture taking I use a camera ! Makes great pictures (when I get it right !) Maybe I'm just old fashioned (or just getting old !) Fred No, you just have common sense. Want a better camera? Get one, not a phone.