Zone' users can adjust the ISO setting into one of five positionsįrom 100 to 1600 which is more than adequate for most lightingĬonditions, although I'm not sure why Canon didn't include an ISO 3200 setting, given the excellent image quality at ISO 1600. Additionally, they provide the 'A-DEP' (Automatic Depth ofįield) function that gives a wider depth of field between The normal settings including Program, Aperture and Shutter Canon refers to theseĪdvanced operations as the 'creative zone' and provides all ThereĪre, of course, manual and semi-automatic modes for users All of these functions performedĪdequately in all aspects, apart from the close-up macro mode thatĭid not come near to offering a true 1:1 reproduction (you'll need a dedicated macro lens for that). Like most entry-level DSLRs the EOS 450D provides a number ofĪuto shooting modes aimed at beginners, including portrait, landscape, close-up, sportsĪnd night portrait and flash off choices. Thankfully the second one actually worked, and the image stabilisation is undoubtedly a real boon for low-light photography. My review of the EOS 450D was delayed by a malfunctioning EFS 18-55mm lens which refused to auto-focus properly, despite the camera claiming otherwise. Canon and Nikon also claim that a lens-based anti-shake system is inherently better too, but the jury's out on that one. Canon's system is obviously limited by which lenses you choose, but it does offer the slight advantage of showing the stabilising effect through the viewfinder. The difference between Canon (and Nikon) and the others is that Sony, Olympus and Pentax have opted for stabilisation via the camera body, rather than the lens, which therefore works with their entire range of lenses. This is important for Canon, as competitors like Sony, Olympus and Pentax all offer image stabilisation in their DSLRs. I tested the EOS 450D with the new EFS 18-55mm f/3.5-5.6 IS kit lens, which offers the same range as the standard lens shipped with the 400D but crucially adds image stabilisation. The Canon EOS 450D looks and feels more expensive than it is actually is, and is certainly solid enough for an entry-level DSLR. The most obvious difference is the larger 3 inch LCD screen, which has necessitated the removal of the vertical row of 5 buttons as found on the EOS 400D, which have now been dispersed around the rest of the camera. Small body size means that the grip isn't particularlyĭeep and people with large hands (like me) may find that their Holding the camera is a little fiddly because the EOS 450D's comparatively The plastic outer shell has a more refined finishĪnd there's some new textured areas on the hand-grip and thumb-rest on the rear of the camera. It's actually slightly bigger in all dimensions (128.8 x 97.5 x 61.9 mm), but slightly lighter in weight at less than 500g. The Canon EOS 450D is outwardly very similar to its predecessor, the EOS 400D, with a few smoother edges and rounded corners. Support PhotographyBLOG: Buy the Canon EOS 450D from Mark Goldstein found out if the Canon EOS 450D can beat both the 400D and its main rivals. The 450D is more expensive than its predecessor, which is now being offered as a budget option. There's even a new kit lens, the EF-S 18-55mm f3.5-5.6 IS, which should help dispel some of the criticism aimed at Canon for not offering an affordable image stabilisation solution. The EOS 450D / Digital Rebel XSi also features a larger 3 inch LCD screen, new 9-point AF system, 14-bit processing, spot metering, SD cards instead of CompactFlash, and a 3.5fps continuous mode. The inevitable resolution increase, from 10 to 12 megapixels, is present and correct, but perhaps more exciting is the addition of Live View, with not one but two different modes including contrast detection AF, similar to that used by the Panasonic DMC-L10. The Canon EOS 450D (also known as the Digital Rebel XSi) is the successor to the popular EOS 400D DSLR camera, and it offers a number of significant improvements that Canon hope will fight off the ever-increasing competition.
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